Top 1200 Sound Judgement Quotes & Sayings - Page 10

Like how stars might sound. Or moons But not mountains. Too floaty for mountains. It's a sound like one planet singing to another, high stretched and full of different voices starting at different notes and sloping down to other different notes but all weaving together in a rope of sound that's sad but not sad and slow but not slow and all singing one word. One word.

All these emotions are coming from one thing - sound. It's not coming from your experiences in life, your childhood. It's related to those things, but it's being triggered by the sound.

I do think, or rather I sense that there is a relationship - at least in my own work - between a dramatic structure, the form and sound and shape of a play, and the equivalent structure in music. Both deal with sound, of course, and also with idea, theme.

But big people’s illnesses are always made to sound big. The simple shutting and opening of the royal arse-hole was made to sound as if the world was coming to an end.

The cow is an exceptionally loving and gentle creature. She cries for days when her calf is taken from her. It is a pitiful sound, a pitiful sound.

As photojournalists, we supply information to a world that is overwhelmed with preoccupations and full of people who need the company of images....We pass judgement on what we see, and this involves an enormous responsibility.

Everything in my life has been about sound and making music, so Beats represents just that - the improvement of sound and the dedication to everything I've been doing from the day I started.

End rhymes are not enough. Every word-sound in a poem should find an echo in another, neighbouring word's sound to achieve what Ezra Pound called melopoeia. (This is something like what the Welsh call Cynghanned.)

You aren't thinking or really existing unless you're willing to risk even your own sanity in the judgement of your existence.

Never give out while there is hope; but hope not beyond reason, for that shows more desire than judgement.

What I'm dealing with is sound. I don't pretend to be dealing with music. I'm just dealing with sound elements, textures and sounds.

As far as people, I've always loved Tony Iommi's sound, just the grittiness that was in that era of metal where it wasn't too fuzzy, and you could still hear the guitar and the fingers, but it still had this chunky, meat-and-potatoes sound to it.

In sound design programs now, you can literally sculpt the sound on visual graphs. Sometimes the visual programs are even more interesting than the music that's making them

Good health is often a matter of good judgement.

A man must believe in himself and his judgement if he expects to make a living at this game. That is why I don't believe in tips."

I would be criticized, like, 'You don't talk Korean enough. You sound very American. You sound very white in your music.' And I'm like, 'Whoa.'

When you're in a club or a theater or even an arena, yeah, you want visuals, you want a good light show. But Slayer has always been about the sound. We have to sound good. It has to be tight.

I came out with sounds that didn't sound like the usual hip-hop beat. I took that chance because no one would identify with me if I sound like somebody who's already out.

One thing that drives me crazy is when people tell me that I sound good for an athlete. They be like, 'You don't sound like you from Harlem.'

The guitar to me, from the classical/gut-string guitar right through to Hendrix, et cetera, has all the range [of sound]. Within those six strings it is incredible what one can get sound-wise. It's just down to imagination, really.

It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.

It's about storytelling. The story is told through images. So with the cast, I had to make sure that the emotions were readable without sound... I know some great actors, if you turn off the sound, you don't really know what they're saying

In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.

Literature and the arts are also criticism in a more particular and practical sense. They embody an expository reflection on, a value judgement of, the inheritance and context to which they pertain.

In respect to foresight and firmness, the people are more prudent, more stable, and have better judgement than princes.

I have said this in the past and I will continue to repeat it as long as I live: Whoever tries to hurt our national unity is my enemy until the day of judgement.

There is a definite sound with all-girl bands, a good rudimentary sound, and that's what's cool and punk about all-girl bands that you still find, largely - it's really kind of primal.

Instruments sound interesting, not because of their sound, but because of the relationship a player has with them. Instrumentalists build a rapport with their instruments, which is what you like and respond to.

I think I'm a vocal genius, not a musical genius. I like background vocals. I consider myself a voice, not a singer. A voice is a sound, and singing is what you do with that sound.

