Top 1174 Smooth Sailing Quotes & Sayings - Page 19

Some days I feel like playing it smooth. Some days I feel like playing it like a waffle iron.

When I'm on stage, I'm not me playing me. I'm somebody else doing me. I could never go on stage and be like, "Hey, I'm Mike Tyson. My mother and father was in the sex industry." That's the politically correct way to say it, but I would really say, "My mother and father were pimps and whores. This is my life." I could never do that as Mike Tyson. Because I'd feel sorry for myself. But if I could be objective about it and be somebody else, portraying Mike Tyson, saying this story, then it's easy sailing.

f the injustice is part of the necessary friction of the machine of government, let it go, let it go; perchance it will wear smooth - certainly the machine will wear out... but if it is of such a nature that it requires you to be the agent of injustice to another, then I say, break the law. Let your life be a counter-friction to stop the machine. What I have to do is to see, at any rate, that I do not lend myself to the wrong which I condemn.

I had the feeling of slipping down a smooth bottomless pit. It had nothing to do with Breuer and the people. It had nothing to do with Pat even. It was the melancholy secret that reality can arouse desires but never satisfy them; that love begins with a human being but does not end in him; and that everything can be there: a human being, love, happiness, life — and that yet in some terrible way it is always too little, and grows ever less the more it seems.

How dare the smooth talkers, the clever official blabbers, open their mouths and boast of progress. . . . Here they hold jubilant peace conferences in which they talk against war. . . . But the same righteous Governments, who are so nobly, industriously active to establish the eternal peace, are preparing, by their own confession, complete annihilation for six million people, and there is nobody, except the doomed themselves, to raise his voice in protest although this is a worse crime than any war . . .

All the way out I listen to the car AM radio, bad lyrics of trailer park love, gin and tonic love, strobe light love, lost and found love, lost and found and lost love, lost and lost and lost love—some people were having no luck at all. The DJ sounds quick and smooth and after-shaved, the rest of the world a mess by comparison.

Lines I die but when the grave shall press The heart so long endeared to thee When earthy cares no more distress And earthy joys are nought to me. Weep not, but think that I have past Before thee o'er the sea of gloom. Have anchored safe and rest at last Where tears and mouring can not come. 'Tis I should weep to leave thee here On that dark ocean sailing drear With storms around and fears before And no kind light to point the shore. But long or short though life may be 'Tis nothing to eternity. We part below to meet on high Where blissful ages never die.

If you're Strigoi," the boy interrupted loudly, "then why don't you have horns? My friend Jeffrey said Strigoi have horns." Dimitri's eyes fell not on the boy but on me for a moment. Again, that spark of knowing shot between us. Then, face smooth and serious, Dimitri turned to the boy and answered, "Strigoi don't have horns. And even if they did, it wouldn't matter because I'm not a Strigoi.

I think computers have changed things tremendously. At one time, you tended to take the rough with the smooth. But now, because you can go back and stop and start, and have a limitless amount of tracks if anything looks remotely good, we keep it. You've got to go through the agony of sounding very human at first, and then you work on it with the aid of technology. Computers have revolutionized things in many ways allowing me to work to a standard I could have only joked about fourty years ago.

In youth we may have an absolutely new experience, subjective or objective, every hour of the day. Apprehension is vivid, retentiveness strong, and our recollections of that time, like those in a time spent in rapid and interesting travel, are of something intricate, multitudinous, and long-drawn-out. But as each passing year converts some of this experience into automatic routine which we hardly note at all, the days and the weeks smooth themselves out in recollection to a contentless unit, and the years grow hollow and collapse.

We have a choice. We can live in the past and be miserable and unhappy, or we can pick ourselves up and move ahead in life. When we choose to focus forward, we can find the energy and ability to remove any obstacles that may appear to be hindering our smooth progression. If you take stock of yourself and find you may be spending time frequently reliving unhappy experiences of the past, make the decision to rid yourself of the ties that bind you to a former way of life.

I am very fond of the modest manner of life of those solitary owners of remote villages, who in Little Russia are commonly called "old-fashioned," who are like tumbledown picturesque little houses, delightful in their simplicity and complete unlikeness to the new smooth buildings whose walls have not yet been discolored by the rain, whose roofs are not yet covered with green lichen, and whose porch does not display its bricks through the peeling stucco.

