Top 1200 Song Titles Quotes & Sayings - Page 20
Explore popular Song Titles quotes.
Last updated on December 18, 2024.
One of my side strange abilities is to hear a good song, no matter how it's being performed. Even if you get a bad performance, I can still hear that there's a good song.
We made the song a big part of the story [Sausage Party ] itself, in that it's kind of their prayer that they say every morning, because we found that just to have an arbitrary song felt too unrealistic within the reality of our talking food movie.
My songs, they have just the one chord, there's none of that fancy stuff you hear now, with lots of chords in one song. If I find another chord I leave it for another song.
I've always gone to see all kinds of shows and stole what I could, as we all do. We see an artist and hear a song and think, 'I bet I could sing that song. I'll put that in my show.'
'No Scrubs' is a mean song for a lot of reasons. If you're 18, 19-year-old guy, or even 17, your friend just got a license. You don't have a real job yet. It's like that song asks you to be an adult way faster than you should.
The first line of the song is always the hardest thing to write. And then after that, the song should - unless it sucks - it should write itself.
When I was a little girl, my dream was just to hear my song on the radio. It was very fascinating to me, and I was like, 'How do I do that?' Now it's like, 'Oh my God, my song is on the radio!'
There's nothing like that feeling of having just written a song that you know is 'the song,' and you know it's really great, and you can't wait to share it with people; you can't wait to record it.
You have to choose whether to take the money or follow your own ambitions, playing in the best league in the world and winning titles.
When you're dealing with music without words, titles are more a means of identification than anything else. What's the point of getting lofty?
I love playing the new songs live. I hate playing a new song and then having to play an old song again, it feels really boring.
What I love about 'Midnight Train' is that it's a song about a journey, but the music actually takes you on that journey. It feels like you're moving through the whole song.
I'll flip samples where one's a completely dark song and the next one is a complete sexual song. People think my whole thing is a dark thing, but I don't.
Wills are trumped by legal titles to real estate or beneficiary designations on financial accounts, retirement plans and insurance policies.
Titles of honor are like the impressions on coins, which add no value to gold or silver, but only render brass current.
The first song I wrote was "Look Both Ways Before You Cross" from Imaginaryland. I started the song by singing a bass line, "hoo hoo hoo hoo."
I don't want to be somebody who stands still and sings pretty. Each song is a world. Each song is a story. I don't achieve nearly what I want.
I just want to continue with gymnastics because I'm still young and fresh. I think can get some more titles under my belt.
If I don't get five [titles], I won't be happy with myself as a basketball player. I don't know how you guys will feel about me.
I can't think of a recent baseball song except John Fogerty's Centerfield. It's very difficult to write a baseball song that pleases fans and non-fans alike.
Sometimes I'll have a whole song done without having a beat - I'll just rap on an instrumental tempo and recreate a whole new song just around the lyrics.
Us Hawaiians - I'm Hawaiian-Samoan. I love to eat. I want to go for four titles: 155, 170, 185; they all can get it.
As for me, I rarely write a song. But when I do write a song, like "Ain't No Chimneys in the Projects," which came to me at three a.m. one morning, on a whim - I get a percentage.
I think, any of your audition songs should really be a song that you are so confident with and can pull out of your back pocket. Find a song that shows your entire range very quickly.
I would love to do a collaboration with Lil' Wayne. I would have loved to sing on his song, 'How To Love.' I wanted to do the remix to that song really bad.
When I first heard that song, it was a ballad but it had a lot more. It felt like a gospel song when I first heard it and it just moved me.
There's a song called 'My Faith' that's kind of my spiritual song on my record. It's a little bit of my softer side of me, comin' out of left field a little bit.
Whenever you're in a relationship, you have that favorite song that reminds you of when you first got together or when you first kissed, and then every time you hear that song, it reminds you of that person.
Music is shared. It's a shared feeling; that's what music is all about. When you listen to a song with someone else, it becomes more than just a song. It defines relationships.
If starting games in a club like Manchester City and winning two titles isn't enough, too bad. I won't regret anything.
