Top 1200 Songs Quotes & Sayings

Explore popular Songs quotes.
Last updated on September 17, 2024.
I was writing a lot of true love songs-true love almost gone wrong but saved at the last moment...Many of the best songs get written in a state of abject misery. I prefer to write fewer songs and have less cataclysmic events in my life...Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good.
To get 300 songs to fit together on an album, it's not like I choose 300 songs and say these are the ones I wanted to pick. To get those 300 songs I sampled 1000's of songs and narrowed down the ones I felt worked the best musically.
I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.
Songs are great. I love songs. I sing them in the shower sometimes. They can be poignant or cheery or angry, and they can have catchy and satisfying melodies. There's nothing wrong with songs.
You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
I love songs but am inhibited to have my characters burst out to express themselves through songs. I use the route of using old songs at the right places. — © Sriram Raghavan
I love songs but am inhibited to have my characters burst out to express themselves through songs. I use the route of using old songs at the right places.
For me, the good songs are the ones that come really naturally. There are certain songs that you rework and rewrite and the craft becomes very evident, but a lot of times those aren't my favorite songs. The favorite songs are the ones that I can't even hear my own voice in.
I like making songs up. Whether or not they're great songs or good songs, whatever. It's something I've always done, and I definitely feel like I've gotten better at it.
I don't think of my songs as sad songs. I think of them as vulnerable and honest. I crack jokes in between songs, so people don't leave feeling too dark.
Blues are the songs of despair, but gospel songs are the songs of hope.
My father's songs don't intimidate me; my father's songs are my songs. My songs are his songs. There's no intimidation.
Just because you're a star on television doesn't mean that you can be a music phenomenon or an artist. You have to have the material to back it, and it's all about hit songs. I can name you every "Idol" winner and why they didn't go on to have success - their songs. The ones who have - their songs.
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
I want nice songs. I don't want to worry about where I have to place songs on a playlist. I'm looking to make genuine, great songs and put them together into albums.
John Lennon and Ringo Starr liked my songs. I used to write songs and they heard me sing songs on stage in London.
It can get a little costly if you try and leave it until then to write songs. But you're writing all the time. You're collecting songs. I've had songs that have been collected over a two-year period for my next record.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
My music is not a particular genre. It's not bubblegum or cheese. It's just good songs, pop songs. It's just my songs.
I think my legacy is important because my songs - perhaps more than those of any other songwriter I know - cover every movement from 1965 on, socially and artistically. If you want songs about ecology, I've got ecology songs; if you want songs about spirituality, I've got spiritual songs.
I just always wrote songs as a side hobby. So it was sort of a natural thing to write comedy songs. But when I started writing songs, I wrote very serious songs. Or things that a 13-14 year-old would think are very serious issues.
I started writing songs at eight. Heartbreak songs - don't ask me why. It was the stuff I used to hear, so I imitated it. I used to write songs about guys cheating. Could you imagine!
There's only one reason why you write new songs: You get sick of the old songs. It's not that I didn't do anything during the time when I wrote no songs. I was creative, but in another way. I had ideas for songs and collected the ideas.
I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.
I have country songs, I have rock songs, I have songs that don't even sound like songs. — © Riff Raff
I have country songs, I have rock songs, I have songs that don't even sound like songs.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
I don't write songs apart from theatrical pieces. I'm not interested in writing songs qua songs.
The other songs [of Billie Holiday] - "Body and Soul" is like the standard - I also wanted some songs that I knew I would sound good on, as a producer. It's been the same nine songs since I debuted it back in 2012.
The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
I used to sing Bill Monroe songs. And I'd sing Dennis Day songs like songs that he sang on the Jack Benny show.
I learned Neil Young songs, Bob Dylan songs and older songs. It wasn't until I moved to Philly that I had aspirations to maybe forming a band.
