Top 1200 Sound Body Quotes & Sayings - Page 17

Look, you do everything in stages, right? I don't think everything happens at once. There are so many layers we are constantly chipping away at, down and down and down, closer and closer to what would be the body. I think what happened with cancer, was that I woke up out of nine hours of surgery and I was body. I was just body.

I was always listening to the records that made shredding sound fun - Steve Vai, Satriani, Cacophony, Paul Gilbert. I think that's what's missing from modern shred guitar; so many people are playing so many amazing notes, but a lot of it doesn't really sound all that fun.

I don't want to sound like Ross; I don't want to sound like Puff. I want to make my own music: French Montana.

My country stuff, it might sound like Hank Williams - that's just the way it is. But I'd rather sound like Hank Williams than Trace Atkins.

Why is it that when men and women congregate, though the men may beat the women in numbers by ten to one, and through they certainly speak the louder, the concrete sound that meets the ears of any outside listener is always a sound of women's voices?

My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.

Magic is another word that makes people uneasy, so I use it deliberately, because words they are comfortable with, the words that sound acceptable, rational, scientific, and intellectually sound, are comfortable precisely because they are the language of estrangement.

Does sound have rhythm? Does it rise and fall like the ocean? Does sound come and go like wind?

My favorite part of my body is my brain. I think no matter what my body looks like I wont be satisfied unless I know how to use it.

It is placing the Executive and the Movement in an absolutely wrong position to be taking your conscience round from body to body asking to be told what you ought to do with it.

I have an artist background and I got into the field because I heard things in my own head that weren't happening and I wanted to have the control. So I learned to record and mix and do all those things. I found it as a means to an end, and I was fascinated by sound and creating sound. I very quickly became addicted to understanding everything there was to know.

I would want people to know that they don't have to hate their body and don't have to be afraid of it, but that it's also okay to feel uncomfortable with it at times. The body positivity conversation often gets sort of oversimplified and flattened into, "Yay! Everyone has to love everything about their body all the time!" And that's not realistic, that's not how bodies work, that's not how emotions work. It's fine to have these kinds of confusing and conflicting feelings.

I learned a long time ago that the last thing any woman should be thinking about is being 'skinny' or 'thin.' To me, those words imply weakness, fragility, the inability to stand firm in a storm. If you want to change your body, aim for 'athletic.' An athletic body is healthy, strong, and built to thrive. An athletic body can take many shapes.

When many people start practicing yoga, they are amazed to discover that their body isn't just something used to carry their head around - their body has intelligence too. We start to feel how our actions affect the lives of others - this could be described as becoming political, because the word politic means the "greater body" - it refers to the community of others with whom we share the Earth.

No one with a body full of aliments can have a luminous soul and other intellectual faculties. It is necessary to care for the body if we wish the spirit to function normally.

I never really made much money playing music. It's because I've never really worked with a producer who could make my music sound, I guess, like how the public wants it to sound.

An immense body, encircling my delirium, a body made of wind and sunlight, crouching and stretching, encompassed the existence of the slightest human echo.

You look at the body types of some of the strongest people in the world, they're compact. They can move their body weight because there's not as much distance to go.

To me poverty, mental health, and addictions don't sound like criminal justice problems. They sound to me like a social justice problem.

The history of work has been, in part, the history of the worker's body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers' intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.

These are bagpipes. I understand the inventor of the bagpipes was inspired when he saw a man carrying an indignant, asthmatic pig under his arm. Unfortunately, the man-made sound never equalled the purity of the sound achieved by the pig.

He who wishes to see how the soul inhabits the body should look to see how that body uses its daily surroundings. If the dwelling is dirty and neglected, the body will be kept by its soul in the same condition, dirty and neglected.

The sound of tap is not 'clickety clickety tap tap,' this monotone thing. The sound of tap has depth. We want you to hear the different highs and lows, the bass, the trebles and the melodies, if you can.

For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.

Whatever girl you are, every girl needs a really killer peg skirt in her closet. I don't care who you are. If you're the bohemian and you're wearing your big boyfriend sweater you need a peg skirt to reclaim your body. If you were the movie star, you might wear that with the push up tank like we have in the spring collection. It's all about body, body body. If you're the power player you put a jacket over that and work it that way. That item is for every girl, and every boy appreciated her in it.

I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie.

If you take a violin, you can make it sound 50 different ways. Not just pizzicato and played by the bow, but ponticello, and harmonics, and tremolos. If you take an oboe and play it, there's about one way you can make it sound: like an oboe.

Tape machines are effects boxes as well because each tape machine has its own sound. You can over-load a tape machine or you can bump it a certain way so it compresses or makes a sound, tape saturation.

It depends on the material. Sometimes I sound like him, sometimes not. There are certain tunes we do that are so familiar to the audience that to perform them without making them sound like Frank Sinatra would be wrong.

The art world is now a slave of mass culture. We have a sound-bite culture and so we have sound-bite art. You look at it, you get it - it's as immediate and as superficial as that.