Well after 'Fast Car' was so huge, everyone was asking me, 'What's the next song?' At the time I just had ideas I was working on, but it was very clear I needed to finish another song ASAP, and that's how 'Perfect Strangers' came about.
You can make a hit song in 15 minutes. I don't know about someone else's song, but songs that people like of mine, I've created in 15 minutes or less.
Sometimes I dream song ideas. I write a song in my dream, the melody and everything. But then sometimes I can't remember them. I think later on, I probably do.
Like anything important, anything you need people to hear - you've got to have music for it. You've got to make it at least a little piece of a song or sometimes a whole song.
Nobody's favorite movie is some dark, dysfunctional slasher story. Everybody's favorite song is a sentimental song. So why all of a sudden is it bad to be sentimental in books?
Titles of honour are like the impressions on coin; — which add no value to gold and silver, but only render brass current.
A classic song is timeless. You'll never outlive a classic song. I'll never put The Beatles 'In My Life' on one day and say, 'That doesnt move me any more.'
'7 Years' is, you could say, a song that eats its own children. That we need to get past the song and get to the person and get to the record and get to the music so we can keep releasing.
For me, it is important to win titles and for that I need to work hard, stay healthy and be able to compete. The rest, I always say, it comes.
I'm just the instrument for the song to do whatever it's supposed to do-heal, inspire or encourage. It's not all about me, it's about the song. I'm just the lucky girl who gets to sing these songs.
I enjoyed six marvellous years at Bayern winning many titles, but the fact is I don't plan on playing in Germany ever again.
Any time that you get big titles or head jobs at a young age, there's going to be that factor. 'He didn't pay his dues.'
Titles always sound so pretentious, and when I see a comedian, I just want the person to take flight, not stick to one topic or subject.
you see, we live in a cold climate
and are not permitted to kiss on the street
so I made up a song that wasn't true.
I made up a song called Marriage.
When I'm writing a song, it's just me and the songwriters. Then when the song is done, there are publishers that hear it, then people in my management, then my wife and my boys and my friends, and if they're all lovin' it, it's kind of withstanding all the criticism I need.
Sam Phillips asked me to go write a love song, or maybe a bitter weeper. So I wrote a song called, "Cry Cry Cry," went back in and recorded that for the other side of the record.
I've got a song on every album, two songs as a matter of fact on every album without Auto-Tune, and that's the song that nobody talks about. It's weird.
Of all the songs that I've written since I was 15 or 16, every song is different every song is special, it happens in a different way and I like that.
Cloud Atlas' is but one of a long list of titles deemed unfilmable, by author and movie moguls alike, until it was, well, filmed.
There are two things John and I always do when we're going to sit down and write a song. First of all we sit down. Then we think about writing a song.
Americans swept away the instruments of English hereditary inequality - entails and titles of nobility - even before we had a constitution.
Every song is a long process. First I have to write a story for it, and then to make it into a song, I have to make it short and then shorter - so it's not easy!
It's that feeling when you hear your favourite song. That feeling, whether you're in a car, at a party or alone at home or in bed and you hear this song and it just hits you so strong - that’s what we aim for.
I can't bear working with a click track, we're not click track people. But for "Mercy Is ..." we all got in one mind because the song is delicate; it's not a song that showcases a vocal or some virtuoso.
I hope I shall possess firmness and virtue enough to maintain what I consider the most enviable of all titles, the character of an honest man.
Every week, Dennis Day sang an old Irish folk song. And next day in the fields, I'd be singing that song if I was working in the fields.
When I play the first few notes of a song and people start screaming, I think: 'That's why I did this. That's why I wrote this song. That's a good job.' And it is a job.
Thanks to the Polgars the adjective 'men's' before events and the 'affirmative action' women's titles such as Woman Grandmaster have become anachronisms.
I use music as a tool for my own personal sanity, one might say. After a long day or something, I can always come home and sit down and play a song, or write a song, just relax and kind of space out with my guitar.
Master and Doctor are my titles; for ten years now, without repose, I held my erudite recitals and led my pupils by the nose.
