Top 1200 Solo Travel Quotes & Sayings

I remember a song I did called 'If the Good Die Young' - I wanted to have a lead guitar solo on there, and the label flipped out! It was too rock and roll. They made us go back and put fiddle on the solo.

I feel like the character of Han Solo is irreverent. A very serious, precious story about Han Solo would not be that enjoyable.

I’m always the same. Whether I’m solo or with Big Bang, the one thing I have to do is sing and dance. I started solo activities with the things I did well with Big Bang, and I’ll show the things I learned while doing solo through Big Bang. Wherever I go and whatever I do, I am Taeyang and Dong Young Bae.

I think the solo playing, the decision to start playing solo, came out of having discovered what lay behind the doors that that technique opened for me.

I travel in so many different ways; I travel high, I rough it... it all depends on who I travel with.

On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.

I have no regrets for not having a solo career in Bollywood because when I joined the film industry I was 35 years old. Nobody gets solo leads when they start their career at this age.

The turnaround is when you have a solo in betwixt the verses. You stoppin' to have a solo.

Well, it's a nice quiet time for Iron Maiden, and I'll be releasing a new solo album next year, so this is a really good time for the managing out my solo career, which is quite well.

You know?" he repeated. She smiled, so he kissed her. "You're not the Han Solo in this relationship, you know." "I'm totally the Han Solo," she whispered. It was good to hear her. It was good to remember it was Eleanor under all this new flesh. "Well, I'm not the Princess Leia," he said. "Don't get so hung up on gender roles," Eleanor said.” ... “You can be Han Solo," he said, kissing her throat. "And I'll be Boba Fett. I'll cross the sky for you.

I got no entourage in real life. Solo. I go solo. No entourage.

When I was on the road with Billy Bragg, it was cool because I was doing the whole thing solo and travel a lot by myself, which I quite like. I mean, I love being with friends, but it's kind of nice having that alone time.

Unlike some of the time-travel movies I love, like 'Primer' or '12 Monkeys,' 'Looper' is not about time travel. It's about this situation that time travel creates and the people dealing with that situation. So narratively, the big challenge was to have time travel get out of the way.

I didn't make my first solo record until 1981 so I don't have any 60's or 70's recordings but I am working on a large boxed set called DUST to be released next year, the 20th anniversary of my first solo record.

We travel for romance, we travel for architecture, and we travel to be lost.

If you want to know the reality of life, then you should travel. At first travel your country, after that start travelling the world. Travel to know your surroundings so that we can say that you are an aware person. Nature, people and culture are calling you, so travel.

The biggest challenge was the whole learning curve of being solo artist. I've been in bands for so long that being a solo artist was completely new thing.

When you travel with the president, especially when you are traveling to foreign countries, the people that you travel with really become your family pretty quick. ... Most of the people who travel with me, they knew when I would get a stomachache.

With ignorant masses, the travel back in time is not only a possible travel, but it is the only travel!

Know that I'm better solo. I invented solo.

I don't want any production credit. I think producers are overrated. They're for people who, first of all, don't know anything about music or arranging and have no ear for their own doings. They can't tell a good solo from a bad solo, stuff like that.

I've always been afraid to do a solo show. When I go to see the great solo shows of Liz Callaway or Christine Ebersole, they have so many incredible stories to talk about, and their material and lives are so rich. I've always worried that my life was not rich enough.

Nadine from Girls Aloud could definitely go solo - she's the one with the talent and will have a successful solo career.

I hate the solo artist aspect of rock-'n'-roll. I don't have enough personality or charisma to be a solo star.

I guess the solo from 'Achilles Last Stand' is in the same tradition as the solo from 'Stairway to Heaven'...it is on that level to me.

What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.

To be clear, I normally climb with a rope and partner. Free-soloing makes up only a small percentage of my total climbing. But when I do solo, I manage the risk through careful preparation. I don't solo anything unless I'm sure I can do it.

We travel, initially, to lose ourselves, and we travel, next, to find ourselves. We travel to open our hearts and eyes. And we travel, in essence, to become young fools again—to slow time down and get taken in, and fall in love once more.

I travel to the Middle East, I travel to China, I travel to Europe. It's all very rewarding - the only problem is the travel is getting more and more difficult for me now. Ten years ago I would have enjoyed it a lot more.

The emphasis in each piece is on building a whole, totally integrated structure. In doing this, we try to carry on - in ensemble as well as solo sections - the mood of a jazz soloist. I mean that principle of kinetic improvisation that keeps a jazz solo building.

