Top 1200 Song Titles Quotes & Sayings

There is a new model of leadership in the world that rides on the premise that every single person in the organisation can be a leader. Titles are important for structure and order, but real power does not come from titles.

As a writer, I never paid much attention to the length of titles. I've just wanted them to communicate the emotional overtones of the content of a record or song that they are describing

I like to go for a certain over-the-top opulence when naming the drone pieces whereas the song titles are all about concision, I guess. I mean, if I were truly a purist, I'd call things, "Long Piece #27" or "Newest Fast Song", but I enjoy titling and it is helpful at rehearsals or when making set-lists.

I write titles of songs a lot. sometimes I'll end up writing a song that I don't have a title for and I'll say, 'Oh, this goes with that title.

I can't come up with the titles. My wife hates my titles. She doesn't even want to know about them.

I studied Shakespeare in college, but not theatrically, more in terms of literature, and then I kind of took a break from it. Now there's resurgence in my appreciation for him. It's amazing: there are so many book titles and song titles that come just from lines that he wrote.

A Song of the good green grass! A song no more of the city streets; A song of farms - a song of the soil of fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk'd maize.

I've been very fortunate at having good titles but I just think in terms of titles. I'm doing a workshop now where people write books and they come and I name their books for them. I'm good with titles.

When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.

I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.

I'll get into conversations with other people, and all of a sudden they will say something that sparks that... either the titles to me, or just the conversation itself will spark an idea for a song.

I write titles that are confrontational. I write titles that make people want to pick up a book and find out more about it. I write good books; I write great titles though.

I've won junior titles, ABA titles and boxed for England all over the world against future Olympic champions as an amateur - and then beat world-class fighters as a professional.

All the titles have been memorable. I don't have one that was more memorable or less memorable. They are all important titles with various teams.

Navratilova won an astounding 167 singles titles and 166 doubles titles in a career which has spanned nearly 30 years. She changed the game of women's tennis by forcing opponents to reach her standards of fitness and athleticism.

A lot of early Misfits song titles are inspired by old B-movies, which were my Popeye's spinach when I was a kid.

I apologize to those supporting Wii U about the lack of new titles from Nintendo in January and February but please understand we will have new titles to offer from March onward.

When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.

I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.

Nobody had song titles that were as long as ours. A lot of it was just inside jokes.

I was actually pissed off. I wanted to go my entire ECW career without winning titles. The only reason I won titles is because guys left.

I've won titles at home, I've won them abroad, I've defended titles abroad and lost them, and gone on to dominate my next opponent to win them back.

I never judge my song titles; I just spit them out.

Let's say music is needed for only 43 seconds of film. You have to score it so it is an entity, so it won't bother anyone when it ends so quickly. Or if a song runs 2 minutes and 45 seconds, but the titles run a minute longer, you have to arrange that song so it doesn't get repetitious.

My song titles are always left-field or mean a lot to me.

Morrissey writes wonderful song titles, but sadly he often forgets to write the song.

I did not know that I was being called the 'Sandalwood Princess.' It definitely feels good, but more than such titles, it is their love and affection behind such titles that makes me happy.

But we used to go to flea markets and things, and look for old 78 records that had silly song titles.

With song titles, I try to keep a healthy sense of humor while saying something at the same time.

I think Hemingway's [book] titles should be awarded first prize in any contest. Each of them is a poem, and their mysterious power over readers contributes to Hemingway's success. His titles have a life of their own, and they have enriched the American vocabulary.

I'm terrible at making titles. I never like the titles of my films.

In fact, among the 1000 titles which I have recorded in the past 35 years, there are less than 10% of classical titles.

Sometimes I'll hear some music in my head or I'll go to the piano and mess around and come up with a tune, or be on the guitar and come up with some chords - or I'll come up with lines, or just some words, or just a sentence. It could be the title of a song. I do that all the time. I write titles of songs a lot. And sometimes I'll end up writing a song that I don't have a title for and I'll say, "Oh, this goes with that title".

But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.

I won 21 titles in seven years: three titles per year playing in this way. I'm sorry, guys. I'm not going to change.

For titles do not reflect honor on men, but rather men on their titles.

I internalize a lot of thoughts, and sometimes it seems like I'm not listening or totally zoned out, but I'm always on a loop of ideas and song titles. I'm definitely kind of a space cadet, but I'm very laid back.

In terms of picking album titles or picking track titles, I think very carefully on all of that because that is the entrance point.

I sang my song called "In This Song." David Foster wrote the song for me. I thought that I should sing a ballad song.

We've got to recruit at the same level of the people who are winning titles and playing for titles, and to do that, we've got to have great facilities.

There's this trouble with books for me because I'm terrible at thinking of titles. The truth is, even with the titles that I've landed on in the end, they always feel wrong. I think it's because of this whole problem of having to package your book in a certain way.

I usually think about titles. I'll hear somebody say something and write it down in my notes, and whenever we go into a room, somebody will start naming off titles, and whoever has the best title, that's what we start writing.

Man United under Fergie were about winning Champions League titles and winning Premier League titles.

You have all these song titles and song time, and you put it in a certain order, and you slap a cover on it. That's a record. That's how I've seen all my records.

The melody will tell me what the song should be about, the tone of the song. That's when the intellect comes in. Because I have a list of possible titles and concepts, and I expand on that.

I have eighteen titles in the German language. I had a number one song in 1965.

I have registered few titles like 'Bharat Bandh,' 'Calendar Girl,' 'Money Politics.' The titles just intrigued me, so I registered. I had a title, 'Jai Ho,' which I gave to Sohail Khan for his next film with Salman Khan. These are typical Madhur Bhandarkar kind of films. I may make a film or not on such titles... not sure yet.

Definitely scatterbrained. I internalize a lot of thoughts, and sometimes it seems like I'm not listening or totally zoned out, but I'm always on a loop of ideas and song titles. I'm definitely kind of a space cadet, but I'm very laid back.

Boxing is a hurt game if you can't be at your best, can't be 100 per cent mentally and physically switched on to performing, to win titles, defend titles, defend yourself in the correct fashion, then I don't think you should fight.

I want to win titles, titles, titles.

If people want to write long, rambling, pathetic articles about how sad they are about song titles, have a blast! I'll be out playing music to a room full of people, having a great time.

I like to give clues - titles - that can give a simple, evocative hook into what picture or feeling welled up in my mind when I came up with the song.

My favorite thing is coming up with titles. The majority of the songs I've every written I've always thought of the title before I've written the song.

It is an important competition and I certainly rate my gold medals at the Commonwealth Games right up there with my world titles and my Olympic titles.

I knew my destiny was to be in the winner's circle. There were times along the way where I didn't make it there. But I felt my destiny was definitely to win big titles, win lots of titles.

I had an epiphany where I realised that there are song titles everywhere - in advertising, in conversations with people at the grocery store - and every time I open my mind to that and find titles, I then weave a story around that.

I'm not the kind of writer that can wake up and say, "Okay, I'm gonna write a song today," and have that song be the kind I would want to record. The songs of mine that I end up liking are songs that come from real experience. They're like chapter titles in my life.

We want great third-party titles to achieve mass-market success on Nintendo platforms. We also want the evergreen Nintendo titles to continue to do well.

I think it's really cool when artists have song titles or album names that are a really conversational sentence.

The titles aren't merely props in New Japan. They're actually the focus of the company, and that's how it should be if you're going to be in this world, this business. After all, it is professional wrestling. It is presented as an athletic competition, and the titles should mean something.