Top 1200 Song Titles Quotes & Sayings - Page 9

The song of the blues, the song of the music, was something a lot of people missed out on. They thought they had to swagger a certain way or bark at the mic, and you don't have to do that.

I listen to everything and find parts about a song in the lyrics/melody/chords/production that I like and can be inspired by when I write my next song.

Every day of my life has been a challenge - from singing a song that is not my type to being asked suddenly to sing a classical song with no practice.

G-Dragonhe is very romantic. I’m his roommate so I see everything. He’s seriously romantic. If he dates someone he makes a song for them. One time he asked me how the song was. And I said oh my god if this was released in Korea there’d be a huge deal and it would make so much money. But… since it’s for the woman he loves it’s only for her and gives up that money/fame from that song.

My first favorite band that made music important to me was the Beatles. I was a little kid. I didn't know who was singing what song or who wrote what song.

Try to take your vision and ego as far away from the song as possible. Give as much respect as you can to the song and the initial inspiration.

You're not going to hit it every single time, and that's why, when I record an album, I do probably close to 50 songs. Each song I record has to get better. If it's not better than the last song that I made, it'll usually linger for a couple of months, and then it'll be put on the backburner, and then there'll be another song that I do, and then it often doesn't make it on the album.

I wrote a song with Kara DioGuardi called 'What If,' and it's a really beautiful song. It's kind of like a rock ballad. There's a lot of guitars and drums in it.

Most of the time, I can't listen to the song after the video's done. Sometimes I'll hear a song that I've worked on at a restaurant or on the radio, and I'll have this visceral physical reaction.

When pop culture can influence things in any way, when a song becomes something bigger than just a song, that's the greatest thing to me.

You kind of have to become a song so to speak and we wanted to make sure that Tom did them with the best abilities he had and captured all that what the song is all about.

Maybe it's because I grew up during the MTV generation, but to me a perfect song is one I can imagine a music video to, a song that can take you into a dream.

It makes me mad to hear these popular orchestras make a jammed-up comedy of a song like 'Wreck on the Highway.' It ain't a funny song.

Every song falls short of the glory of what a song could be. That's why the urge is there to start again and yet again. Often it's the fault of rhyme. I've discovered a hundred times that there just aren't enough rhymes to say what I wanted to say, so I said something else instead. Sometimes it was a better thing, but the thing I meant to say went unsaid. So there's an opening for another song.

I do not see myself exposing and revealing. If there is a requirement for an item song or a special appearance song I might do it... if it is in the capacity of the film, if it is comfortable and suits me.

It's great when you can write a meaningful song that touches people, but sometimes you just wanna have fun and sing a silly song that doesn't reflect on you as a person.

When you're writing a song and there are five people invested in it, it's easy for one person to say, 'Oh, this song is about this and that', and everyone has to hear the idea and see if they can do better.

Typing in the name of a song and downloading the song you really have no connection with the artist at that point. So I think it is still important to have physical CDs and stuff like that.

I also held several masters running titles.

At 13 I taught myself piano from an old song book, and Joni Mitchell's 'Both Sides Now' was the first song I learned.

Like for me, it's funny that I have ended up in so many side projects because I have always looked at any song that I write as a Dawes song.

League titles do not get claimed in November or December.

You're creating an intimacy that everybody feels, that it's their experience, not yours. I'll never introduce a song and say, now this song is about 'my' broken heart.

'Awwsome' was a different type of song for an artist like me, but it's still a true song. I was talking street stuff, but I was feeling awesome.

Things that Never Cross a Mans Mind is probably one of my favorite upbeat tempo songs because it is just a sassy song, and its a fun song.

You can never plan what a song will do. I wrote Mr Pitiful song on a piano I paid $200 for and I definitely got my money's worth.

Everything I see and hear... I will take ideas from anyplace, anywhere, anytime, and life has become a song to me. I'm always looking for a song.

There are a lot of singers, but they weren't doing it the way I was, taking an Adele song and putting a hip hop beat behind it to make it a different song.

'Things that Never Cross a Man's Mind' is probably one of my favorite upbeat tempo songs because it is just a sassy song, and it's a fun song.