I did Kyoto and traveled through some of Japan, solo. That was a really interesting experience. I felt very safe there as a female solo traveler, and I think you always need to be conscious of that.

I think by having solo projects, it allows us to expand our music range. There's a type of music and concept we can do as a group and do as solo artists.

I discovered that it was a lonely world being a solo artist. Then I started working with another solo artist, Rod Stewart, and he used to tell me how lonely he was!

The only reason why I made solo records was because I got so obsessed with politics, and that is quite personal. I don't really philosophically believe in solo records.

Introvert conversations are like jazz. Each player gets to solo for a nice stretch before the other player comes in and does his solo.

I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move.

When I was 23, I felt like I was further back than when I was 21. After two solo albums for this small indie label Just Music, they'd gotten no real profile. So I kind of turned away from the solo thing a bit.

Now I'm fortunate to have a good band in CA, and play many solo gigs as well. My point is that I stopped playing in bands and played solo for four years, to get back into the groove and pulse of writing and singing and who I am on stage.

For my part, I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move.

We travel, initially, to lose ourselves; and we travel, next to find ourselves. We travel to open our hearts and eyes and learn more about the world than our newspapers will accommodate. We travel to bring what little we can, in our ignorance and knowledge, to those parts of the globe whose riches are differently dispersed. And we travel, in essence, to become young fools again- to slow time down and get taken in, and fall in love once more.

I didn't make my first solo record until 1981 so I don't have any 60?s or 70?s recordings but I am working on a large boxed set called DUST to be released next year, the 20th anniversary of my first solo record.

My three favorite travel writers of all time are Robert Louis Stevenson, Graham Greene, and Chuck Thompson. Smile When You're Lying not only tells the truth about the travel-writing racket, it gets to the heart of some of the travel industry's best-kept secrets.

Mostly, my flying has been solo, but the preparation for it wasn't. Without my husband's help and encouragement, I could not have attempted what I have. Ours has been a contented and reasonable partnership, he with his solo jobs and I with mine. But always with work and play together, conducted under a satisfactory system of dual control.

He didn’t really like travel, of course. He liked the idea of travel, and the memory of travel, but not travel itself.

My solo series, in some ways, have been rarely truly solo.

There is a solo on 'Spiders,' albeit a kind of a non-traditional solo, but that's what I love.

I can be a little messy and wild and carefree with my creativity as a solo artist. In a group, there's a certain structure, and everyone has a part to play, and being a solo artist, I can do as I please.

That was the producer who produced a couple of my solo albums. He produced my second, third and fourth solo albums. It was his project and I just joined him on it. I sang on one and played bass on another one.

Han Solo is more interesting than Superman because he's flawed. Superman's flaw is kryptonite, and that's it. He can make time go backwards, for God's sake, but with Han Solo or Indiana Jones, there's a bit of humanity there.

That solo on "Lord, I'm Discouraged" in terms of notes it isn't anything like it, but in terms of aesthetic, it's direct rip-off from the "November Rain" solo. In fact, when I did it, I imagined myself walking out of a church, walking out onto a cliff and doing a guitar solo. Slash has always been one of my favorites because the guy uses a lot of melody in his solos.

I travel with a lot of clothes, which is a really bad idea because it's such a nightmare to travel. I always overpack because I like to bring things with me, and I accumulate stuff, so it piles up. I travel with everything I own.

A couple of things have helped. One is that I dont travel any, that takes a lot of time from peoples schedules, if they travel, so I dont travel.

I have to have the reasons to make the record. There are just too many records out there, especially when it's something as audacious as a solo percussion record with solo drumming music on it. There better be a reason behind it.

My writing is a combination of three elements. The first is travel: not travel like a tourist, but travel as exploration. The second is reading literature on the subject. The third is reflection.

Sometimes when I do an overdub solo, they'll keep four or five of my attempts and then mix the bits that they like to make a solo up out of them. It's not against the rules, really - I can learn my own solos, then. But that's the whole beauty of multi-track recording, isn't it?

I'm solo, and I love being solo. I believe I went through the Roses so I could become a solo music-maker. That's what I believe.

Travel magazines are just one cupcake after another. They're not about travel. The travel magazine is, in fact, about the opposite of travel. It's about having a nice time on a honeymoon, or whatever.

I think there is more creative freedom as a solo artist by far because you might get a group push back on an idea because it's more of a democratic process. You can sink or swim on your own ideas on a solo project.

As far as I remember, there was no actual lyric written to that.At the very beginning of "Fiddler on the Roof," there's a violin solo, an unaccompanied violin solo.

The value of travel is not just the travel but what the travel makes of you.