Top 1200 Song Titles Quotes & Sayings - Page 5

No one worries about genre when they're dancing. They're not asking themselves, 'Is this song a dubstep song?'

I want all the titles.

'Frayed Ends Of Sanity' off the 'Justice' album is a song that I really wanted to play with the band, and for years and years, I was always like, 'Let's play this song!' But I'll tell you something: I started working on that song almost from the very first time I joined the band.

There's nothing prettier in the world than a melody. I can get lost in a song with a melody. A lot of times I have, and the song wasn't that good, but I would get lost in that melody, and I'd want to do the song.

Without a song the day would never end Without a song the road would never bend When things go wrong a man ain't got a friend Without a song

Listen to the Beatles' 'Things We Said Today.' Ringo Starr does not play a fill in the entire song. It doesn't need it. 'A Day In the Life' has gorgeous fills, but there, the song needs it. When I play on any record, I'm striving to get where Ringo is. You play what doesn't take you out of the song.

"Straight Edge" was a song about my life. There was no structure, no premise as if I was forming a club. There were no tenets. I mean I wrote a song called "Straight Edge," I'll take that, but the song was about my life the way I wanted to live it.

I wouldn't want someone assuming that some negative song has some truth between me and my wife. There was a song that one of my buddies sent me, and it was an awesome song. It was about this woman who had fallen in love with a man that wasn't her husband, and I love everything about the song except for the fact that I personally cannot sing it. It would kill me if someone thought I was singing it about my wife.

I got to meet Rachel Platten, who sings 'Fight Song,' I love that song.

'My Swan Song' - that song is so depressing but uplifting at the same time, you know what I mean?

When I sing a song, I want someone to recognize 'Now that's Dianne singing that song.'

Growing up in Mississippi, the first song that I ever remember hearing, that captivated my mind and transported me from my bedroom out to the West, is a song called 'Don't Take Your Guns to Town' by Johnny Cash. That's when I was 5-years-old. And I played that song over and over again. I pantomimed it in school for show-and-tell.

If you asked me to write a rock song or a rap song, I couldn't do it because they're not in my fingers.

I'd never written a song before 'The Blood'; I didn't know it was going to be a song.

I wouldn't want to write a song in a pair of sneakers. I think it would be a horrible song.

The sun shines not on us but in us. The rivers flow not past, but through us. Thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, making them glide and sing. The trees wave and the flowers bloom in our bodies as well as our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountains is our song, our very own, and sings our love.

If you sing a song of peace with enough gestures and grimaces, it becomes a war song.

If you can take a piece of life and put it in a song, it's going to be a good song - especially if it's from the heart.

'Kareeb' is a song that changes my mood. It's a happy and peppy song and my definition of it is 'pure entertainment.'

Every day somebody comes up to me and says, 'That song really helped me through a difficult time,' or 'That's me and my wife's song' or 'This song means something to me because of... ' It's humbling to hear that. You're something special in someone's life, even if it is for three minutes.

I think the difference between a good song and a great song is... honestly, I think the lyrics, because if you have a really solid melody and solid track and everything is there but then the lyric is just okay, then you've got a good song.

With Rahman, I worked on 'The Humma Song.' It is a song that I have loved since I was a child and I got to sing it.

If something gets under my own skin, and keeps reoccurring, it starts to take on a certain weight and value, and I think, "I have to put this in the song. I have no choice but to mention Greek Cypriots in this song." It's a little internal challenge to myself. Like creating little imaginary rituals in yourself to help the song go from nonexisting to existing.

It's of course important to mention that when DJing, I'm building my own story through the music. I'm figuring out what song to play next, what song to play after that, and how the two will blend together. How the emotion is going to develop from one song to another. So I first build that storyline.

'The Last Five Years' is this quintessential piece, and every song is an actor's song, and every song is incredibly difficult and incredibly powerful and incredibly amazing. It was one of those things in college where, like, you gauged how good you were by how well you were able to pull off a song from 'The Last Five Years.'