Carl Furillo was pure ballplayer. In his prime he stood six feet tall and weighed 190 pounds and there was a fluidity to his frame you seldom see, among such sinews. His black hair was thick, and tightly curled. His face was strong and smooth. He had the look of a young indomitable centurion ... I cannot imagine Carl Furillo in his prime as anything other than a ballplayer. Right field in Brooklyn was his destiny.

We must be careful not to choose, but to let God's Holy Spirit manage our lives; not to smooth down and explain away, but to stir up the gift and allow God's Spirit to disturb us and disturb us and disturb us until we yield and yield and yield and the possibility in God's mind for us becomes an established fact in our lives, with the rivers in evidence meeting the need of a dying world.

Later when I thought of the chickens, one of those rare pale blue eggs rose up into my throat. The chickens had been part of our family, and the egg in my throat was the feeling of something missing. It was hard and smooth and heavy, but also so fragile it might break and make me cry. It was the feeling of growing out of a favorite shirt, milk spilled on the floor, the last bit of honey in the jar, falling apple blossoms. It was the lump in the throat behind everything beautiful in life.

My breathing slowed. I shaded her thick chestnut hair resting in a smooth curve against her face, a large bruise blazing across her cheek. I paused, looking over my shoulder to make certain I was alone. I drew her eye makeup, smudged by tears. In her watery eyes I drew the reflection of the commander, standing in front of her, his fist clenched. I continued to sketch, exhaled, and shook out my hands.

There is the mind itself. It is like a smooth lake which when struck, say by a stone, vibrates. The vibrations gather together and react on the stone, and all through the lake they will spread and be felt. The mind is like the lake; it is constantly being set in vibrations, which leave an impression on the mind; and the idea of the Ego, or personal self, the "I", is the result of these impressions. This "I" therefore is only the very rapid transmission of force and is in itself no reality.

Its so hard to talk when you want to kill yourself. That's above and beyond everything else, and it's not a mental complaint-it's a physical thing, like it's physically hard to open your mouth and make the words come out. They don't come out smooth and in conjunction with your brain the way normal people's words do; they come out in chunks as if from a crushed-ice dispenser; you stumble on them as they gather behind your lower lip. So you just keep quiet.

Dancing. Come on. You can do it. It's a lot like navigating through a laser grid. It requires rhythm.' He moved her hips to the beat of the distant music. 'And patience.' He spun her around slowly and back toward him. 'And it's only fun if you trust your partner.' The dip was so slow, so smooth that Kat didn't know it was happening until the world was already turned upside down and Hale's face was inches from her own. Count me in, Kat.' He squeezed her tighter. 'You should always count me in.

Francis Coppola was very generous. We got paid a lot of money and he saw us every day, took us out every night. It was just a lot. Richard Gere was an absolute gentleman. Gregory Hines. You know, I worked with some giants and they were just so smooth. And it was the '80s. That's when people had a lot of money and it was okay to to hang out and be crazy.

Wealth from trade was the mainspring of Western material advance; the visible agents of change were great guns. These came of age in Europe in the 15th century. On land their potency in reducing castle walls favoured central over local power, since in general only monarchs could afford siege-trains; so nation-states were consolidated and extended into great territorial empires. At sea, guns transformed sailing ships into mobile castles virtually impregnable to opponents who lacked equally powerful ordnance. With the ocean-going gunned warship, western Europe began to extend around the globe.

We could learn to stop when the sun goes down and when the sun comes up. We could learn to listen to the wind; we could learn to notice that it's raining or snowing or hailing or calm. We could reconnect with the weather that is ourselves, and we could realize that it's sad. The sadder it is, and the vaster it is, the more our heart opens. We can stop thinking that good practice is when it's smooth and calm, and bad practice is when it's rough and dark. If we can hold it all in our hearts, then we can make a proper cup of tea.

The difference between the novice and the master is simply that the novice has not learnt, yet, how to do things in such a way that he can afford to make small mistakes. The master knows that the sequence of his actions will always allow him to cover his mistakes a little further down the line. It is this simple but essential knowledge which gives the work of a master carpenter its wonderful, smooth, relaxed, and almost unconcerned simplicity.

(Soft petals, yes, but not so barren quite, Mingled with these, smooth bean and wrinkled pea;) And go along with you ere you lose sight Of what you came for and become like me, Slave to a springtime passion for the earth. How love burns through the Putting in the Seed On through the watching for that early birth When, just as the soil tarnishes with weed, The sturdy seedling with arched body comes Shouldering its way and shedding the earth crumbs.

