Top 1200 Song Titles Quotes & Sayings - Page 16

You must pass your days in song. Let your whole life be a song.

There's two facets to writing a song. There's you sitting in your room writing the sentiments of the song; the lyrics, the melody and the changes, and then there's the part where you go into the studio and you put clothing on it.

When I first heard my song 'Georgia Peaches' on the radio, I opened up the car windows and started screaming to the other people on the road, 'My song's on the radio!' Of course, I wasn't driving.

The simpler the message, the broader the meaning, in many respects. I think about a song like Free's 'All Right Now,' which I'm often asked about. It's that sort of song.

Okay, a truly great song is a song that makes its own aesthetic intentions clear and then lives up to them and exceeds them in an interesting way. Alright?

In sixth or seventh grade, my teacher assigned me to write and sing a song. I remember sitting at the piano in my living room, trying to get that song perfect. That was the moment I realized I really love doing this.

The song This Kiss was definitely my breakthrough song. After that, Breathe was my breakthrough album.

I can picture the color of the song, or the shape of it, or who it is that I'm trying to appeal to, in the song, and what I'm trying to, almost, reinforce my feelings for. And I know that sounds sort of vague and abstract, but I've got a handle on it when I'm doing it.

Any titles, money, or privilege you inherit are actually hindrances. They delude you into believing you are owed respect.

One of my dreams is to lift a title with Spain. I lifted titles in the past that did not feel like mine.

It is not enough to have a song on your lips. You must also have a song in your heart.

The reading of the song is vital. The written word is first always . . . first. Not belittling the music, but it really is a backdrop. To convey the meaning of a song you need to look at the lyric and understand it.

For me, naming bands was the forerunner to really writing lyrics, because I work off titles.

I come from a world where accountability and accomplishments matter, and where titles and rhetoric take a back seat to results.

Fame and success and titles stay with you, but they wear out eventually. In the end, all that you are left with is your character.

I don't want an angry song with no silver lining ending up on my album. Then I'd have to play, or feel obliged to play, that song every night in repetition as a mantra of anger.

Even if you watch the races I won - the indoor titles and the Olympics - I've never really been a superfast starter.

I feel like the way I was raised was to be able to see through all the titles in this world - from religion to race.

I think I was blessed with this talent for a reason. No one told me how to write a song, but I'm just good at it, you know. There are a lot of other things in my life that I'm not so good at, but writing a song is not one of them.

I hear a really good pop song every now and then. 'ROAR' by Katy Perry, I love that! 'Poker Face'... Oh! What a song! And 'Rolling in the Deep'... Oh!

To me, a song is a song when you can sit in a room and just sing it from end to end.

It's so interesting how you can take a bad situation and make a great song out of it that somebody else can listen to and have a completely different perspective of the song and have their own meaning. That's what's great about it.

When I go onstage, I'm going to work ...I feel like my performance is about an emotional connection. I want to connect with people, whether it's like a romantic song or a happy song.

Josh Graves laid down the dobro on that song [The White Trash Song] and he was hot. We went on the road together and we'd get drunker'n hell every night! I haven't had a drink since November, 1979. And I like it.

For me, a song doesn't really take flight until it has a lyric on it. ...Without a lyric that I'm happy with, it could be the greatest song ever melodically or arrangement-wise, but it doesn't have any resonance.

With 'Philharmonics,' I had to do a lot of interviews, and it was like I was corrupting something. In many ways, I've said everything in the song. And either I can't go back to what it was because it's changing when I play it, or I still haven't figured out what the song is about.

The song that we hear with our ears is only the song that is sung in our hearts.

My philosophy for producing a record is for everyone involved, including myself, to get out of the way of the song, and at the same time, listen to it as closely as you can, and listen to where the song wants to go.

The first time I ever had a song play on a legit radio station, I think I was about 13. It was a song of mine that I had written called 'Young Blood.'

When I'm in the mode of feeling positive about love, I don't really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.

