Top 1200 Sound And Music Quotes & Sayings - Page 4

The problem with music was always that the sound system often obliterated the words, and words, not music, have always been what I was about.

I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.

It [music] has an awakening function. Life is a rhythm. Art is an organization of rhythms. Music is a fundamental art that touches our will system. In Schopenhauer's The World as Will and Idea he speaks of music as the sound that awakens the will. The rhythm of the music awakens certain life rhythms, ways of living and experiencing life. So it's an awakener of life.

Fairy folk a-listening Hear the seed sprout in the spring, And for music to their dance Hear the hedgerows wake from trance, Sap that trembles into buds Sending little rhythmic floods Of fairy sound in fairy ears. Thus all beauty that appears Has birth as sound to finer sense And lighter-clad intelligence.

Music is the crystallization of sound.

I'm very fussy about how my records sound, but I'm very aware that because of the way they sound, I will never be a big-selling, mainstream artist because the public has gotten conditioned to hearing pop music in a certain way. And I don't do it that way.

I just enjoy the sound as I hear it in everything around me. The high and low frequencies of sound bewitch me. Whether I am in a shop, in the bathroom or listening to noise that my fans make... everything is music to my ears and drives me. I just put all these things in rhythm when I'm playing.

There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart. One sound comes from a chamber orchestra, the other from the beating of the heart's chamber. One comes from an instrument of graphite and wood, the other from an organ of flesh and blood. This loftier music I speak of tonight is more pleasing than the notes of the most gifted composers, more moving than a marching band, more harmonious than a thousand voices joined in hymn and more powerful than all the world's percussion instruments combined. That sweet sound of love.

I think of the Ramones when I think of music that can save your life, but I'm not so sure about a band like Fall Out Boy who appears to make music in vein or that, at least, doesn't sound like something they would die for.

I was able to interpret the difference between the sharp, quick sound and the slow, deep sound of percussion and manipulate it, get a third sound out of things, if the beats were rapid enough.

I always take care to have interesting chord progressions, because you can have the best sound design in the club, and you'll kill it in the club, but in five years, kids will have better sound design. But if your music is good, you'll always be able to listen to it, even in 20 or 50 years.

When you're younger and a little more innocent, you write whatever [lyrics] comes naturally. But as you get used to writing you try to steer the sound and music to different music and throwing in the "kitchen sink" of sorts into the music. With that way, you end up putting in much more than before and you could even make much more next time around.

My God! What has sound got to do with music?

The medicine of the future will be music and sound.

The sound of the bat is the music of spring training.

If I can hear the music then no, I don't hit a wrong note. But if I can't hear the music because the audience is screaming or the sound system is bad, then I'm subject to stray.

Music is the art of all the invisible things that are real. Art, emotion, spiritual essence, consciousness - these things are hard to prove. Music helps you to focus on your sound. We understand that for very young kids.

Grimly, she realized that clocks don't make a sound that even remotely resembles ticking, tocking. It was more the sound of a hammer, upside down, hacking methodically at the earth. It was the sound of a grave.

I think touring is an important part of the life of an orchestra. Not only sharing with other audiences, but bringing that sense of family that you get back home. The sense of growing deeper into the music, of making it all sound like chamber music - that comes from being together on tour.

We always get back to old soul singers like Nina Simone, and how her recordings sound. Also new music like Tobacco, or people that use a mixture of analog and electronic music.

Neil Young, who isn't really evident when you listen to my music, is probably my favorite of the legends, besides Dylan. They're all a huge influence on me. For me, just following rock history and watching Darkness On the Edge of Town and realizing that's it's okay to be obsessed with a snare sound because Bruce Springsteen was obsessed with a snare sound.

Gospel music is not a sound; gospel music is a message. Gospel music means good news. It's good-news music.

I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.

I lived in a cabin in the woods in Oregon, and I'd basically given up on the music industry for an indefinite amount of time. And while I was out there, I came up with a very specific vision of what I wanted my music to sound like.

I am a firm believer in playing the type of music that compliments the song the best. If it's a folk song make it sound like one. If it's a rock song make it sound like one, if it's a rap song take it off the record.

One of the main reasons why it didn't work out for me and Aftermath is because I felt my music should sound one way, and they felt it should sound another. But, I learned a lot from watching Dre, and when I left California, I knew it was time for me to get my own label.

Music always turns into music. As soon as I play a key, push a key down, there's no theory any more. When I go and I hear a sound on the keyboard, all theories go out the window.