Sisters are made by living everyday with each other and wearing each other down until the rough spots are smooth. They're made by sharing secrets you'd never tell mom, and out of doing things for each other just because you feel like it, not because you have to. I guess you could say sisters are 'grown,' not manufactured, in a very special place called a family.

I've always loved books. I'm passionate about them. I think books are sexy. They are smooth and solid and contain delightful surprises. They smell good. They fit into a handbag and can be carried around and opened at will. They don't change. They are what they are and nothing else. One day I want to own a lot of books and have them nbear to me in my house, so that I can stroll to my bookshelves and choose what I fancy. I want a harem. I shall keep my favourites by my bed.

We who have seen him now, light on his feet, smooth moving as a leopard, a young man with an old man's science, the most beautiful fighting machine I have ever seen, may live to see him fat, slow, old, and bald taking a beating from a younger man. But I would like to hazard a prediction that whoever beats Joe Louis in an honest fight in the next fifteen years will have to get up the floor to do it.

To see the butcher slap the steak before he laid it on the block, and give his knife a sharpening, was to forget breakfast instantly. It was agreeable too - it really was - to see him cut it off so smooth and juicy. There was nothing savage in the act, although the knife was large and keen; it was a piece of art, high art; there was delicacy of touch, clearness of tone, skilful handling of the subject, fine shading. It was the triumph of mind over matter; quite.

The way of the Essentialist means living by design, not by default. Instead of making choices reactively, the Essentialist deliberately distinguishes the vital few from the trivial many, eliminates the non-essentials, and then removes obstacles so the essential things have clear, smooth passage. In other words, Essentialism is a disciplined, systematic approach for determining where our highest point of contribution lies, then making execution of those things almost effortless.

Ho, Ho, Sir Surgeon. You are too delicate to tell the man that he is ill. You hope to heal the sick without their knowing it. You therefore flatter them. And what happens? They laugh at you. They dance upon their own graves and at last they die. Your delicacy is cruelty, your flatteries are poisons you are a murderer. Shall we keep men in a fool's paradise? Shall we lull them into soft slumber from which they will awake in hell? Are we to become helpers of their damnation by our smooth speeches? In the name of God we will not.

Let me tell you about the travel ban. We had a very smooth rollout of the travel ban. But we had a bad court. Got a bad decision. We had a court that's been overturned. Again, may be wrong, but I think it's 80 percent of the time, a lot. We're going to keep going with that decision. We're going to put in a new executive order.

Have you ever stood where a stream spills into a river? The two become one. They laugh over the stones together, twist through the sharp canyons together, plunge down the waterfalls together. It is the same when a man and woman love one another. It is not always a pleasant thing, but when it happens, a man has little to say about it. Women, like streams, can be smooth one minute and make a man feel like he’s swimming through white water the next.

More wonderful than the lore of old men and the lore of books is the secret lore of the ocean. Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent. All my days I have watched it and listened to it, and I know it well. At first it told to me only the plain little tales of calm beaches and near ports, but with the years it grew more friendly and spoke of other things; of things more strange and more distant in space and time.

She finds tales everywhere, in grains of sand she picks up from the garden, in puffs of smoke that drift out from the chimneys of the village, in fragments of smooth timber or glass in the jetsam. She will ask them, "Where did you come from? How did you get here?" And they will answer her in voices very like her own, but with new lilts and squeaks and splashes in them that show they are their own.

We do not live in a time when knowledge can be extended along a pathway smooth and free from obstacles, as at the time of the discovery of the infinitesimal calculus, and in a measure also when in the development of projective geometry obstacles were suddenly removed which, having hemmed progress for a long time, permitted a stream of investigators to pour in upon virgin soil. There is no longer any browsing along the beaten paths; and into the primeval forest only those may venture who are equipped with the sharpest tools.

maggie and milly and molly and may went down to the beach (to play one day) and maggie discovered a shell that sang so sweetly she couldn't remember her troubles, and milly befriended a stranded star whose rays five languid fingers were and molly was chased by a horrible thing which raced sideways while blowing bubbles and may come home with a smooth rounded stone as small as a world and as big as alone. for whatever we loose (like a you or a me) it is always ourselves we find in the sea.

Often the lack of clear direction and goals can waste away our time and energy and contribute to imbalance in our lives. A life that gets out of balance is much like a car tire that is out of balance. It will make the operation of the car rough and unsafe. Tires in perfect balance can give a smooth and comfortable ride. So it is with life. The ride through mortality can be smoother for us when we strive to stay in balance.

