Top 1200 Song Titles Quotes & Sayings - Page 8

The key thing is to get that one splash - that one song or that one video for a song - that catches people's eyes. Because it's all digital content now.

Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.

I'm recording freely, and if I make a song, I release it immediately, so I'm more likely to believe in one song at a time as opposed to albums.

My goal is to think of nothing when I'm writing a song because too many influences could sabotage a potentially amazing song.

The notoriety you get from when your song is on the radio versus when your song is on a mixtape is two completely different things. And when you get a song get big enough to where it gets played on two stations at the same time in the same city, you're like, 'Damn!'

What is so important is that you play for the artist and for the record and for the song ... everything else falls into place ... my solo has to be a complement to the singer and the song.

I woke up one morning with this song in my head, and the opening line of the song: My name was Richard Nixon, only now I'm a girl.

You don't necessarily have to write a song to make it your own. After all, Elvis never wrote a song in his life.

Every single song on 'Torches' was a little self-contained pop song, so there wasn't any fat on the songs; there wasn't a lot to cut.

Like 'Daddy Cool' was the first song that opened the door of success. So it was extremely special and I will always sing that song.

I feel like a good song is one that ticks all the boxes, but a great song is one that has this kind of special quality that just resonates with people.

If you write a country song, and it's the best song you've ever written but throw it out because you're a metal band, you'd be an idiot.

All deep things are song. It seems somehow the very central essence of us, song; as if all the rest were but wrappages and hulls!

Winning titles is a big thing for me.

What is good is what it's going to lead to, like the song "Jai Ho." If good numbers are going to come in the future, it bodes well for a lot of things. But then, who's going to maintain that. That's the question. So far they could never lead to an Indian song, like a normal film song in this that they can relate to.

One song will launch you, but you don't want to be a one-song artist.

In a song you can kind of stage-manage everything so that it puts you in a good light. And once a song is recorded, it always performs well.

Every artist has the song where they say, 'I wish I could have written a song as good as this,' but they don't feel like they've done it yet. It pushes you to evolve.

I know about winning batting titles.

A song is a song and a hit record can change a life.

You know what, I am not gonna lie, that Taylor Swift 'Trouble' song? I can't resist that song. Her melodies are very catchy.

I have a hard time recalling the titles of books.

I love the song 'I Hope You Dance' by Lee Ann Womack. I was going to write that song, but someone beat me to it.

The first song I ever had recorded by another artist was a song called 'Surefire Feeling' by Jake Owen.

If I just remix and release, no one will listen. I am adapting, changing the song and merging a new song into an old one.

Every song becomes an emotional journey for me, and only then will the soul of the song remain honest.

When you're given a song, it's my job to record the lyrics, story and emotion, and make everyone who is listening to the song believe that it was my words and experience.

Every song, the title dictates the architecture of the song.

The Siren waits thee, singing song for song.

Titles are but nicknames, and every nickname is a title.

It's always that one song that gets to you. You can hide, but the song comes to find you.

IU and I hosted a music program together, and she had told me that she would be writing a song for me. My fans call me 'Peach,' so when her new song came out, I called to ask her about it, and she confirmed that the song was for me.

'Reign' - and this might sound cheesy, but it's a dream I had. I dreamt everything that happened in that song, woke up, and wrote the song.

I woke up one morning with this song in my head, and the opening line of the song is, 'My name was Richard Nixon, only now I'm a girl.'

My aim is for every song to have a purpose - for you to be able to say, 'This song is about this.' But love and heartbreak are some of the most abstract subjects.

I've come back from losses and won world titles.

I recorded the song 'Believers' because I feel the song has a strong and much needed message. We all need encouragement and something to believe in.

Sometimes a good love song can change the world and create positive energy more than any political song can.

I always want to win games... and titles.

I keep joking with my teammates that Nickelback should be our walkout song. I think everyone secretly likes at least one song.

Titles are too "thin" for the nineteenth century.

I want to have all four cruiserweight titles in the future.

At Bayern, the journey is always headed for titles.

Forgetfulness heals everything and song is the most beautiful manner of forgetting, for in song man feels only what he loves.

I put a song out for fun, from 'Lucky Them'... I wrote another one called 'Love Song.' I really liked that.

My song 'Smooth Operator,' I think that's a real simple, easy, sing-a-long kind of song. It's not too complicated.

I wrote my first song when I was six or seven, a silly little song. But I used to write poems in high school - not songs.

Popular music usually has a chorus that needs to repeat, and people need to remember the song. That's sort of the major guideline when you're writing a song.

I have a lot of hunger to win the big titles.

Most times you don't write the song, the song writes you.

A champion's thirst for titles should be insatiable.

Don't sing a song you can't carry off, like some 16-year-old kid singing 'My Way'. That song's not for you. You haven't lived that.

I'm the same guy at that podium preaching to the people on every single song. I'm not doing a dance for you on another song. It's all a direct assault.

Honestly, are we ever going to get over 'California Girls' by Katy Perry? I know it's old, but that song - I love that song!

I want to get me one of those titles.

I love when a song is conceived as a jigsaw puzzle in the studio, and then it's a natural to play live. That's my gauge of success for a song.

One song will launch you, but you don't want to be a one-song artist

Players become stronger when they win titles.

No one can threaten poetry. It's always been there, always will be. Humans need it to live: it has sustaining powers. How could we (anyone) get through adolescence without some form of song? Song is only a version of lyric poetry that is carried more by melody than by internal coherence and unity. but lyric and song - they are the same.

I always try to write a song, I never just want to write a record. Originally I was not writing songs for myself. ....And I can say this, most of the people who have recorded my songs are songwriters themselves. ... Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential. When you write a song, a song has longevity. ... So I wanted to sing inspirational music, and that's exactly how I approached it-only the words have been changed to declare my relationship with God. Songwriting is my gift from God.