Top 1200 Small Rooms Quotes & Sayings

When they have a choice, people will always gravitate to those rooms which have light on two sides, and leave the rooms which are lit only from one side unused and empty.

I've gone to big stadium rock concerts at some artist's invitation, and there's this invariable, fascinating and rather sad situation of concentric circles of availability. There are Green Rooms within Green Rooms literally within Green Rooms. There are seven or eight degrees of exclusivity, and within each circle of exclusivity, everyone is so happy to be there, and they don't know that the next level exists.

There's something about the processional nature of the architecture, of the rooms connecting rooms. It's just breathtaking.

Academic chairs are many, but wise and noble teachers are few; lecture-rooms are numerous and large, but the number of young people who genuinely thirst after truth and justice is small

Locker rooms and grill rooms are still the best places to find out things you don't know - at the Masters or any other golf tournament.

When I am in New York, you know, my studio is big, about 20,000 to 25,000 square feet, and I have painting rooms and rooms I do etching in, rooms I do lithographs.

How many of the unicorn companies are really prosaic businesses - like limousine services or renting rooms in your house? The original VC firms from the '70's made their money and established the reputation of their respective brands by leveraging big cleverness with small capital, not small cleverness with big capital, and that's what's going on with these unicorns. That has never worked and it won't work this time. It doesn't produce venture quality returns, and it never will.

I've got about three or four rooms of records, and two rooms of instruments.

The allure becomes, "Can I make these rooms bigger?" Can I fill these 1,500-seat rooms? Then the allure is, how much, if we're being honest, how much can I squeeze out of it financially?

If nations always moved from one set of furnished rooms to another -- and always into a better set -- things might be easier, but the trouble is that there is no one to prepare the new rooms. The future is worse than the ocean -- there is nothing there. It will be what men and circumstances make it.

I get to play around with different ideas and beautiful melodies. I don't have to yell in a rock voice. I think you can get an emotional depth in the types of rooms we're playing that you can't find in larger rooms.

Backstage at the Apollo isn't a fun place to be. It's a bit like a prison: small rooms filled with warm Diet Coke.

Home, home -- a few small rooms, stiflingly over-inhabited by a man, by a periodically teeming woman, by a rabble of boys and girls of all ages. No air, no space; an understerilized prison; darkness, disease, and smells.

I can write anywhere. I write in airports. I write on airplanes. I've written in the back seats of taxis. I write in hotel rooms. I love hotel rooms. I just write wherever I am whenever I need to write.

So the real drama for me is balancing live performances and writing, and one of the ways I balance it is I write in hotel rooms. That's not exactly balancing. Actually, writing in hotel rooms means that I'm refusing to deal with the problem.

Growing up in a small town in upstate New York, some of the first real friendships I had were in chat rooms.

My goal was to play 350-capacity rooms in the U.K. and, if I was lucky, 100-capacity rooms in Europe. I just wanted to play music and make money off it.

Always hold your sales meetings in rooms too small for the audience, even if it means holding them in the WC. 'Standing room only' creates an atmosphere of success, as in theatres and restaurants, while a half-empty auditorium smells of failure.

You open up a lot of tours making nothing just for the fact that you need to start somewhere and get some exposure. When you start to headline your tours, all the money is in headlining, but there's no money in headlining small rooms.

Twenty years ago, you'd see guys busting rackets in locker rooms. Today they do it in their hotel rooms.

We rehearsed for two weeks [in "Fences"], and we taped out the whole house in the front, and the rooms, and we stood it up like a play. We tried to get off book and gave people small props.

Mathura railway station should be a blend of heritage look with modernisation like escalator and better waiting rooms for general class passengers. Instead of taking rest on the ground, the passengers in general waiting rooms should be provided benches.

The earth's biosphere could be thought of as a sort of palace. The continents are rooms in the palace; islands are smaller rooms. Each room has its own decor and unique inhabitants; many of the rooms have been sealed off for millions of years. The doors in the palace have been flung open, and the walls are coming down.

We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true.

Small rooms or dwellings set the mind in the right path, large ones cause it to go astray.

Real writers - serious writers with serious subjects, who earn their living at it - all seem to write in small rooms with that knotty-pine 1974 look on the top-floor rear of their houses. Rooms with views.

I made the decision that I didn't want to spend my life in rooms and write about rooms, or else make books that are researched constructs. I think you do have to get out there and live it. Thriller and genre writers seem to understand this.

To go back to architecture, whats organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.

To go back to architecture, what's organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.

We haven't always been aware of it, but the 'locker-room bro talk' has long been going on not just in locker rooms but in some corporate conference rooms. Of course, not by all men. But by some - including some who hold positions of power. And that matters in holding women back.

Comedy is learning to be funny, and you learn to be funny in small rooms with young audiences.

I love playing. If it was down to just that, it would be utopia. But it's not. It's airplanes, hotel rooms, limousines, and armed guards standing outside rooms. I don't get off on that part of it at all.

