Top 44 Sonata Quotes & Sayings

The perfection of conversation is not to play a regular sonata, but, like the AEolian harp, to await the inspiration of the passing breeze.

All I know is what the words know, and dead things, and that makes a handsome little sum, with a beginning and a middle and an end, as in the well-built phrase and the long sonata of the dead.

A strange adventure befell me while I was playing my Sonata in B flat minor before some English friends. I had played the Allegro and the Scherzo more or less correctly. I was about to attack the March when suddenly I saw arising from the body of my piano those cursed creatures which had appeared to me one lugubrious night at the Chartreuse. I had to leave for one instant to pull myself together after which I continued without saying anything.

The individual human is still the creature who can wonder, who can be enchanted by a sonata, who can place symbols together to make poetry to gladden our heart, who can view a sunrise with a sense of majesty and awe.

The first dramatic experience I had of music was when I was five. The electricity had gone out in Georgia, and my mum played the 'Moonlight Sonata' on the piano.

Some of my favorite music in the world is Haydn. I had a sabbatical one year and made myself one promise: to play a different Haydn piano sonata each day - they are inexhaustible treasures.

I really love how the andante from the "A minor Sonata" sounds on the mandolin.

Right at the end of the war I wrote a piano sonata, which was written at a time when Sam Barber used to come down here and we used to have lunch together in a very nice old hotel that's now not there.

Could Hamlet have been written by a committee, or the "Mona Lisa" painted by a club? Could the New Testament have been composed as a conference report? Creative ideas do not spring from groups. They spring from individuals. The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.

My teachers said, 'Always keep a Beethoven sonata under your fingers.' I always have. I still play chamber music, and I always play classical.

I think anybody who's willing to really sink their teeth into a work like the Hammerklavier, which is a very interesting, different experience, should look instead at something like the Sonata by Paul Dukas, which, in my opinion, is a real marvel.

No one can get really drunk on a novel or a painting, but who can help getting drunk on Reethoven's Ninth, Rartok's Sonata for Two Pianos and Percussion, or the Reatles' White Album?

When I sit in Paris in a cafe, surrounded by people, I don't sit casually - I go over a certain sonata in my head and discover new things all the time.

Of true knowledge at any time, a good part is merely convenient, necessary indeed to the worker, but not to an understanding of his subject: One can judge a building without knowing where to buy the bricks; one can understand a violin sonata without knowing how to score for the instrument. The work may in fact be better understood without a knowledge of the details of its manufacture, of attention to these tends to distract from meaning and effect.

I consider the first 20 performances just learning the piece. Think about it this way: If you think about a pianist who plays a Schubert sonata through his whole lifetime - if you listen to Rubenstein or Horowitz playing their repertoire later in their life, you understand the richness with which they play that music, and how differently they must have played it when they were younger.

Composing a concert is like composing a menu.... If you start with light pieces and play a 45-minute sonata after the interlude, it's like starting dinner with hors d'oeuvres and dessert and finishing with a Châteaubriand and vegetables.

I think, bad times, I sit down and I play - there's definitely certain songs that touch in certain ways. I go back to 'Moonlight Sonata' by Beethoven; that usually takes care of everything.

The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.

There is no piece of guitar music that has the formal beauty of a piano sonata by Mozart, or the richly worked out ideas and passion of a late Beethoven string quartet, or for that matter the beautiful mellifluous poetry of a Chopin Ballade.

I really love to play 'Moonlight Sonata' by Beethoven. I can still read music, but I need to practise more. The way your fingers move - it's something that comes from memory. I love music.

I didn't want to look back in 10 or 20 years and say, 'Yes, I always wanted to write that piano sonata or that novel, but I never had time.'

Michael Berkeley's 'Sonata' is very - what can you say - melodious.

Tokyo Sonata speaks to us, with feeling and passion, as one of the most eloquent statements on the world today that we are likely to see in this moviegoing year.

Really important books to me are the classics. I try very hard to read them well - you know, especially once I got serious about writing. So, reading Tolstoy several times - 'War and Peace,' 'The Kreutzer Sonata' - all those were really important to me.

Learning great works like the Liszt Sonata or Beethoven's 'Hammerklavier' should be a struggle to a certain extent, where you need to labor intensely with your own brain and soul for the meaning of the work instead of cutting and pasting a bunch of stuff together from the Internet and - boom! - there you are with a performance ready to go.