I find it hard to get excited by just a sound. I have to have a song there, then I'll find what used I can make of that sound within the song.

I've always worked at the piano; I like to hear what I'm doing, I like the sound, to hear the actual sound. I get bored just looking at a manuscript.

There's so much to be said for making your guitar sound like a synthesizer and try to make your drummer sound like a drum machine.

What I really didn't want to do is work with other people and have them go, 'Oh, Finneas just does that sound for everybody.' The Billie sound is only Billie - I'll only do that for her.

And then when I found my sound, it took me two and a half weeks to find my sound and when I did I pulled out all the stops, all the stops I could find.

Most sound people don't get the assignment to create worlds of sound and get freedom to try a lot of things and then get the scrutiny and support of the team over a long period of time.

If you make it sound too much like a synth, it will just sound like a guitar part played on a synth.

As an audience member, I like the sound of something that's been written - I like it to sound written. And then, of course, you can't do it without the musicians who can play it.

When Thug hears a song, he knows how the whole shape of the thing goes. He can nudge the whole frame to the left to make it offbeat and sound how he wants it to sound.

Being a running back helped me tremendously. It taught me judgement in the defense and how to judge the football.

We have such fantastic talent in India, and there are some great Marathi singers, great sound producers, great sound engineers, and a great breed of lyric writers. But the problem is that you need a platform.

Try not to let your emotions affect your judgement.

A sound of cornered-animal fear and hate and surrender and defiance . . . like the last sound the treed and shot and falling animal makes as the dogs get him, when he finally doesn't care about anything but himself and his dying.

The way to move out of judgement is to move into gratitude

At bottom each “exact” science is, and must be speculative, and its chief tool of research, too rarely used with both courage and judgement, is the regulated imagination.

The Courts must declare the sense of the law; and if they should be disposed to exercise will instead of judgement; the consequences would be the substitution of their pleasure for that of the legislative body.

Styles may change, details may come and go, but the broad demands of aesthetic judgement are permanent.

My live sound does not work in the studio, which is a completely different animal. Every little thing is detrimental to the sound. And if someone moves a mic, you've lost it. It's pretty much a case of 'lock the door and set up a police line.'

As a kid I decided that a Canadian accent doesn't sound tough. I thought guys should sound like Marlon Brando. So now I have a phony accent that I can't shake, so it's not phony anymore.

The stage is a place where I can be wholly myself. Even though you're in front of people almost to be judged, it is a place without judgement.

Health is the natural condition. When sickness occurs, it is a sign that Nature has gone off course because of a physical or mental imbalance. The road to health for everyone is through moderation, harmony, and a 'sound mind in a sound body'.

The main engagement of the writer is towards truthfulness; therefore he must keep his mind and his judgement free.

Writing poetry makes you intensely conscious of how words sound, both aloud and inside the head of the reader. You learn the weight of words and how they sound to the ear.

I don't think of my music in terms of a career. I just want to get it out there and do it. I'm not manipulating my sound to be like anybody or trying to write to sound like anybody else.

When you do an arena show, and the lights have to sync up to the sound, and the sound has to sync up to the music, and all of that - things are really mapped out, and you lose some of that spontaneity.

The trouble of the king becomes the trouble of the subject, for how shall we live if judgement is withheld, or if faulty decisions are promulgated?

The head of a record label sets up structures, but he also defines the sound of the label, which is to describe what is desirable, what fits and what is quality for that label and then to create an environment where that sound can thrive.

A record can make an artist sound in tune or make the music sound pretty. But the real test is performing live, and I think we pass fairly well, because people keep asking to see us play.

Literature is humanity's broad-minded alter-ego, with room in its heart for monsters, even for you. It's humanity without the judgement.

There is a silence where hath been no sound, There is a silence where no sound may be,- In the cold grave, under the deep, deep sea, Or in the wide desert where no life is found.

Life is just an endless chain of judgements. . . . The more imperfect our judgement, the less perfect our success.