A lot of my fans wanted a kind of 'in your face' song. They wanted a song that exemplifies me overcoming the situation I was in and just that triumphant kind of song. So, I felt like I wanted to go ahead and get that out of both of our systems with 'Good Woman'.

I think taking a hookline of a hit song and making a new song is fun.

It's good when someone says, "Would you write a song for this purpose," or "would you record a song for this purpose," or "would you help me realize this song," again, for this purpose.

On past records I usually did start with a story or an idea for a song and then write around it, but on Achilles' Heel I would just start writing and try to let the song and my sub-conscience determine the direction. which is a goofy way of saying I tried not to decide before hand what the song and or the characters would do and be like.

But when I hear a great song, I can't help but be inspired by it, regardless of whatever genre that song falls under.

There is a little bit of a head vs. heart kind of battle that happens sometimes with the song. There's the goose bump thing, where the melody or whatever it is just gets you and you don't know why. Sometimes, it's in a genre that you didn't think you liked and, all of a sudden, the song hits you and you just say, wow, I feel the hairs on the back of my neck. I love this song.

I suck at titles.

So, once I've written a song, you know, I'm pretty happy with what the song is on its own terms.

Titles are what I crave.

I'm terrible with titles.

If they want to party and do all the things I say brought me sadness in my song, with my song as the soundtrack... so be it.

'Can You See' is a beautiful song that follows a story of the star. It's a very inspirational song.

I would love to have a song that I wrote by myself to win a 'Song of the Year' award.

I write a song for myself because I need to come out with that particular song.

The world is a song, but we do not know whether it is a good song because we have nothing to compare it with.

When I write a song it's always from the point of view: makes the song the best it can be.

I like the idea that a song can be something that you can lean on, both for the songwriter and for the person who hears the song.

I love the idea of waking up to a song. It could be any song.

Sometimes I feel like I finish a song, and there's another song that I have to write in response to that song. Each is like its own separate feeling, its own separate universe.

My first song was about the smog over Dublin in the 1980s, so yeah, I suppose I was always socially conscious. My first song was not a love song, it was about smog.

A song is a song and, if I am emotionally connected to do it, whether it is sad or not sad, I am going to chase that song.

With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.

Well, I make every song I sing personal. I've never chosen a song that wasn't.

I think that the song 'Movin' On' can be a personal song. We've all been in relationships where we weren't necessarily happy.

I love lyrics. I've always been averse to the straight lyric idea. I guess a big part of it is, that songs that are literary always turn me off. Because they feel so abstract. Like a song. What is a song? We have to remember what the function of a concert and the function of playing a song for people are. It's all become really abstracted.

Once you write and record a song, it becomes everyone else's song.

The singer alone does not make a song, there has to be someone who hears. -Broken Song

I don't play a lot of instruments so when it comes to the song writing process I don't have a lot to do with that. A lot of times it's just acoustic guitar and a small riff that produces a song. Ultimately you want to write a song that people are going to enjoy and that you love to play, most importantly you have to write it for yourself first.

I do have trouble with titles.

Rebecca Black 'Friday' song is the best song ever! Don't you agree!

It was your song that made me sing It was your song that gave me wings It was your light that shined guiding my heart to find This place where I belong It was your song Dreams can come true With God's great angels like you

It's better to find a composition through an instrument and to play it and record it because you have something. It's a composition, and the song is good. It lives as a song. The worst is when you have a song and nothing is working well when you produce it. It's not like what you expect in your imagination. It's the worst because it requires a lot of work.

Meditation is listening the inner song. The song of Love, Peace and Light

When you're like, 'Yo, we gotta write a hit song, we need a hit song right now,' that never works. Every time that happens, I never write a hit song.

I secretly love the song 'No More Tears.' It's my go-to karaoke song that I do with all my friends.