I think there are people who really always have and always will care about the quality of music in general, about the sound of the music, things like that.

I don't want to work with directors who use music only to accentuate sound effects. I want to work with people who give music the value it deserves.

There's nothing cutting edge about what I'm trying to do. I'm not creating a new sound. I'm not like Bjork, who's an alien from another world. I'm of the earth. You could extract any measure of music out of anything I've ever done and you could find its affiliations in music history.

As me being somebody that makes arguably nostalgic music, I cannot stand when somebody tries to make old music just to sound old.

At first people thought I was really arrogant and a snob about music because I'm so intense about my production and sound, and because they knew I didn't like new music so much.

What kind of music keeps its relevance? That's why I purposely try and avoid any particularly current trends in electronic music. I do actively stay away from the most popular rhythms of the moment. In six weeks' time, those will sound out-of-date.

One of the first things I want do when I start writing music for a film is to create its own sound world, its own music world.

A sound soul dwells within a sound mind and a sound body.

There's two or three kids out there trying to make good music, and the rest of them sound like it's been strained through some kind of white toast or something. It all sounds just too neat and perfect, with no surprise to it at all. No story, no nothing. It's like building cars, like an assembly line. It doesn't sound like anything that came from a guitar.

I love the sound of voices singing together, congregational singing, anything like gospel, or folk, or sea shanties. I spent quite a bit of time in choirs growing up, and in the world-touring music group, Anuna. It's a sound with very rich texture, voices singing together.

When I was 9 or 10, I used to get all the lead roles because I was the tallest person. But my interest in music soon drew me to country music. I was infatuated with the sound, with the storytelling. I could relate to it. I can't really tell you why. With me, it was just instinctual.

Music without a message is just sound

I put in the sounds of instruments such as the guitar and piano, which everybody hears often, and tried to go with melodies that would sound familiar. Rather than trying to do music that I want to do, I focused on doing music that I want my fans to hear.

We grew up listening to music like that: we grew up on the snap music, grew up off the trap music, grew up on all the South sound.

There is music wherever there is harmony, order and proportion; and thus far we may maintain the music of the spheres; for those well ordered motions, and regular paces, though they give no sound unto the ear, yet to the understanding they strike a note most full of harmony.

I think that music, beats, melody, sound are a natural part of our DNA, our vibe. It’s just a part of the cycle of our lives, we’re born, we have eyes, we have music.

I made that a point when I was creating my sound from the beginning, I didn't want to sound like anybody. Once I kind of found my own sound, I mastered it.

The three great elemental sounds in nature are the sound of rain, the sound of wind in a primeval wood, and the sound of outer ocean on a beach.

With the violin, for example, one understands culturally that the sound comes from the instrument that can be seen. With electronic music, it is not the same at all. That's why it seemed so important to me, from the beginning of my career, to invent a grammar, a visual vocabulary adapted to electronic music.

We all have music in us - your heartbeat is your drum, your voice is your sound - and music is supposed to put you in tune with nature.

You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted. I've seen the scores of my things and they don't resemble the music in any way. If you give them to somebody who has never heard the music and say, "What does this sound like to you?" they'll play you something that has no relationship with the music it derives from. Notation simply isn't adequate.

There's never a sound that I think I can't use in my music.

Writing more and more to the sound of music, writing more and more like music. Sitting in my studio tonight, playing record after record, writing, music a stimulant of the highest order, far more potent than wine.

I did 'The Sound of Music.' That was my first musical.

Music proposes. Sound disposes.

My connection to music is so strong. I cling to it. I vibe out to it. I release stress to it. Music is really always close to me. It's really present in my work in terms of how I relate to characters is through rhythm and sound, even in their speech.

A lot of solos I hear sound so incredible, but they sound like somebody practicing. They sound a bit soulless - fiery, but at the same time, lacking in spirit and soul.

Music is what our feelings sound like.

I've never really been a traditional country kind of guy. I wanted my music to sound more like the end of the '90s and to have the kind of great music, pop or whatever, that radio will embrace.

I wasn't thrilled about 'The Sound Of Music' - not the movie itself but my role in it. Captain Von Trapp was a bore, and they tried to help by giving it a bit more cynicism, but it wasn't my favourite role. I enjoyed the music, and I loved Julie Andrews.

Good music is wine turned to sound

Music is organized sound.

The sound and music are 50% of the entertainment in a movie.