Now, in the sixties we were naive, like children. Everybody went back to their rooms and said 'We didn't get a wonderful world of just flowers and peace and happy chocolate, and it won't be just pretty and beautiful all the time,' and just like babies everyone went back to their rooms and sulked. 'We're going to stay in our rooms and play rock and roll and not do anything else, because the world's a nasty horrible place, because it didn't give us everything we cried for.' Right? Crying for it wasn't enough.

My childhood library was small enough not to be intimidating. And yet I felt the whole world was contained in those two rooms. I could walk any aisle and smell wisdom.

The Laboratory for Radioactivity consisted of only two rooms at the time; at a later date, when tests of radioactive substances became more extensive, it expanded into four rooms.

The modern era of feminism is how you track that at its beginning. It manifested itself in crazy ways. Parents would try raising their daughters in blue rooms with GI Joe and try raising their sons in pink rooms with Barbie to see what would happen, and they were shocked.

I'm a major feminist. There's a real politic in life, where I've been in rooms where real decisions are made, and it's a lot of powerful white men. There are women in those rooms, but not as many as there should be.

In my books, there are a lot of people stuck in rooms. Or, conversely, out in the wide open. It seems that, in a funny way, when people are cooped up in rooms they are freer than when they are wandering about in the world.

I'm not asking for there to be all black writer's rooms or all Asian writer's rooms, or all white - I want them all to be diverse. When it's diverse, you're going to have a completely different dynamic. Everybody feels othered. Nobody feels like they've got the upper hand.

I grew up in a small hotel with many rooms, so when I became aware of 'The Lion, the Witch, and the Wardrobe,' I inspected all the wardrobes, sure one had to be a portal to another world. I was also a true believer in faeries, and perhaps still am.

If I had millions and millions and millions of dollars, I'd leave a large portion to the 42nd Street library. That's why - that was my hangout, the reading rooms, the North and South reading rooms. I'd go there, and my God, I couldn't believe I had access to all of these books. That was my university.

I LOVE THE COMEDY CLUBS AND THE CLOSENESS OF THE CROWD. HOWEVER THE MORE YA DO THE BIG ROOMS THEY START TO BECOME YOUR HOME AS WELL AND YOU ADJUST TO THE SURROUNDINGS. I LOVE THEM BOTH. I MISS THE CLUBS BUT THATS WHAT YA WORK FOR TO DO THE BIG ROOMS!

Our rooms were bugged, our phones were tapped, and our lawyer's rooms were broken into and their files stolen. We finally had to hire armed guards with pistols to be able to maintain our records. It was hard to believe we weren't in Russia.

America’s drug problem is not going to be solved in courtrooms or legislative hearing rooms by judges and politicians. It will be solved in living rooms and dining rooms and across kitchen tables – by parents and families.

Small rooms or dwellings discipline the mind, large ones weaken it.

Many writers do little else but sit in small rooms recalling the real world.

To deliver predictability, we have partnered with Biotique for in-room toiletries, Airtel for Wi-Fi and DTH, and small laundromats in cities to provide clean linen in our rooms.

If nations always moved from one set of furnished rooms to another - and always into a better set - things might be easier, but the trouble is that there is no one to prepare the new rooms. The future is worse than the ocean - there is nothing there.

They wordlessly excused each other for not loving each other as much as they had planned to. There were empty rooms in the house where they had meant to put their love, and they worked together to fill these rooms with midcentury modern furniture. ("Birthmark").

There is something so deeply visceral about libraries for me-rooms and rooms full of people dreaming and remembering.

They told me that the hotels had maybe two rooms set up for people with disabilities, but if they got there too late, and didn't get one of these rooms, they couldn't take a shower. The room wasn't hooked up for them, or maybe the sink was too high.

Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.

I used to clean my brother and sister's rooms. And I would go to friends' houses and clean their rooms, too.

It should surprise no one that the life of the writer - such as it is - is colorless to the point of sensory deprivation. Many writers do little else but sit in small rooms recalling the real world.

The mix in our rooms is so touching: the clutter and the cracks in the wall belie a bleakness or brokenness in our lives; while photos and a few rare objects show our pride, our rare shining moments ... these rooms are future ruins

An artist's studio should be a small space because small rooms discipline the mind and large ones distract it.

Do not be afraid of large patterns, if properly designed they are more restful to the eye than small ones: on the whole, a pattern where the structure is large and the details much broken up is the most useful...very small rooms, as well as very large ones, look better ornamented with large patterns.

There have been days where I've had two writers' rooms or three writers' rooms going, and you walk back and forth. And then you sort of throw yourself on the sofa, and you go, 'Just talk at me for, like, 20 minutes,' and my brain will catch up with this particular story. But I find that exciting.

Happiness--a small-scale, endearing, harmonious happiness--surely dwelt here beneath the low-powered lamps in the tiny rooms of these houses. A small-scale happiness and a modest harmony: let a man cry out, let him rage, let him howl with grief with all the power of which he was capable, what more than these could he ever hope to gain in this life?

When you have to negotiate for survival, and you have to know how to read rooms, and you have to know who the bad guys in the rooms are - who has the gun in their pocket, who's just going to brandish it, and who's going to actually pull the trigger. So I think that's just a natural instinct that comes with coming from where I come from.