Top 1200 Something Real Quotes & Sayings

There is something wrong with using faith - belief without evidence - as a political weapon. I wouldn't say there is something similar about using science. Science - or the products of science like technology - is just a way of achieving something real, something that happens, something that works.

I like to play people that are real, a real person, and then something that's interesting with that person. I think it's a lot more challenging to do that than something that's extremely fantasy-like.

You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.

I wrote about real people and real circumstances and real neighborhoods. There was no crypt or castles or H.P. Lovecraft-type environments. They were just about normal people who had something bizarre happening to them in the neighborhood.

Real respects real, so if you can get Memphis to love you, you have to have something real there. Memphis doesn't just support anybody.

If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.

The real bond and real love is something that is actually worth fighting for.

I want gaming to be something that everybody does, because they understand that games can be a real solution to problems and a real source of happiness. I want games to be something everybody learns how to design and develop, because they understand that games are a real platform for change and getting things done. And I want families, schools, companies, industries, cities, countries, and the whole world to come together to play them, because we’re finally making games that tackle real dilemmas and improve real lives.

I detest symbolic protest, as it is an outcry of weak, middle-of-the-road, liberal eunuchs. If an individual feels strongly enough about something to do something about it, then he shouldn't prostitute himself by doing something symbolic. He should get out and do something real.

Really, Sage? A date?” I sighed. “Yes, Adrian. A date.” “A real date. Not, like, doing homework together,” he added. “I mean like where you go out to a movie or something. And a movie that’s not part of a school assignment. Or about something boring.” “A real date.

I was trying. I was crawling. I was coming into myself. I was trying to in some ways get beyond - what is the word that I'm looking for? - metaphorical language in painting, and to create something that was more indexical. And what I mean by that is that when you go to the library there's an index card that refers to a book that's actual and real in the world. So that index relates to something real.

Drag is something real. We're so fake that something real actually comes through.

Everyone has complexes about their body or their ability and skills and dream of a rebirth into something different. I myself have always had that secret desire to become something completely different and enact revenge on certain things. So I do that through my movies. My desires become reality in the movie because it can't become real in real life.

I want something that's going to linger and stay with me and give me something to think about and chew over. That's the real objective here; it creates something that doesn't feel disposable.

The things that drive me are poverty, and pain, and knowing that I don't want to end up being alone and I want to do something with my life and I want the name Dobson to remain in everyone's heads. Basically, just to rock and be the best performer I can be, and be true, and be real, and give people the real Fefe, nothing fake, all real.

When my friends and I grew up, we had 'Full House,' 'Growing Pains' and 'Roseanne.' These sitcoms were about something, about real people in a sense. They sort of super-sized real life where things aren't necessarily exactly how you go through them in daily life, but you can relate to something, and you can pull something out of it.

Religion is the vision of something which stands beyond, behind, and within, the passing flux of immediate things; something which is real, and yet waiting to be realised; something which is a remote possibility, and yet the greatest of present facts; something that gives meaning to all that passes, and yet eludes apprehension; something whose possession is the final good, and yet is beyond all reach; something which is the ultimate ideal, and the hopeless quest.

I've never had a business plan. Every project we've ever done was the intersection of somebody with a real need, a real passion to do something, and hustling.

Since the show [Helix] is based in real science, there are real-life epidemic scares out there, throughout history, where there are these huge viruses that have wiped out huge populations. So, we're dealing with something that the CDC hasn't seen before, but it comes from a virus. That's something that's based in reality, and then you put the science fiction on that and it's a really interesting combination.

That's sad. How plastic and artificial life has become. It gets harder and harder to find something...real." Nin interlocked his fingers, and stretched out his arms. "Real love, real friends, real body parts...

I think it's because I'm real. Inside and outside of the ring, what you see is what you get. I'm CM Punk. I'm not trying to be something I'm not. I'm not trying to lie to the people or be fake. I'm not trying to be some crazy, outlandish character. I'm real and they appreciate that. Everything I say, it comes from the heart. It's all real.

I come from a big, loud family, and I'm the quieter one. Performing is something I have to switch on. I've heard I get real sassy onstage, which I'm not in real life! It's fun to be that person for an hour a night.

Usually, the most difficult thing to do is photo-real stuff. Something that has to actually look like the real world, because it's just so difficult to do that. We're just so used to looking at the real world, our brains instantly see when something is not quite right.

If you have tapped into something that is real for you, chances are you are going to tap into something that is real for someone else.

To me [my marriage to Kim Kardashian] was real. I would never go through something or do something that wasn't real or I didn't believe in, so I can really only speak for myself in terms of that.

Often people think they know what they want, but what they really want is something that's genuine. So they'll be saying, "Do another one like that," but you liked that one because it's real. So as long as I keep it real and I do something that's real to me, you're going to feel it in the same way.

Shoot, man, I loved being a damn heel. Something about that, just going out there and being the most despicable person you could ever be, was a real turn-on for me. And I grew up a real shy kid in south Texas, and it was something for me to lean on and have fun with.

