Top 1200 Song Titles Quotes & Sayings - Page 18

I think people should be able to have at their behest, like, four hours of music, entertainment, visual knowledge, different pathways. That's what I'm trying to do with modern technology, not just another song and another song.

Future's Pluto is my favorite album of the year. It's so emo. Future is the number one dude I'd love to produce for - every time I listen to the song he did with Rihanna, "Loveeeeeee Song", I'm like, "I should have produced that."

I'm constantly working on something new, whether it's a Garbage song, or for someone I'm producing or a song for film or TV whatever it is. I guess I'm sort of living in the moment and moving towards what I'm doing next. I think most artists are like that.

Eventually I had so many little melodies and ideas that, you know, that they were all songs to me and I threw in a few cover songs like Enya's "Watermark," Bach, and my dad's song, "Song for the Whales."

When I was preparing for '1994,' the song for Deena and Sam was 'Fast Car' by Tracy Chapman. I just really love that song so much, and I think the lyrics really hit home and reminded me of their dynamic.

Daily exercise is an insurance policy against future illness. The best Leaders Without Titles are the fittest.

I think all the covers I do have nice sentiments, particularly 'Your Song.' People write me very sweet messages about that song, though I'm sure there are people out there saying that I've ruined it too!

It's not the coolest thing in the world to be walking around humming the Taylor Swift song. It's not as cool to be singing along with the number one song in the country as it is to be the jaded, indifferent hipster who wants to turn you on to something that nobody else is talking about.

Everything runs smoothly. I'm never uncomfortable with anything I do. I never feel like I regret anything. I love music. All kinds of music. I'm a producer first. I feel like I can do anything and still be myself. You hear a song and you're like, "Juicy J is on this song, Juicy J is on that song," but it's still me at the end of the day.

My first song was 'So Sick,' which was my first number one as an artist, and I turned the mic around to the crowd, and they sang the whole song. Every lyric. That was my first experience with the power of music.

I think people should be able to have at their behest, like, four hours of music, entertainment, visual knowledge, different pathways[.] That's what I'm trying to do with modern technology, not just another song and another song.

Say an A&R person wants me to do this type of song because they feel it is going to work on the radio, I guarantee you that unless the song is real, there is nothing wrong with having success and I want to be successful. That is why I am, but I do it my own way.

The basis of everything I do is down to the song. If I don't have the song I don't sing, and if I don't sing I don't perform.

Imagine having "no chain of titles for cars, no VIN numbers, and no DMV. There'd be total chaos! But that's basically the system for debt.

Whatever be the depth of woe Along the path that I must go, I'll sing my song— My song of joy for all the love That's lavished on us from above, And count no loss of treasure-trove When things go wrong. I'll sing the sunlight, and the bright Soft smiling stars that gem the night; For gifts of good That God hath spread along my way, The lilt of birds in tuneful play, The harvests full and flowers gay, The whole day long I'll sing my song Of gratitude!

You have to learn how to act a pop song. You have to find the balance of the pop from the pop song and the lyrical significance of the scene you are in.

I feel like if it's a good song on a guitar, it's a good song no matter what.

It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.

I think titles are extremely important for novels: They can set the tone, tip you off, serve as shorthand for what the essential contents are.

While I wanted to be supportive of Kanye [west] on the phone call, you cannot 'approve' a song you haven't heard. Being falsely painted as a liar when I was never given the full story or played any part of the song is character assassination.

When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.

Whenever there is money, power, and titles involved, players are going to be corrupt. That might be a political statement, but that's what it is for the athletes, too.

I have struggled for decades now with the fear of and resistance to change - mostly in the realms of technology, transportation, and the ways people choose to communicate. If I had a theme song, it would be that lovely song 'I'm Old-Fashioned,' as sung by Ella Fitzgerald.

You may not hear much bluegrass on the surface of my music, but I feel the emotion I put in a song comes from bluegrass. Bluegrass taught me to interpret a song, not just sing it.

I love the story of the guy coming to Nashville and then kind of getting set down and told, 'This is how the town works,' which, I've totally been there. But the coolest thing about 'Out of Style' is it's a song within a song.

I've never been one of those guys who wants to put up titles and championships and run around and brag.

For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.

