Top 239 Sketches Quotes & Sayings - Page 3

I have written my life in small sketches, a little today, a little yesterday... I look back on my life as a good day's work, it was done and I feel satisfied with it. I made the best out of what life offered.

I have written my life in small sketches, a little today, a little yesterday, as I have thought of it, as I remember all the things from childhood on through the years, good ones and unpleasant ones, that is how they come out and that is how we have to take them.

Some films really do take years to get going, but I'd say that most of the films I want to do are slightly smaller projects. Some could be sketches. They're not all oil paintings.

I used to have the 'Best Of Eddie Murphy' VHS tape that I wore out completely, watching it over and over again. His 'Buckwheat Sings' is, to this day, one of my all-time favorite sketches on the show. I also loved the one where he plays the Tooth Fairy.

Fabio Celon did send me pages as he progressed, both in black and white and some color samples as well. It was really exciting to see the sketches and to see the story [The Kite Runner] shaping up visually.

I do have a dream, a tableau of the bathing place of La Grenouillère, for which I've done some bad pochades (sketches), but it is a dream. Renoir, who have just spent a couple of months here, also wants to paint this subject.

I took classes and performed and did improv and sketch and wrote sketches and did lights and sound for other people's shows just so I could be around the theater. That was about seven nights a week for seven years.

I love telling stories. I love the intimacy between the writer and reader. When you write sketches it's over in two minutes. When you write a book the characters have to have a bit of emotional depth.

I was fooling everyone by surrounding myself with funny people. But then I put myself out there - writing my own sketches, going on stage with nobody surrounding me - and for some reason people were still laughing.

I think the Mama people remember is from 'Mama's Family.' She really turned into a pretty cool character. The sketches from the 'Burnett' show, if people are old enough to remember, were written by writers who all hated their mothers.

No other show was as absurd as 'Crackerjack'. It had Stu Francis, who was the first person I saw on TV telling jokes for kids, and then there were the Krankies, who were a comedy duo with a middle-aged woman dressed as a schoolboy doing sketches.

I recently discovered that Karl Lagerfeld sketches every single design in the Chanel collections. This made me so happy. I know it seems obvious, that the head of a fashion house such as Chanel would do this, but it isn't always the way.

I definitely knew I wanted to be an actor in high school. I was doing plays and musicals, and I loved 'Saturday Night Live' and thought that was what I wanted to do - funny sketches and comedies. So I knew then, but I didn't know how to go about it, but I found my way.

I think what is nice about 'Elf,' and why it doesn't play as one long sketch, is that the character actually grows up during the course of the film. It's not just a character that you can keep checking in on and keep doing sketches about. It's a story. I'm pretty proud of how we told it.

I never felt that I was a leading-man type in high school. I was always the goofy guy who was getting attention from girls who could make them laugh by doing impersonations of, like, 'Saturday Night Live' sketches... I was more James Stewart than James Bond.

I used to do little sketches into my cassette tape recorder when I was a little boy. I would just turn it on and just start doing voices and characters. I just loved it.

Don't be too precious or attached to anything you write. Let things be malleable. For sketch writers, remember they're called sketches for a reason. They're not called oil paintings. Some of them are going to stink. You have to let them stink.

I think I saw 'Ghost' at, like, 6 or 7 - like, a little too early to see 'Ghost' - but I would watch Whoopi over any kids' thing. Everything she did was so funny, and all of her scenes are almost like sketches.

I generalized rashly: That is what kills political writing, this absurd pretence that you are delivering a great utterance. You never do. You are just a puzzled man making notes about what you think. You are not building the Pantheon, then why act like a graven image? You are drawing sketches in the sand which the sea will wash away.

I do have a dream, a painting, the baths of La Grenouillere for which I've done a few bad rough sketches, but it is a dream. Renoir, who has just spent two months here, also wants to do this painting.

The author describes how impressed she was with the detailed storyboards that outlined her movie – "not just sketches, but real art". She then describes a Hawaiian sunset as, "God painting His storyboard on the sky".

Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.

SM:TV' is where we learned our trade. It was young, we could try out new sketches every week. When we got better ratings than our BBC rival, 'Live And Kicking,' it was amazing.

Looking back, when my cousins and I were kids, we'd put together these little skits - these 10-minute improv scenes. I didn't really understand what I was doing - that I was writing these mini-sketches and acting - but we were all totally into it.

My mom worked at [American] Vogue before I was born. She has always been fashion-minded. I grew up with original Yves Saint Laurent sketches on the wall in our house. A lot of that rubbed off on me.

I swear, sometimes I am convinced my life is just a series of sketches for America's Funniest Home Videos, minus all that pants-dropping business. Except my life really isn't all that funny if you think about it.

I never did improv professionally, but that was certainly in my training as an actor. I like it. Actually, when I did theater, I used to have a partner, and that was the way we used to write a lot of our sketches, through improvisation. So it's something I feel comfortable with.

I created DonorsChoose by putting pencil to paper - literally - and sketching out each screen of the web site and how it would work. Then I paid a programmer from Poland $1,500 to turn my sketches and common-sense rules into a functioning website.

I never really set out to be a comedian, but as a kid, I loved doing sketches and playing characters. And then a great friend kept telling me I should be a comedian, so I followed her advice and gave it a shot.

Daft Wee Stories' is, as the title says, daft wee stories. I just sort of rattled them out, tried to make them quite funny, with punchlines - they're kind of like sketches.

