Top 1200 Song Of Ice And Fire Quotes & Sayings - Page 14

There's something magical that happens to every three-year-old that hears 'Ring of Fire.' That's usually where it starts for most people. They immediately want to put on a black shirt, grab a guitar and sing 'Ring of Fire.'

The song [The White Trash Song] was not a put down of [ my country cousins ], but a celebration. I wrote that early on, as a teenager.

Heart of my heart, the world is young; Love lies hidden in every rose! Every song that the skylark sung Once, we thought, must come to a close: Now we know the spirit of song, Song that is merged in the chant of the whole, Hand in hand as we wander along, What should we doubt of the years that roll?

What song have you played 10,000 times? It's probably not something basic. It's probably a song that validates your experience on Earth.

In a way it's the emotional feeling that you get in a good rock song or folk song, there's just nothing that rivals that.

Whoever best serves the song is going to be served by the song

The life of every river sings its own song, but in most the song is long marred by the discords of misuse.

I think maybe the vehicle for me was 'Sam Cooke's Greatest Hits.' It has a song called, 'Touch the Hem of His Garment.' Do you know that song? I kind of got obsessed with that song and started exploring and getting more of his old recordings with the Soul Stirrers and really getting into that super, super deeply.

I put a song out for fun, from 'Lucky Them'... I wrote another one called 'Love Song.' I really liked that.

I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or 'Sherry,' I should be able to do that. Or a Dylan song.

The soul is a fire that darts its rays through all the senses; it is in this fire that existence consists; all the observations and all the efforts of philosophers ought to turn towards this ME, the centre and moving power of our sentiments and our ideas.

Whenever I write a song I see the whole song anyway.

You're the brightest thing I've ever seen, Kaylee. You're this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out -- if i tried to touch you -- I'd get burned. Because you're not mine. I'm not supposed to feel the fire. I'm not supposed to want it. But I do. I want you, Kaylee, like I've never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.

I love when a song is conceived as a jigsaw puzzle in the studio, and then it's a natural to play live. That's my gauge of success for a song.

The first song I ever had recorded by another artist was a song called 'Surefire Feeling' by Jake Owen.

I've always been able to get inside a song really easily, and if it's my song, I can make it seem honest.

I did not fire Brian Wilson from the Beach Boys. I cannot fire Brian Wilson from the Beach Boys. I am not his employer. I do not have such authority. And even if I did, I would never fire Brian Wilson from the Beach Boys. I love Brian Wilson. We are partners. He’s my cousin by birth and my brother in music.

I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or Sherry, I should be able to do that. Or a Dylan song.

If you write a country song, and it's the best song you've ever written but throw it out because you're a metal band, you'd be an idiot.

I decided to make a CD that I would enjoy listening to. So I would finish a song and sit there, and I would say, 'What song, of all the songs I know, would I like to work on now? What song would make me happy?' And that's how I picked the songs.

Social paralysis is strong and stands firmly in the way of change on the ground level. As allies, we have to prepare ourselves to step into the fire when necessary, even - and especially - when said fire is merely a still-lit cigarette tossed carelessly onto the street.

The Mary J. Blige song is called 'My Life.' It's kinda like an autobiography song, stating what I'm about and what I'm trying to do and what I've done.

It varies from song to song, but melody was always easy for me.

The actual writing of a song usually comes in the form of a realisation. I can't contrive a song.

I think this song, 'Ioniq,' is the best song for commercial music.

I always feel like every song is the last song.

I don't believe anything can do as much for a room as a glowing fire in an attractive fireplace. Men and dogs love an open fire - they show good sense. It is the heart of any room and should be kindled on the slightest provocation.

Anything is food for starting a song. A song can start with a lyric idea or a melody or just a sound that inspires.

If I do a song with a chorus and a verse, it takes me about 25 minutes. If I do a song with two verses or stretch out the song, it takes me about 30 to 35 minutes.

What is so important is that you play for the artist and for the record and for the song ... everything else falls into place ... my solo has to be a complement to the singer and the song.

So if somebody writes a song that appears to have some meaning then everybody thinks that it's a really heavy song.

A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life.

I did not fire Brian Wilson from the Beach Boys. I cannot fire Brian Wilson from the Beach Boys. I am not his employer. I do not have such authority. And even if I did, I would never fire Brian Wilson from the Beach Boys. I love Brian Wilson. We are partners. He's my cousin by birth and my brother in music.

I see pictures in my mind and become the character in the song as I'm writing. It's kind of method songwriting, where you're the actor in the song.

I believe in the power of song. Under the spell of the right song, passion is within reach, love is close by, and you are not alone!

If I just remix and release, no one will listen. I am adapting, changing the song and merging a new song into an old one.

A freedom fighter learns the hard way that it is the oppressor who defines the nature of the struggle,and the oppressed is often left no recourse but to use methods that mirror those of the oppressor.At a point, one can only fight fire with fire

The God that holds you over the pit of hell, much as one holds a spider... abhors you, and is dreadfully provoked: his wrath towards you burns like fire; he looks upon you as worthy of nothing else, but to be cast into the fire.

If you can even manage to tell exactly what a song is about, all you do is put that song in a box forever, and it loses its evocative power.

But now we got weapons Of the chemical dust If fire them we're forced to Then fire them we must One push of the button And a shot the world wide And you never ask questions When God's on your side

There's just a natural human element to a great song that feels immediately satisfying. I like the song to create a mood.

Every song becomes an emotional journey for me, and only then will the soul of the song remain honest.

I'm recording freely, and if I make a song, I release it immediately, so I'm more likely to believe in one song at a time as opposed to albums.

A protest song is a song that's so specific that you cannot mistake it for bullshit.

Whoever best serves the song is going to be served by the song.

Make every song is your best song to date.

And I'm the biggest country fan there is, but I'm always a little cautious of a slower song or just a song with subject matter.

My job is to work at song writing and singing and telling the truth in song writing. My job is to be courageous enough to go on stage and tell the truth, the same truth that's gone into my song writing.

You can punch a wall or write a song. Just as painful either way, but you have something to show for it at the end of the day with a song.

I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.

A great guitar solo is really a song within a song. You can always go off and do your pageantry, but it has to be structured.

When it's cold, water freezes into ice; when it's warm, ice melts into water. Similarly, when you are confused, essence freezes into mind; when you are enlightened, mind melts into essence.

No part of Manhattan these days really has the same vibe I get from a Ramones song or a Velvet Underground song.

When you hear the first five seconds to a song and you've pretty much heard the whole song, that's kind of a bummer.

Some people think a song without words isn't a real song. Tell that to Beethoven and he'll kick your ass!

The song 'Laughing Down Crying' is not a typical Daryl song.

I told you before, Katsa. I won't fight when you're angry. I won't solve a disagreement between us with blows." He lifted the ice and fingered his jaw. He moaned and held the ice to his face again. "What we do in the practice rooms-that's to help each other. We don't use it against each other. We're friends, Katsa. We're too dangerous to each other. And even if we weren't, it's not right.

I am outraged that the Gorillaz have infringed the copyright of my song 'Time Warp,' claiming their song 'Stylo' to be an original composition.

I can remember back as far as age 8, performing with the Boston Folk Song Society. It was a Woody Guthrie song.

My song 'Smooth Operator,' I think that's a real simple, easy, sing-a-long kind of song. It's not too complicated.