I love deeply, and when it comes to singing love songs and something that I have no problem doing, I put all of my heart and soul into these love songs. I know my fans out there are listening, taking these songs to heart. Like I say, they're relating these songs to their lives, too, and their relationships.
Only sing - don't do cheap songs, don't do silly songs, just do, just do wonderful songs that are well-written.
Some Lynyrd Skynyrd songs are literally the backdrop of America. Songs like 'Simple Man' and 'Free Bird' and 'Alabama.' I wasn't prepared for how emotional the crowd gets during the songs.
I'm not against the Hanukkah songs. I like Hanukkah songs. I grew up with Hanukkah songs. I'm not opposed to Hanukkah or the songs that accompany it, at all.
I have about 25,000 songs on my computer and play them mostly on shuffle, which means that the songs I've played the most are the songs that have been on my computer the longest.
Just because you're a star on television doesn't mean that you can be a music phenomenon or an artist. You have to have the material to back it, and it's all about hit songs. I can name you every 'Idol' winner and why they didn't go on to have success - their songs. The ones who have - their songs.
When I wrote those first songs for the Truckers, songs like 'Outfit' and 'Decoration Day,' those were strong songs, very strong songs. But had I been in the position of writing an entire album at that point in time, I don't think the whole album would have been of that kind of quality.
There are no leftover Tool songs because of the process it takes to compose our songs - the way we hash it out in a room with all three or four of us, that there's tons of riffs and jams and things. But there's no put-together songs that are sitting in the eaves.
We're a live band. Some bands write their songs in the studio - we don't do that. We're playing songs on this tour that were written three days before the tour. And it feels good to try these songs.
There will be slow songs, sad songs, happy songs, songs about boys, and songs about being who you are. I'm making sure I'm happy with all of the songs, because if I am not happy with them, I can't expect anyone else to be, you know?
Most songs that aren't jump-rope songs, or lullabies, are cautionary tales or goodbye songs and road songs. — © Tom Waits
Most songs that aren't jump-rope songs, or lullabies, are cautionary tales or goodbye songs and road songs.
I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs... I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.
People think they know me from my songs. But my repertoire of songs is so wide-ranging that you'd have to be a madman to figure out the characteristics of the person who wrote all those songs.
I wrote most of these songs right before the end. A lot of these songs are about that. Even if it's not direct, you can feel the beginning of the end of the breakup in these songs.
When I made 'Feed tha Streets,' those were the only 17 songs I had made, period. There was no cutting songs out or adding other songs in.
My aim is always catchy songs, or songs with meaning and I want to write music people can relate to, about things anyone could go through, just real, honest music... songs that mean something, songs that are inspired by true life events.
There's so many different kinds of songs that could be pop songs. I don't think pop songs should sound the same.
I know people who have written big hit country songs that are really kind of terrible songs, but for the rest of their life, they're the guy who wrote that. You've got to be careful; if you don't want that to happen, don't write those songs.
There's not one day that goes by that I'm not listening to one of my songs or in rehearsal for one of my songs or dancing to one of my songs.
In some songs, like propaganda songs-and don't get me wrong, I love some propaganda songs. They're some of my favorite songs in the world. It's just that I don't enjoy writing it.
I like 'Bewitched' off the first album because it's one of the happiest songs I've ever written and, as any writer will tell you, happy songs are a million times more difficult to write than sad songs.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, and songs of love for present tense.
Certain songs by hearing the rhythm, it tells you that is either a love song or you might be heartbroken or the songs give you the vibes and you just know that certain songs are militant that you have to write.
The act of the being in the band has very little in common with writing songs. The songs come out of it, and the band is necessary for the songs to emerge, but the band doesn't exist just so the songs can emerge.
Love songs are kind of like hymns if you think about it. Gospel songs are basically songs of adoration about God, or whatever you want to call Him. — © Daniel Caesar
Love songs are kind of like hymns if you think about it. Gospel songs are basically songs of adoration about God, or whatever you want to call Him.
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