Nature is a greater and more perfect art, the art of God; though, referred to herself, she is genius; and there is a similarity between her operations and man's art even in the details and trifles. When the overhanging pine drops into the water, by the sun and water, and the wind rubbing it against the shore, its boughs are worn into fantastic shapes, and white and smooth, as if turned in a lathe. Man's art has wisely imitated those forms into which all matter is most inclined to run, as foliage and fruit.

Having children can smooth the relationship, too. Mother and daughter are now equals. That is hard to imagine, even harder to accept, for among other things, it means realizing that your own mother felt this way, too--unsure of herself, weak in the knees, terrified about what in the world to do with you. It means accepting that she was tired, inept, sometimes stupid; that she, too, sat in the dark at 2:00 A.M. with a child shrieking across the hall and no clue to the child's trouble.

Even the street, the sunshine, the very air had a special Sunday quality. We walked differently on Sundays, with greater propriety and stateliness. Greetings were more formal, more subdued, voices more meticulously polite. Everything was so smooth, bland, polished. And genuinely so, because this was Sunday. In church the rustling and the stillness were alike pervaded with the knowledge that all was for the best. Propriety ruled the universe. God was in His Heaven, and we were in our Sunday clothes.

As I became aware that all things have unique spatial and temporal qualities which visually define and relate them, I began to perceive the things I was photographing not as objects but as events. Working to develop my skills of perceiving and symbolizing these event qualities, I discovered the principle of opposites. When, for example, I photographed the smooth, luminous body of a woman behind a dirty cobwebbed window, I found that the qualities of each event were enhanced and the universal forces which they manifested were more powerfully evoked.

In the vast archipelago of the east, where Borneo and Java and Sumatra lie, and the Molucca Islands, and the Philippines, the sea is often fanned only by the land and sea breezes, and is like a smooth bed, on which these islands seem to sleep in bliss,--islands in which the spice and perfume gardens of the world are embowered, and where the bird of paradise has its home, and the golden pheasant, and a hundred others of brilliant plumage, whose flight is among thickets so luxuriant, and scenery so picturesque, that European strangers find there the fairy land of their youthful dreams.

There is a hollow, holey cylinder running from hilt to point in my machete. When I blow across the mouthpiece in the handle, I make music with my blade. When all the holes are covered, the sound is sad, as rough as rough can be and be called smooth. When all the holes are open, the sound pipes about, bringing to the eye flakes of sun on water, crushed metal. There are twenty holes. And since I've been playing music, I've been called all different kinds of fool - more times than Lobey, which is my name.

By the way, I haven't heard an 'I'm sorry' from you yet." My sense of grievance had overwhelmed my sense of self-preservation. I am sorry that the maenad picked on you." I glared at him. "Not enough," I said. I was trying hard to hang on to this conversation. Angelic Sookie, vision of love and beauty, I am prostrate that the wicked evil maenad violated your smooth and voluptuous body, in an attempt to deliver a message to me." That's more like it.

Anthony Bridgerton leaned back in his leather chair,and then announced, "I'm thinking about getting married." Benedict Bridgerton, who had been indulging in a habit his mother detested—tipping his chair drunkenly on the back two legs—fell over. Colin Bridgerton started to choke. Luckily for Colin, Benedict regained his seat with enough time to smack him soundly on the back, sending a green olive sailing across the table. It narrowly missed Anthony's ear.

Cold words freeze people, and hot words scorch them, and bitter words make them bitter, and wrathful words make them wrathful. Kind words also produce their own image on men's souls; and a beautiful image it is. They smooth, and quiet, and comfort the hearer.

Conversion is not the smooth, easy-going process some men seem to think... It is wounding work, this breaking of the hearts, but without wounding there is no saving... Where there is grafting there will always be a cutting, the graft must be let in with a wound; to stick it onto the outside or to tie it on with a string would be of no use. Heart must be set to heart and back to back or there will be no sap from root to branch. And this, I say, must be done by a wound, by a cut.

We are each given a block of marble when we begin a lifetime, and the tools to shape it into sculpture. We can drag it behind us untouched, we can pound it to gravel, we can shape it into glory. Examples from every other life are left for us to see, lifeworks finished and unfinished, guiding and warning. Near the end our sculpture is nearly finished, and we can smooth and polish what we started years before. We can make our progress then, but to do it we must see past the appearances of age.