In the old days, you had to wait for people to give you money to go and make something. Now, you can post your own sketches online to get them seen. It means more talented people are coming through.

I spent a lot of time on my own working out the physical vocabulary for how Gollum moved. As I say, I drew on a lot of Tolkein's descriptions of how he moves, but also the conceptual artist sketches.

Science was always a passion, but I also loved 'Monty Python' and 'The Young Ones,' and I discovered the Footlights comedy club at university, where a lot of those people got their start. I had a go and loved it immediately. After that, I just couldn't stop writing sketches, and it all took off from there.

With the Larry Bertlemann portrait, I started with a photograph that I could use for it. I built the drawing's identity to serve as a graphic identity. After a number of sketches, I went into my own abstract vernacular of drawn lines and shapes to create the composition for the poster design.

If I'm feeling confident, then I write confident, happy, or assured music. I can hear some early electronic sketches I did where I'm clearly not confident and everything's a bit mid-range, nothing really pushes through.

I don't work from drawings and colour sketches into a final painting. Painting, I think, today - the more immediate, the more direct - the greater the possibilities of making a direct - of making a statement.

I would love the opportunity to create my own program. I feel like a TV show with a format of monologue with lots of sketches thrown in could be really fun. But you know, that may never happen. Minimally, I just want to keep making stand-up.

I used to write sketches. I loved David Letterman in the '80s. I used to write Top 10 lists for him, and I faxed them in anonymously. I'm sure they threw them away.

As I got farther and farther along in the series I did less and less preparation. I didn't use outlines or sketches. I just had a vague idea of what I wanted to tell and then the dialogue just came to me as I was inking the page.

With 'Puddle Cruiser,' the first 15 minutes are the weakest. When you're total unknowns and you have a weak opening, it's a real problem. At some screenings, we'd see the odd walkout before the movie even got going. But to counteract that, we'd do sketches before the show to introduce the film.

My university degree is in art and, yes, I do a lot of drawing for all my books. I have a big drafting table set up in a spare bedroom and I cover it with maps and house plans and sketches that I use in the books. Also, I truly love architecture, so that plays a big part in all my books.

I have a showroom where we experiment with twelve cakes. We develop sketches and ideas for cakes for the next season. We work with the top fashion designers to see what type of lace they are using or work with the top florist for us to be able to make various sugar roses or flowers.

Then we tried to come up with ideas for the sketches, and then, when we actually shot the movie, we really just sat down - never previewed the movie - we just really winged it.

We were the best of friends. We monkeyed around recording sketches and jingles in George's bedroom. On November 5, 1979, I phoned George and said 'It's now or never.' Then we formed our first band.

The original Dean Martin Comedy Hour handed me some hysterical sketches. I've got highlights on tons of these variety shows, given to me by their great writers. I'd love to be doing all that again.

I think the future belongs to the comedic polymath. It belongs to the person who can generate the most good material in the biggest variety of ways, whether it's sketches or stand-up or songs or tweets or television or films.

After fulfilling its destructive urge towards everything that is noble and good on earth, it [naive Religion] sketches, in its opium intoxication, a picture of the future situation, which differs drastically from the order of this world, since everything changes and is renewed.

I'd been writing sketches since high school, but 'Friends of the People' really taught me about structure - how to wait out a joke, how to stick with it for a while. It also made me more confident onstage as a performer.

I started out in comedy gigging and scraping a living together, and eventually worked up to doing shows at the Comedy Store in London in 1979. That led on to me presenting a show in the early days of Channel 4 called 'Whatever You Want,' which had live music and sketches.

My books were always full of ink blots, always stained and covered with smeared sketches and pictures, which one draws idly when his attention wanders from his task.

I will never tire of recommending the custom, practiced by the best architects, of preparing not only drawings and sketches, but also models of wood or any other material. These... enable us to examine... the work as a whole... and, before continuing any further, to estimate the likely trouble and expense.

I just use all the skills that I learned in film school, and I just incorporate them into my sketches. People don't realize that, with a story, there has to be a beginning, middle and end. There has to be a problem and a resolution. Just because it's six seconds doesn't mean it's not a story.

Some of my work is very instinctive, some of my favourite things I've ever done are just two minute sketches, nothing is better when you get it like that so quick, then other work takes months.

These rough sketches, which are born in an instant in the heat of inspiration, express the idea of their author in a few strokes, while on the other hand too much effort and diligence sometimes saps the vitality and powers of those who never know when to leave off.

My acting has always been in the world of comedy, but in my writing, other than writing sketches, I really am drawn to the balance between comedy and drama. I like things that sort of toe that line of one minute you're in this emotional space and then all of the sudden something happens.

I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices.

When Nixon died, on my radio show I started doing sketches with three basic conceits: One, there's a place called Heaven. Two, Nixon got in. And three, he's still taping.

The first day was memorable for me. I walked into this studio with these giant eyes, slowly met everybody and got to see the story boards and sketches of our characters. I got the see the sets and was just amazed that all this was to be something we all were going to be part of for almost a year.

I always carry a sketchbook around with me, and I sketch whenever I can... I might be in a financial review and be sketching because I find that I actually listen better when I sketch. Truth be told, there are probably more sketches in my books than there are written notes.

Unlike the photography and prints, I never catalogued, kept track of or exhibited the sketches. I sold some occasionally, but never saw myself as a graphic artist. They became more important to me thanks to the exhibition, however, and I realized that these drawings were quite interesting after all.