Top 68 Soho Quotes & Sayings - Page 2

I am sorry the infernal Divinities, who visit mankind with diseases, and are therefore at perpetual war with Doctors, should have prevented my seeing all you great Men at Soho to-day-Lord! what inventions, what wit, what rhetoric, metaphysical, mechanical and pyrotecnical, will be on the wing, bandy'd like a shuttlecock from one to another of your troop of philosophers! while poor I, I by myself I, imprizon'd in a post chaise, am joggled, and jostled, and bump'd, and bruised along the King's high road, to make war upon a pox or a fever!

I think the entrepreneurial activities that make art visible and attractive are what lure people into the amusement park that SoHo has become or that Bushwick or Williamsburg has become. It's not that outsiders come to an area because they hear artists are living there. A lot of people came who were not that interested in living with artists, but they were interested in living like artists and socializing the way that they thought artists socialized.

Tessa: "A little girl robbed you?" Will: "Actually, she wasn't a little girl at all, as it turns out, but a midget in a dress with a penchant for violence, who goes by the name Six-Fingered Nigel." Jem:"Easy mistake to make." (later) Will: "I want to be back before dark. I have an assignation in Soho this evening with a certain attractive someone" Tessa: “Goodness, If you keep seeing Six-Fingered Nigel like this, he'll expect you to declare your intentions.

I went to the University of Minnesota to study art. I left the university to come to New York and live in Soho. I got involved with like a small kind of like experimental theater-mime company and we discovered that Étienne Decroux, a great mime, was still teaching in Paris so I went to study with him for several years.

Somehow Annie Flanders from the SoHo News heard I was doing pictures and was headed to Paris. She saw my worked, liked it, and asked me to take pictures for her paper while I was there, but told me I would first have to buy a real camera - 35-millimeter. I got a little book that taught me how to load film. I read it on the flight to Paris. Hours later, I found myself at the top of the Eiffel Tower with Yves Saint Laurent and Andy Warhol. It's all been downhill since then.

Out of all the neighborhoods in Manhattan, Soho in particular had the charged atmosphere of a movie set, populated with passersby who looked like extras from Central Casting, so perfectly did they fit into this environment. There was the feeling of everything being not quite real, or too perfectly cliched to actually be true, and it began to rain in a fine, misty drizzle from a black patent leather sky.

We were looking for someone who could get the film [Filth] made at that kind of level, with the finance we wanted, and we spoke to a lot of people. When I met James [McAvoy] in the Soho Hotel with Jon Baird, the director, he looked about ten years old. I thought there's no way he's going to be a forty-year-old divorced alcoholic cop. I thought, really lovely guy, I'll let him and John talk and see if they get on.

You know obviously a big TV or film break would be lovely, but I find that I’m essentially a theatre trained actor and that’s what I love doing. I love fringe theatres in London, I love theatres like the Royal Court, Soho and the National obviously and if I could work in any of those and be a jobbing actor for a while then I’m very lucky.