Many Introverts are also "highly sensitive," which sounds poetic, but is actually a technical term in psychology. If you are a sensitive sort, then you're more apt than the average person to feel pleasantly overwhelmed by Beethoven's "Moonlight Sonata" or a well-turned phrase or an act of extraordinary kindness. You may be quicker than others to feel sickened by violence and ugliness, and you likely have a very strong conscience.

People believe that criticism should be objective, whatever that means, but I really don't understand what people mean by that. I guess if you're doing sonata-allegro procedure analysis, you can be objective for a page or two. But in pop? Really hard.

The meaning and purpose of dancing is the dance. Like music also, it is fulfilled in each moment of its course. You do not play a sonata in order to reach the final chord, and if the meaning of things were simply in ends, composers would write nothing but finales.

For me, even my break time I like to pull out the bow and just go over a Vivaldi sonata and keep my head sharp, keep everything sharp.

Abolishing the book is like abolishing the symphony, or sonata form, or the sonnet, or the wall painting.

I want nothing better, more flexible or more complete than the sonata form, which contains everything necessary for my structural purposes.

Particles of raw inspiration sleet through the universe all the time. Every once in a while one of them hits a receptive mind, which then invents DNA or the flute sonata form or a way of making light bulbs wear out in half the time. But most of them miss. Most people go through their lives without being hit by even one.

As for my own music, I've never written a book about it. I'm not pedagogical... When I write an abstract piano sonata or a concerto, I write what I feel. I'm not a self-conscious composer.

Music makes me forget my real situation. It transports me into a state which is not my own. Under the influence of music I really seem to feel what I do not feel, to understand what I do not understand, to have powers which I cannot have. Music seems to me to act like yawning or laughter; I have no desire to sleep, but I yawn when I see others yawn; with no reason to laugh, I laugh when I hear others laugh. And music transports me immediately into the condition of soul in which he who wrote the music found himself at that time. ~The Kreutzer Sonata

The other option we have are medication treatments. So you'll have the treatments such as Ambien, Lunesta, Sonata, and we'll also have Rozerem and for some patients we use Benzodiazopine/Clonazepam. Things like that to help with anxiety.

There is a moonlight note in the Moonlight Sonata; there is a thunder note in an angry sky.

I am part of a light, and it is the music. The Light fills my six senses: I see it, hear, feel, smell, touch and think. Thinking of it means my sixth sense. Particles of Light are written note. A bolt of lightning can be an entire sonata. A thousand balls of lightening is a concert.. For this concert I have created a Ball Lightning, which can be heard on the icy peaks of the Himalayas.

When people ask me for playlists, I always put in 'Moonlight Sonata' because it is my favorite song. I play it all the time.

When we have an experience -- hearing a particular sonata, making love with a particular person, watching the sun set from a particular window of a particular room -- on successive occasions, we quickly begin to adapt to it, and the experience yields less pleasure each time. Psychologists call this habituation, economists call it declining marginal utility, and the rest of us call it marriage

My 10th Sonata is a sonata of insects. Insects are born from the sun... they are the sun's kisses.

As you deal with thumb-crossings, or fingerings for the F-sharp-minor scale, or chromatic scales in double thirds, it is hard to accept that these will eventually allow you to probe eternity in the final movement of Beethoven's last sonata. Imagine that you are scrubbing the grout in your bathroom and are told that removing every last particle of mildew will somehow enable you to deliver the Gettysburg Address.

What I so like about Poussin and Cezanne is their sense of organization. Ilike the way in which they develop space and shape in architecturalcontinuity - the rhythm across their paintings. When I paint a landscape, Iget the greatest pleasure out of composing it. As I paint, I try to work outa visual sonata form or a fugue, with realistic images.

The Unicorn Sonata... tells us that our true home is often right around the corner, if we'd only open our eyes - and our ears - to find it.

What are the characters that I discern most clearly in the so-called Anglo-Saxon type of man? I may answer at once that two stickout above all others. One is his curious and apparently incurable incompetence--his congenital inability to do any difficult thing easily and well, whether it be isolating a bacillus or writing a sonata. The other is his astounding susceptibility to fears and alarms--in short, his hereditary cowardice.... There is no record in history of any Anglo-Saxon nation entering upon any great war without allies.