I want to be a big player one day, and to be that, you have to win titles.

'Santa Monica' was a big song, and I always knew it would be radio friendly. But it's not a defining song for me, though for a lot of people it is.

I love 'The Gospel Truth,' the song that opened up 'Hercules.' I thought that song was a lot of fun, and I really enjoyed producing that and writing that.

Sometimes what makes a great song is that bittersweet combination - a really heartfelt song, whether good or bad, mixed with something that gets you going.

I think a very clear cut example of - dare I say - plagiarism is the Sam Smith-Tom Petty situation, where you have a song that is flagrantly... it is the hook from one song being used for another song. To me, that was a very obvious example of plagiarism. If somebody had done that to me, I would probably take a similar course of action.

I teach songwriting a lot, and I always tell my students, 'You gotta write the little songs sometimes to get to the next big song in the chute.' You gotta write 'em to get to it. You never know what's going to be a little song or a big song.

The life of a boxer is about fighting for world titles.

The song How do you like me now? By Toby Keith will be my personal theme song when I attend my first high school reunion.

(`Stairway to Heaven' is) a nice pleasant, well-meaning naive little song, very English. It's not the definitive Led Zeppelin song. `Kashmir' is.

My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching.

The Rilo Kiley song 'A Better Son/Daughter' is my most requested song - especially for people who are at the age I was when I wrote it. It's sort of a mid-twenties lament.

I guess a good song is a good song is a good song, ya know.

I like watching Bengali film DVDs with sub-titles.

All you gotta do is think of the song in your head. And it doesn't matter whether you can play it or not, you can get somebody to play it. With songs I've written, there's a song called "The Statue", which I can't play. There are songs that I've written that I've actually just hummed on - there's a song on one of the albums they have there on the Internet called "My Love Was True" and it's almost operatic. I can't play it. But I can sing it.

If you asked me to sing a modern song, I wouldn't be able to - I can't easily slip into that groove. But if it were a song by Nico or The Velvet Underground, fine.

I literally have a song about how bored I was and it's actually a really cool song that's interesting because I created something out of nothing.

The roughest part for me when I'm writing a song is staring at a blank page. Where am I going from here? If you're a songwriter, you have to do that every time you start a song.

When I originally wrote "Jealousy," it was more like an exercise to try to write a girl-group kind of pop song. It was really contrary to most of the material I'd ever written. I didn't pay much attention to the song after I'd recorded it. I didn't really perform it at all the last 20 years. When it came time to make the new record, I decided to make peace with the song and have fun with it.

When we record a song, like 'Bedside Manner,' it's important that the next time I write a somber, mid-tempo song that we don't treat it the same way.

I was obsessed with what a song was and what the possibilities of language in a song are.

A song like 'Tears Dry on Their Own' is really sad, but it's hopeful, too - that was my theme song for the first boy who broke my heart.

There's a song", I say. "There's always a song", he says.

I can't make a song for a particular person or demographic. If I love it, I'm gonna do it. I have to perform it for the rest of my life. A song is like a tattoo - you can never get away from it.

There has to be a song. There are too many dark nights, too many troublesome days, and too many wearisome miles. Somewhere deep in the forgotten corner of one’s heart- there has to be a song. Like a cool, clear drink of water and like the gentle warmth of sunshine, and like the tender love of a child, there has to be a song!

If you take a song like 'We Will, We Will Rock You,' 'You got blood on your face... ' - he's rhyming on that! And if you take the lyrics out of that song, you get a hip-hop beat. It's a rock song, though. So it's not out of my element for me to get with Black Lips.

In karaoke, you don't choose the song; the song chooses you.

I didn't come into the business to get awards or titles.

Santa Monica was a big song, and I always knew it would be radio friendly. But its not a defining song for me, though for a lot of people it is.

A country song is a song about life.

I labour over details and whether a song should be a straight pop song form or exploratory. This is the curse with doing things by yourself.

When you've written a song, sometimes it's really hard to wrap your brain around what somebody else is doing, or maybe the way that they see the song.