Top 1200 Small Roles Quotes & Sayings - Page 4

I just don't want to miss anything in the lives of my children while they are still young. It's why I don't audition for leading roles at all and why I say no to some of the supporting roles that I do get offered.

Now, there are roles which are capturing a vibrant moment in an older woman's life. There was a time when those interesting roles stopped at 28. A few years ago we would have been finished by our age.

I played Sanjay Dutt's role in 'Son of Sardar' in a Kannad film. But because roles aren't being discussed and published that much people tend to think that I am doing only negative roles.

Usually, the roles that you get offered that are the mom roles are very much the mom role.

I only get involved with roles that I find intriguing, in top quality productions regardless of the medium. I try not to focus on the format itself and concentrate instead, on finding roles that challenge and entertain me as an artist.

I've seen an increasing willingness to hire Canadians for lead roles that shoot up here. When I started, they would always just fly in L.A. people to do the lead roles.

People know me because I play the monsters, but I'm most recognized from the small roles in which they see my face. None of that stuff really bothers me. Whether I'm recognized in or out of a costume isn't a kind of pressure I put myself through anymore.

If I only get to play Malaysian roles, there wouldn't be very many roles for me to play.

I think I'm open to adventures and surprises. As a performer, I'm really just naturally talented. And those roles may not look as good on paper, but I know how to create them on screen. I like to have fun and interpret my roles in my own way.

To be honest, I don't see myself acting forever. I just can't imagine myself being a 70-year-old man fighting for roles. I would love to do small parts in my friends' movies or things that I'm directing myself. I do envision myself behind the camera as I get a little bit older.

When you're a Black actress, the box that we often get put in is so small. And me being a dark-skinned Black actress, the opportunities become so limited in a way that is just wrong. It's not fair. I'm so capable of playing a wide variety of roles. It comes down to whether or not I'm given the opportunity to do it.

Small? Nah, I never want to be small. Big people usually push small people around. Why would I want to be small?

I have roles in plays that I hope that I'll be able to do one day. I might be doing them at, like, the East Wilton Playhouse in wherever. But I think that Edie Falco... to get something even resembling her type of roles, that would be amazing.

No artiste wants to be boxed. We thrive on challenging roles, and they can come from anywhere. I consider myself blessed to be recognised as a pan-Indian actor. Yes, it means more hard work, prepping more for the roles, but I'm all for it.

Women in their 40s have gone through quite a few different things, and so the roles are going to reflect that. People say, 'Oh, it's done by 40,' and now everyone knows it's not. I actually feel like the roles are a lot more interesting.

I felt like I wasn't considered for minority or Caucasian male lead roles. There aren't really a lot of roles written for me, and I mean me and who I am in real life.

I like flawed characters very much. A lot of times I get asked to do parts that are kind of small but key - three-scene roles that are three kick-ass scenes. Growing up, watching as many movies as I did, I was always into character actors like that.

I used to visit one production house every day, and I used to take up auditions even for small roles. Before my debut, I must have auditioned at almost every single production house.

Around age 38, there was a slight change to my voice, and very much in the center. That made it possible to start thinking about certain roles: Guillaume Tell, Romeo, Edgardo. These roles require a fuller center.

I want to have the great roles that move people profoundly. I want to have the choice and be given the opportunity to play those roles, and unfortunately, fame plays a huge part in that.

I grew up in a small village outside of Krakow, and when I was small we had only a small television, and we had only one and two programs. I remember it was black and white. And I loved to watch Charlie Chaplin. I was so small, but I remember his movement.

Playing difficult characters is definitely challenging but playing the Mahanayak is not only difficult but one can't prepare himself for such roles as no preparation is enough for these kind of roles.

In New York I was always offered the hot, sexy roles. But in L.A. I was offered the plain, dowdy roles. It says a lot about the difference between the coasts

Studio heads seem to be getting the message that there is not only an audience out there, but there is a desire for people to see people of colour in central roles and in authoritative roles.

At Christmas, individuals are apportioned their roles in the family script - you're either the funny one or the sensitive one; or you either do the cooking or the washing up. And those roles aren't easy to change.

I do think there's a preoccupation that women understandably have with this idea of the roles we're meant to play and whether or not those roles serve us or ultimately kind of imprison us.

I like to be challenged as an actor, allowing myself to take up diverse roles. Even audiences get tired of watching their stars in similar roles over and over again.

I agree I'd like to do more work. But the right kind of roles has to be offered to me. I'm not saying the roles need to be realistic all the time, though that's what I like connecting with on screen.

I give preference to scripts and of course, the importance of my role in the storyline. Still I am not after hero roles. I take such roles only when I find the scripts exciting.

I don't need the money after 11 years on 'Frasier,' and there aren't that many great roles onstage left for somebody my age. I'm more interested in playing those roles than I am in playing bit parts in movies.