I've never done a video where I feel like the images have anything to do with my song, except in the most vague way possible, because I feel like the song is its own complete thing. But ideally, a song is a complete sphere like the Earth, where if you were an alien with a huge, huge finger, you could stick your finger into the middle of the ocean and make an impression on it. It’s not an impregnable sphere, but it is a sphere.

When I listen to little fourth-dimension artifacts, they're like they were made as time capsules in the first place. You know that when you're writing the song and recording the song, you're already sending a message to the future listener, whoever and wherever and whenever that will be.

Michael Jordon may have been the best basketball player in history, but he couldn't have won six NBA titles without a team.

It's already years ago now, but there's that South Korean music artist Psy, who had that hit song and it was a hit song here. I'm like, "Wait a minute. There's a chance. There's a way we can have language not be such an important part of comedy."

My favorite song of ours has to be 'Feel Special.' It was a little different than our bright songs that talk about love and general happy things, but we thought the song had a special message.

'Dirt On My Boots' is a very different song. I heard the melody, and I heard the lyrics, and I heard the drive of that song. I totally related. It was kinda me when I was on my bulldozer working for my dad.

There are certain songs that if people come up to me and tell me how much that song meant to them, I think, You should have better taste, then, because I don't really like that song.

The people at the record company had asked me if I could write a song about my life, my relationship with God, and where I'm from. Well, I can't write a song on purpose, my songs come in a moment of inspiration or desperation.

Many women have earned titles, Your Grace. It doesn't seem to have been a factor in whether or not they actually received them.

The thing about albums is just coming up with new material. I just got tired of that syndrome of putting out an album and then some reviewer claims that this song or that song has something to do with x y or z.

A song called Never. Which we never play. But it's a great song.

It's a personal challenge for me, to give the best of myself, to win titles, to score goals for my team, and to help when needed.

The song of the voice is sweet, but the song of the heart is the pure voice of heaven.

Watch tonight, pray tomorrow. Gallants, lads, boys, hearts of gold, all the titles of good fellowship come to you!

It seems that most of the projects I'm doing with relationship to Marvel's 80th anniversary occur during my core run on the X-Men titles.

In my second season at Tottenham, things didn't go as I wanted but I accepted the offer from Chinese football and there I recovered my confidence and I won titles.

I have always thought it was important to maintain some connection for myself to what it takes to make a song work by myself, to put a song across to an audience by myself.

I keep reminding people that an editorial in rhyme is not a song. A good song makes you laugh, it makes you cry, it makes you think.

Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now.

It doesn't take much for anyone to pick up anything I play - it's quite simple. I go for a good song. And if you hear a good song, you don't dissect it - you just listen, and every bit seems right.

I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.

I have huge respect for Porto, a great club that's always in the hunt for titles, but they aren't Real Madrid, one of the biggest clubs in the world.

Every single song has its own individual character and you can't treat each song the same way, because it wants to be treated differently and there are songs that are like scared birds that you have to sneak up on over the course of months in the woods.

I just want to play for a competitive team that will offer me the best possible opportunity to win titles.

I think there's a song for every moment. I don't think there's one right love song.

There's only one proper way a song should go, but you've got to be patient enough to let them come together time wise. Sometimes it's lightning in a bottle and you got the song. But oftentimes it shows up.

Sometimes when you're writing a song, it's work, and you really have to make sure you're kind of pounding out every little piece of it. And then sometimes you write a song, and you turn around and you go, 'How did we do that?'

Have Tottenham closed the gap on Arsenal? Last time I checked they were still 4 miles and 11 titles away

Titles are valuable; they make us acquainted with many persons who otherwise would be lost among the rubbish.

Irish fathers still have certain responsibilities, and by the time my two daughters turned seven, they could swim, ride a bike, sing at least one part of a Woody Guthrie song, and recite all of W. B. Yeats's 'The Song of Wandering Aengus.'

I usually like to introduce the film and the music with the opening titles. It's a great help for a composer to bring the audience into the work that we're going into.

You will taste a way of life profoundly nourishing and from your tongue may spring a song or poem or sentence or word or maybe nothing but silence. Silence only the heart can turn to song.

Now, with all my world titles, I am very happy because I can say to all those people that what I chose to do was good for me.