In Georgia where children work day and night in the cotton mills they have just passed a bill to protect song birds. What about the little children from whom all song is gone?

A song like 'Shooting Star' - the thought process behind writing that song was that I looked around and thought, 'Wow, there's a lot of people dying at that time in the music business.'

But it's really nice to win a trophy and I think Manchester United always fight for titles and for trophies.

I don't really listen to rock music anymore. But were I to write a song that sounded like it could be a rock song, I'd probably give it to the Pornographers, and I'd be excited to try to make it work.

What really surprised me was that we had released the song 'Kondoram'... without any video and it still garnered so many views. The song had only lyrics and no visuals.

I think a song that's got something to say. I'm not much on gimmicks. I never have been because they don't last. But I like a song that tells a story and has some meat to it, you know, that means something.

Wonderful Christmas Time' is a Christmas song but it was supposed to be an attempt at a traditional song.

I can write a song about my hero Che Guevara and call it 'Song for Che.'

Domestic titles are very important, but to win the Champions League, you are saying, 'We are the best team in Europe.'

You have to connect with a song, and when you write it, that connection is already there. It's your baby; your passion is in that song.

I was just fooling around with the piano and Todd [Phillips] was like, 'Hey there's a great spot in the movie [The Hangover] where we need a little bit of a breath in the narrative. You should write a song and stick it in there.' And I was like, 'Well, what should the song be about?' And he said, 'The tiger.' 'Oh, okay.' So I went off and I wrote this song. I came back and Todd and I tinkered with it a little more and then we shot it right then. It all happened in a day.

Anywhere in the world, in every oppressive country, time sooner or later comes and libertarian people sing the same song: Goodbye Mr Dictator! This is a universal law, this is a universal song.

Even if it was a difficult operation to copy a song, it only takes one person to do it. After that the spread of the song via the Internet or other means of propagation is only limited by the honesty of the users.

So I'll set a cycle in motion and pop it into record and I'll lay down a drum pattern, a bass line, a keyboard and guitar part, and once the groove is going I launch into the song and sing my song over the top.

There are so many songs that have become massive hits merely because the video is great, while the song is pretty rubbish. From that point of view, I think I've always preferred to listen to a song rather than look at it.

I was travelling a lot, during the release of 'Dilbar,' to various countries, and the song would be played at random places like lounges, coffee shops, streets, and I realised the song had reached levels that was beyond India.

And this shall be for music when no one else is near, The fine song for singing, the rare song to hear! That only I remember, that only you admire, Of the broad road that stretches and the roadside fire.

Titles have never given a just idea of things; were it otherwise, the work would be superfluous.

At Liverpool, I had almost everything but titles. I felt like a king, but the team was falling apart.

It was a slow process. You gotta remember I hadn't recorded a song sober in seven years. So it took me awhile to even feel like I could record a song sober.

I was in Donetsk for eight years. I was happy there. I won six titles. I knew everyone, and I was a big part of the club.

One can not win titles with result-orientated football anymore and this has been clear to me since 2008.

I think that a good song is catchy, and a great song is not catchy - but it has a deeper meaning.

Jeff always had a huge part in making a song a record. You felt like you were capturing lightning in the studio. It was never boring. He always was there to serve the song.

Aldo has had a great run in the past, defended many titles against tough guys.

Mentally, I write myself a little story. Of course, sometimes you have a song that says, "Do that." My best example is Singin' in the Rain. Arthur Freed had insisted that the song should be in the picture, but he was very anxious about it.

The melody and the structure of a song always comes first for me, so the emotions behind it can sometimes be a challenge: What am I feeling about this song? Where did the melody come from? I want it to be heartfelt.

Erotic names, robes, insignia of office, titles- the trappings of religion- confuse as much as they help.

My brother had written 'Ocean Eyes,' and we recorded it, basing all of the production around contemporary and lyrical dance. I think of most songs that way - if you can't dance to a song, it's not a song.

Wenger has won three Premier League titles, which is proof enough of his standing as a manager.