But what I really long to know you do not tell either: what you feel, although I've given you hints by the score of my regard. You like me. You wouldn't waste time or paper on a being you didn't like. But I think I've loved you since we met at your mother's funeral. I want to be with you forever and beyond, but you write that you are too young to marry or too old or too short or too hungry - until I crumple your letters up in despair, only to smooth them out again for a twelfth reading, hunting for hidden meanings.

Leveling off at 42,000 feet, I had thirty percent of my fuel, so I turned on rocket chamber three and immediately reached .96 Mach. I noticed that the faster I got, the smoother the ride. Suddenly the Mach needle began to fluctuate. It went up to .965 Mach - then tipped right off the scale ... We were flying supersonic. And it was a smooth as a baby's bottom; Grandma could be sitting up there sipping lemonade.

Man is a Religious Animal. He is the only Religious Animal. He is the only animal that has the True Religion--several of them. He is the only animal that loves his neighbor as himself and cuts his throat if his theology isn't straight. He has made a graveyard of the globe in trying his honest best to smooth his brother's path to happiness and heaven....The higher animals have no religion. And we are told that they are going to be left out in the Hereafter. I wonder why? It seems questionable taste.

I take a few quick sips. "This is really good." And I mean it. I have never tasted tea like this. It is smooth, pungent, and instantly addicting. "This is from Grand Auntie," my mother explains. "She told me 'If I buy the cheap tea, then I am saying that my whole life has not been worth something better.' A few years ago she bought it for herself. One hundred dollars a pound." "You're kidding." I take another sip. It tastes even better.

The path to realizing our dreams is never smooth. Invariably we encounter bends, turns, detours, and roadblocks. Sometimes our frustrations make us want to give up the journey, but frustrations signal the need to pause for introspection and redirection. Frustrations are promptings from God to search our souls even more deeply to find our power and purpose, and to live it. Frustrations tell us that our thoughts and actions are not yet in harmony with our desires.

Black ice is the smoothest naturally occuring ice there is, as if nature were condescending to art. ... Black ice is an act of nature as elusive as grace, and far more rare. ... I have never skated on black ice, but perhaps my children will. They'll know it, at least, when it appears: that the earth can stretch smooth and unbroken like grace, and they'll know as they know my voice that they were meant to have their share.

Pirate Dreams Needles and pins, Needles and pins, Sew me a sail to catch me the wind. Sew me a sail strong as the gale, Carpenter, bring out your hammers and nails. Hammers and nails, hammers and nails, Build me a boat to go chasing the whales. Chasing the whales, sailing the blue Find me a captain and sign me a crew. Captain and crew, captain and crew, Take me, oh take me to anywhere new.

Here's what a lot of the media want us to believe: One day, we'll get everything right about our appearance. Our hair will look fabulous, our skin will be smooth and crease-free, men will have perfect six-pack abs and we'll be three sizes smaller than we are now. We'll look so good we'll have made over not just our looks but our lives.

My body cheerfully informed me that he felt really good pressed against me like that, all hard muscles and smooth contours and ominous bulges. My body liked the air of barely leashed strength and caged mayhem he was giving off. My body thought he smelled really good, like heat and coffee and electricity. My body was going to get me killed.

I think part of why schizophrenia got linked to civil rights protest in the '60s was because mainstream society was coding threats against the smooth running of the state as insanity and treating it as such, and so as that happens you see the evolution of a process in which people with schizophrenia are increasingly feared and our hospitals, particularly the kind of hospital that I look at in the book become to look more and more like prisons, to the point where many of them including the one I talk about actually become prisons.

Tessa had lain down beside him and slid her arm beneath his head, and put her head on his chest,listening to the ever-weakening beat of his heart. And in the shadows they'd whispered, reminding each other of the stories only they knew. Of the girl who had hit over the head with a water jug the boy who had come to rescue her, and how he had fallen in love with her in that instant. Of a ballroom and a balcony and the moon sailing like a ship untethered through the sky. Of the flutter of the wings of the clockwork Angel. Of holy water and blood.

I believe there's plenty of market for each; we're talking about an ecosystem that is going to support billions of devices, so a competitive landscape is good for consumers, developers, and the platforms alike. Apple brings a smooth elegance to its devices and platform, with the best marketplace experience to boot. Google brings a higher volume of devices as well as a more diverse ecosystem to interact with. The real story here is that Microsoft is nowhere to be seen, ending a two-decade monopoly and creating biggest opportunity for software startups probably ever.