You can't make money without selling something real. You can't make something real without first imagination manifesting itself in your head. You can't have imagination without surrendering yourself to an idea that you want to create something of value to other human beings.

When I wrote my fictional novels, they always had a starting point of something real. Those images that are not real are exactly the same strength and power of the real ones, and the line between them is completely blurred.

Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?

A record is something that isn't real or true. It's like cinema. It's a construction of something hyper-real and surreal and unreal all at the same time. You make a space that doesn't really exist. One of the big joys of being in this line of work is building the recorded versions of the songs.

I get bullied for my size, my weight, and my look constantly. It's something that I'm glad we touched on in WWE. I'm glad we touched on it because it's real: it's something that happens in real life to kids all the time, especially in the age of cyber bullying.

Business students are very oriented to playing a role in the real world and accomplishing something, not training themselves to be scholars and contribute to the literature. Teaching in that kind of environment has focused me much more on the real world, how pieces of the theory I know can be applied to real-world situations.

To me, fresh means you're in something new, something that looks real nice... and something put together creatively.

The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.

Surveys of thousands of gamers have shown that they're more likely to play real music if they play a music videogame. So it's an interesting relationship where the games aren't replacing something we do in real life, they're serving as a springboard to a goal we might have in real life, like learning to play an instrument.

Because a real kiss, a kiss that two real people choose to give each other - it's something that can't be filmed or photographed or drawn, or even described with words. Because a kiss isn't what it looks like or how it feels. A real kiss happens down deep inside of two hearts at the same time. It's hidden away. A real kiss is invisible.

I like the sounds of real, living, breathing musicians. When a real person plays something, there's a soul. They're giving you their emotions.

I just want something that is real and that moves people. And just want to make something real.

So many reality shows are scripted and create this fake drama, and it's a bunch of bull. We wanted to do something real and something wholesome and something that's focused on positive family values.

I've definitely had the long stretches of time in my personal life where I've felt an intense loneliness and a desperation to feel something real and to have something that truly meant something in my life.

I think what happens is that some writers, who are so great in television or whatever, once they become successful, they get out of the loop of real life. It's real hard to draw on something to write.

Jackson has devised a game called "Real or Not Real" to help Peeta. He mentions something he thinks happened, and they tell him if it's true or imagined, usually followed by a brief explanation.

The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.

If you put a real leaf and a silk leaf side by side, youll see something of the difference between Homers poetry and anyone elses. There seem to be real leaves still alive in the Iliad, real animals, real people, real light attending everything.

The kids out there want something they can relate to, something that's real; most of that whiny stuff isn't real. The cheesy pop songs just bore me to death.

On Facebook, Twitter, texting, e-mails, remember, it's a mode of communication, it is not communication. It's not real life. So step aside, make sure people see something other than the top of your head and live in real time, in the real world.

If I write a fantastic story, I'm not writing something willful. On the contrary, I am writing something that stands for my feelings, or for my thoughts. So that, in a sense, a fantastic story is as real and perhaps more real than a mere circumstantial story. Because after all, circumstances come and go, and symbols remain.

I make up stories that take place in real space with real people. If I could convert this into a technique for experimental novels, I might really be onto something.

If you're a documenter, you're taking a video of something in the real world you want to capture. If you're a director, you're trying to create something in the real world.

I don't want to act like the witch trials all over New England were warranted, but when you live in a culture that believes something is real, it feels very real.

That scene that I have with Brad Pitt in Meet Joe Black is one of my favorite scenes that I've ever done. He's very modest. He's a real hardworking actor. I think he was going through something difficult at that time, and he never brought his personal stuff - not once! - on the set. He was a real pro. I remember doing that scene, and as I was acting, I thought, "I understand why this guy's a movie star." Because there was just something that he did when the cameras rolled. There was some kind of energy that was really magnificent, a real aura about him.

Better reality than a dream: if something is real, then it's real and you're not to blame.

I tried to find something real in essentially something thats science fiction or something-for me, anyways-not having an experience like this.

We and others have done a bunch of work to show that if your real friends online say or do something, it affects you. But if your acquaintances online say or do something, it does not. People on average have about 106 Facebook friends, but only 5 or 6 real friends.

Illusion doesn't mean that something is not real. Illusion simply means that something is less real than something else. This life and this world certainly exist - who is to say the reality of the dream is not real?

Real life does not come naturally. It is counterintuitive. It is a skill we have to learn. That's because the way to real life is not something we get, but something we give.

The standard that measures two things is something different from either. You are, in fact, comparing them both with some Real Morality, admitting that there is such a thing as a real Right, independent of what people think, and that some people's ideas get nearer to that real Right than others.

I often get asked by people 'Is your Twitter real?' and things of that nature. I'm never sure how to respond to that. My Twitter account is completely 'real' in that everything I tweet is something I have earnestly thought or something that has actually happened to me.

Science - or the products of science like technology - is just a way of achieving something real, something that happens, something that works.