People like you in negative roles, they want to see you only in negative roles and thus you get typecast. At the end of the day, what matters is whether the audience loves you or not.

When you get into your 40s, the roles do tend to drop off, and I've seen it happening to friends of mine. Hopefully it is improving, and there are female TV executives now who are championing women of all ages in leading roles. But I'm not counting on it.

There is no roles. No one is keeping any roles. The drummer is also answering everybody and everything. So it is a constant conversation and communication between musicians on an extremely high level with extremely valuable material, motifs, and melodies.

I have never shied away from looking old or playing older roles on TV, since I feel my audiences know the real me, so why not have fun with roles that are not me.

Playing character roles gives me the freedom to try out different roles, including negative ones or elderly ones. When one is playing the lead role, clearly there are limitations and responsibilities.

In some environments, roles shift and change each period depending on what the company's needs are. On the other hand, many functional roles can become very repetitive if you perform similar tasks over and over again.

A lot of new girls are arriving every day - let them do the glamour roles! I am done with ultra glam outfits and five song routines - hereafter, I want to do meatier roles, now that I've acted with all the biggies.

On television, there isn't much scope to do different roles. I try to bring some new shades to my roles, and I try to play them differently. I think I have been able to manage that pretty well.

I don't believe in being lazy, but I do think that this "big kid" thing may just be misinterpreting people who are taking advantage of all their opportunities and not tying themselves down to traditional gender roles or traditional life roles.

I love playing darker roles, or roles with meat. I feel very comfortable in that environment. I don't know why. I don't know what that says about me. I really enjoy doing complicated characters.

I think there has been a long-running notion in the West that Asia was a continent of people that were really conquerable. That people from Asia were weak, they were small in all ways - including physically small, geopolitically small, economically small - all of which are changing, of course.

The longer I've been doing this, the more I've realized that you have no idea what kinds of roles are possible for you - dream roles can take you by surprise. That being said, I need to play Hamlet one day. I'd also love to be in a play that I have written myself.

It's so funny because the roles that I've been offered in the indie film world have been similar to each other, and the roles that I've been offered in the TV world have been similar to each other, but the TV roles and the indie film roles have been completely different.

In New York I was always offered the hot, sexy roles. But in L.A. I was offered the plain, dowdy roles. It says a lot about the difference between the coasts.

I’m trying to get away from roles. I used to identify myself strictly in terms of my role, but when your roles fall away, part of you falls with them.

I have never thought about creating an image for myself in Bollywood. I am an actor and just want to experiment with roles. I am ready to do all type of roles.

I would love to do roles which would become dream roles for others.

I've had to gain weight for roles and ugly myself up for roles. So yeah, I'm game. I'm game for that kind of thing. I'm certainly not too vain in that respect. If it's a great role, I'm willing to do whatever it is that it takes.

But as far as dream roles - I know this is so expected of me, but I would to play Elphaba in 'Wicked' on Broadway. I have a lot of dream roles, but that's like my main one because of the vocal track. I love belting high things!

Ive seen an increasing willingness to hire Canadians for lead roles that shoot up here. When I started, they would always just fly in L.A. people to do the lead roles.

Balancing is hard. I've lost roles that I really wanted because I had set up a tour. I cancelled tours to do roles before. But I have to find the time to make that up to my audience. I made a commitment to them.

Of course men play roles, but women play roles too, blanker ones. They have, in the play of life, fewer good lines.

Actresses are defined more by the roles they say 'no' to it than the roles they say 'yes' to it.

I'd quite like to do a film but I'd also love to do more theatre. I want to keep challenging myself with good roles. It's harder for women because there aren't as many challenging roles.

I've always admired Cate Blanchett and the roles she chooses. I think she's got an incredible discipline in a way, with choosing roles that are going to help her grow and bring something interesting to the world.

We're in crisis mode as black actresses. It's not only in the sheer number of roles that are offered and that are out there, but the quality of the roles. The quality - and therein lies the problem. We're in deprivation mode because me, Alfre and Phylicia, we're in the same category. Whereas if you take a Caucasian actress, you have the one who are the teens, in their 20s, 30s, 40s, 50s - they're all different. There are roles for each of them. But you only have two or three categories for black actresses.

We've figured out our roles: I wanted someone to take care of the male roles - the big stuff - and Laird [Hamilton] does that very well. I'm here to be the mom and make it better for him, and that's my choice.

In Bombay, people usually tend to cast you in roles that you've played before. Even though they may consider you to be a talented actor, they just think it's 'safer' to have you play the same kind of roles over and over again.

I've been very lucky with the roles that I've played in that they were wonderful roles for women. They're incredible, flawed characters that I really gravitate toward. I just never want anybody to be able to put me in a box.

I played teen roles until high definition came out, and I could never understand it. I would go in for adult roles and be older than many of the people auditioning, but they'd cast the girl without a line on her face.