While the body is young and fine, the soul blunders, but as the body grows old it attains its highest power. Again, every good soul uses mind; but no body can produce mind: for how should that which is without mind produce mind? Again, while the soul uses the body as an instrument, it is not in it; just as the engineer is not in his engines (although many engines move without being touched by any one).

Onstage I like to play with a an 18-inch speaker, which very few bass players do. I need that fat, underneath sound, which I've always had. It suits me admirably to do it like that, and I can imitate that sound by plugging directly into the board in the studio.

The more I work in fashion, the less I dress up. The first pair of jeans I made was for my own body-my "strange body," as I call it.

There's a big gaping hole in the EDM space for songwriting. It's one thing to learn how to be a great sound designer and become big just on sound design. Especially if you're in the dubstep category, it's like, how much fatter and more interesting can you make those drops.

The sensitive ear of the musician detects a certain musical note in every city which is different from that of another city. He hears in each little brook a new melody, and to him the sound of wind in the treetops of different forests give a varying sound.

We are individualized aspects of that oversoul, and the individualized soul - yours and mine and everyone else's on the planet - incarnates over and over and over again in a physical body, emotional astral body and mental body. These three bodies are temporary bodies that the soul creates and uses for a given time, long or short.

I always went in with a very specific idea of the sound I wanted, and once I'd recorded I'd try and make it sell as much as I could, but I only went in thinking of a sound I wanted. So, it's no surprise to me that he got the hit and I didn't. But what I realized was that he did dress it up nicely, and my god, he does sing on key well.

My first tape piece was made with that Sears Roebuck recorder. I modified sound using cardboard tubes with a microphone in the end to filter the sound. I had a wooden apple box with a Piezo [contact] mic and little objects that I could amplify on the box. I used the bathtub for reverberation.

We see it in the body, that if you just give the body enough rest and comfort, it has remarkable self-healing capacities. Well, so does the spirit.

I am called to listen to the sound of my own heart -- to write the story within myself that demands to be told at that particular point in my life. And if I do this faithfully, clothing that idea in the flesh of human experience and setting it in a true place, the sound from my heart will resound in the reader's heart.

The voice of the special rebels and prophets, recommending discontent, should, as I have said, sound now and then suddenly, like a trumpet. But the voices of the saints and sages, recommending contentment, should sound unceasingly, like the sea.

Young children especially are receiving so much of the world through their ears and their eyes, particularly if they're pre-literate. So engaging them with sound, particularly sound that stirs them emotionally because of the sequence of notes, will make them pay attention.

Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.

The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.

I don't like no fancy chords. Just the boogie. The drive. The feeling. A lot of people play fancy but they don't have no style. It's a deep feeling-you just can't stop listening to that sad blues sound. My sound.

It does sound like a science fiction story and I may sound like one of these guys who walks up and down with a sandwich board saying the end of the world is nigh, but the end is nigh.

Maybe we'd forgotten what socialists are meant to look and sound like. Well, now we've been reminded. They're meant to look and sound like Jeremy Corbyn.

Your anatomy is a mystery that nobody bothers explaining to us. Even when we think we have mastered one woman's body, every body is different.

A sick body with a good heart is more beneficial to future lives than a fit, healthy body that is used for self-cherishing.

The R.E.M and Nirvana successes don't mean much to me except as a potential distraction for bands who want to cash in on the trend. Don't try to sound like someone else. R.E.M and Nirvana don't sound like anyone else.

I work very hard on my body, and I'm not just known for my six-pack or my body. I also believe that I have pretty good camera presence.

I have a lot of creative control, so I can decide what I want to wear, what I want my brand to look like, what I want my songs to sound like, so I don't sound like some fake artist that people can't relate to.

There are things about how a note sounds on a violin that are really analogous to the human voice - you have a frequency and the air, and then you have a timbre which really is overtones - and making those things work together is one thing. The other thing is mechanical: If you can use your hands and arms to create sound on a fiddle, then learning to sing with it is like adding a third body part. And it's all training.

For the first time I was flying by jet propulsion. No engine vibrations. No torque and no lashing sound of the propeller. Accompanied by a whistling sound, my jet shot through the air. Later when asked what it felt like, I said, "It felt as though angels were pushing".

When I went from girl body to woman body and all of a sudden I had tits and hips and a little tummy and natural fat in places, I freaked out.

I guess that's the point of drinking, to take all the feelings and thoughts and morals away until you are just a body doing what a body will do.

When you got a sound that don't sound like nobody else and it's brand new, you've got to feed it to 'em. You've got to force it on 'em.

I got to work on my body, kept working on my game, and also just got to learn out there from the guys who are playing. Getting stronger, working on my upper-body strength, lower-body strength, just trying to get stronger.

Having a band was part of my heart's desire, musically. Within myself, I was saying that, 'Not until you have a band for yourself can you maintain the standard of your songs,' and the sound become a foundation. You don't have to feel around for two or three weeks for the sound because the foundation is already built.

The transfiguration of Jesus is one of the typical facts of the resurrection of the body; not only of the glorious change, but of the renewed life of the body and of the general judgment day.