Top 163 Sony Quotes & Sayings - Page 2

I love Vanguard. Sony was great too, but it was a different animal, it was so big. It's hard to get the big monster to move, unless you're right there on top of things. And you can't always be on top.

What I don't understand about mobile homes is that you have a mobile place to live, you park it, and you never move it again. That's like buying a Sony Walkman, and nailing it to your hi-fi.

I am intrigued enough to want to continue, and also to try and work with companies like Sony on modifying the cameras and making them more user-friendly and efficient.

If I want a television, I would love the buy American-made televisions like they used to have where they had GE and Sylvania and all of the different. Today, it's Samsung, it's LG, it's Sony. We don't make televisions anymore.

I haven't really been recording in the last several years. I haven't wanted to. And even though I had to deal with Sony and now I'm on Universal again, I will probably put out a new record soon.

Microsoft shoots for the moon. Sony shoots for the sun.

Cecilia was made in a living room on a Sony. It was like a little piece of magical fluff, bur it works. El Condor Pasa a Los Incas record that I love. Bridge is a very strong melodic song.

I was working at the store on the Sony studios in Culver City. And I was literally holding a shirt when they came in and told me I'd got the part! It just shows dreams do come true.

I always knew I wanted to create original material, and after having meetings with all sorts of record labels, I decided that Sony was the right place to do it. They knew what I wanted to make and gave me the freedom to express myself.

Of course, I would like to know what [Sony and Microsoft] do with their machines, but there is no game that I feel the need to go see. So far, from what I’ve seen on the show this year, there does not seem to be any games that I would like to have created myself.

My connection to 'Aquaman' came out through the Sony hack. It had no relationship to reality. I was not on that film. I was not hired to work on that film. I had been talking to Warner Bros. about it.

I have the Sony Reader; I have the Kindle as well. I don't really use either of them, to be honest. I'd rather sit down with a cup of coffee and a newspaper than read all my digital books.

I chose Sony Classics, not just because of their practical experience, not just because of their wisdom in marketing, but mainly because of their integrity.

My first motion capture game was with Sony - 'NBA: The Life.' It was very ahead of its time. Brandon Akiaten, he was the writer and director. He had a real vision of what this game was meant to be; it was a basketball game where I was the Jerry Maguire sports agent type guy. And it was great!

Go where your customers take you! For example, did you know that Sony's first product was a rice cooker? Since abandoning the rice cooker, it has merely managed to become the world's biggest consumer electronics company.

The machinery of filmmaking is really slow and ponderous and I don't know how you're going to make it any faster with any of the systems, whether it's Red, Sony, or whatever.

In the movies I've done for Sony, they've never given me quadrant specific notes ever. They say "Keep making it. Just make the movie you want to do." Especially in a comedy because comedy is so tone specific.

Of course we have to make a profit, but we have to make a profit over the long haul, not just the short term, and that means we must keep investing in research and development - it has run consistently about 6 percent of sales at Sony - and in service.

I went to L.A., and I was on two different studio movies at Fox and Sony, but they were never made in the end. When the second one wasn't happening, I ended up doing an episode of 'Who Do You Think You Are?' for the BBC, and went on a roots trip from England to Kenya, India, and pre-partition India in Pakistan, where my family originally came from.

I want to create something like Sony. Not in terms of manufacturing products but creating something that is innovative, makes money, improves peoples' lives.

My first college internship was at Sony Pictures Entertainment in Los Angeles. My second internship was at McKinsey & Company as a consultant - that turned into my first job after graduation.

People always ask why I don't make independent movies. I do make independent movies - I just make them at Sony and Paramount.

I signed at Sony and suddenly they've started to take an interest in Israeli musicians and to listen more, and I send them stuff. It's very important for me to open that window for Israelis.

It's so much easier to go to the Sony movie complex when you're disabled. You take a great elevator. You get your own little private viewing area. I love it.

My contract is directly with Sony. Everybody was very fair with me. I kept my movie rights. I only gave my rights to a TV series.

The 'Star Wars' movie is coming out. Disney has kept the details of the movie under wraps because they're not Sony.

The rest of the world may devour Japanese hardware - from Honda Civics to Sony Walkmans - but Japanese software, such as books, movies and recordings, has had little impact outside Japan. The exception is video games.

The films Sony Pictures Classics has distributed throughout the years have been of great inspiration to me. I'm very excited to find such a great home for 'The Rider.'

Once you prove yourself, that you're a utility player, they're going to contact you and say, hey, yeah, we need you for a film next Thursday at Fox or Sony or whatever. You kind of get a reputation.

I was MCing in the playground, spitting lyrics over mobile phones - Sony Ericsson, Walkmans, W810s, the Teardrop Nokia phones, all of that. Vital equipment! I never even had a DJ set where a DJ's playing vinyl, and I'm spitting.

Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.

I have a black pair of suede Jimmy Choos. I've only worn them once to a Sony event. The heels have these arrow plates in a pattern. There's gold, black and white and they're amazing!

Despite different cultures, middle-class youth all over the world seem to live their lives as if in a parallel universe. They get up in the morning, put on their Levi's and Nikes, grab their caps and backpacks, and Sony personal CD players and head for school.

I doubt anybody would have pushed me [on the music]. When I was at Sony nobody ever gave me any creative suggestions on the music.

Well, it's great to have a Sony Records or a BMG or a Warner Brothers pocketbook. Money is a challenge when you're funding your own start-up costs and everything. But I feel like it's doable. You just have to be very careful.

I grew up doing musical theatre in Orlando, Florida. When I was 14, I just happened to be in the right place at the right time - a deliveryman heard me singing and offered to deliver my demo tape to Sony Music. I was just really lucky.

I've been through the entire gamut of the music industry - I've been playing in clubs since I was 14, and I've been on Warner Bros, on Sony - I've had lots of successes and some serious times of struggle.

I shoot with a few different camera's. A Sony A6000 with several lenses and a Lumix LX100 with a beautiful Leica lens. I like to travel light so I can have it with me most of the time. I really try and document all the places we travel to.

I'm from there. You know, when you grow up with these people and see them every day and then you look at the numbers it was easy; it was a no-brainer. And when Sony took a look, it was a no-brainer to them, too.

The hardest thing about being at Sony was not the travel; it was being divorced from the public and private life I had in New York. Travelling as much as I did, while I didn't lose connection with my friends, I lost a sense of belonging.

I consider it my job to nurture the creativity of the people I work with because at Sony we know that a terrific idea is more likely to happen in an open, free and trusting atmosphere than when everything is calculated, every action analysed and every responsibility assigned by an organisation chart.

I got signed to a development deal when I was 15. That fell through after about a year when the company merged with another label. Then I got picked up by Sony publishing. So I was writing professionally from 16 to 18. Then I started making my own records.

I'm a huge fan of 'Heart On My Sleeve' - I think it has a 'Take That' feel to it! John Shanks and James Morrison wrote the track, and we spoke to Sony and asked if we could reference a 'Greatest Day'/'Rule The World' sound to make that epic ballad. I think it does the job.

I think one of the reasons for the success of 'Breaking Bad,' and now for 'Better Call Saul,' is that we have been blessed by AMC and Sony with enough time to figure things out.

We've been happy to be able to work with Sony and Microsoft to have the first game that honors everyone's purchases across iOS, Android, PC, Mac, and the console platforms.

The hackers who hacked into Sony have leaked the upcoming script for the new James Bond movie. Some of the executives said the news left them shaken but not stirred.

I'd like to thank Sony for their gracious hospitality, and for not repeatedly punching me in the face. If I seem a little nervous, it's because Kevin Butler was introduced to me backstage as the VP of sharpening things.

When you have more people investing in VR games, whether it's us or Sony or someone else, that means a greater pool of VR developers out there who know how to make VR games.

Sony could have $50 million and a sound stage and A-list actors and never make the same film. The constraints on this film became the essence of this film, became the power of this film.

Singing was always quite a private thing... I don't think my own mum even heard me sing until after I signed with Sony just out of high school!

I don't get tripped up in technology. I use technology as a tool. 'Oldboy' we shot Two Pro 35mm. For 'Da Blood of Jesus,' we shot digitally. We shot the new Sony F55. It's a 4K camera.

There are a lot of companies - not just Sony and Kodak - that have spent a lot of money trying to make the quality of the digital images comparable with film. But when you're sending these things over the Internet, they don't have to be high quality.

I had a great, long run with Sony Records, and had great relationships and lots of success.

When events like the Sony Hack or the news of the Russian hack of our election, we're not shocked by such events, but they are troubling.

The destructive malware attack against Sony Pictures Entertainment (SPE) in late 2014 was an unprecedented cyber event for the United States in its scope, destructiveness, and economic implications. The FBI responded to this attack with an investigation that was groundbreaking in its scope and collaboration.

I don't write my music for Sony. I write it for the people who are screaming down the road crying to a full-blast stereo.

One of my favorite things was I got to work with Avi Arad on a movie for Sony, and we don't realize this, but he's the reason toys were sold off of cartoons, more or less. He created the Gobots!

My first motion capture game was with Sony - NBA: The Life. It was very ahead of its time. Brandon Akiaten, he was the writer and director. He had a real vision of what this game was meant to be; it was a basketball game where I was the Jerry Maguire sports agent type guy. And it was great!

I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.

I'm from there. You know, when you grow up with these people and see them every day and then you look at the numbers... it was easy; it was a no-brainer. And when Sony took a look, it was a no-brainer to them, too.