Top 1200 Sound Judgement Quotes & Sayings - Page 13

We are a categorically obsessed culture, where we have to compartmentalize everything in reference to another thing, like, 'What does it sound like? Does it sound like this?

I love the sound of the distant bugle call in the countryside in early morning I love to be pushed in busy crowds I love the sound of gongs and trumpets along the streets I love circus performances I even wish to die in this moment of glorious encounter.

I've always found that when you're trying to create illusions with sound, especially in a science fiction or fantasy movie, that pulling sounds from the world around us is a great way to cement that illusion because you can go out and record an elevator in George Lucas's house or something, and it will have that motor sound.

So great is the worth of Dostoevsky that to have produced him is by itself sufficient justification for the existence of the Russian people in the world: and he will bear witness for his country-men at the last judgement of the nations.

I have a lot of respect for people who are great at ad-libbing and for writers and directors who are able to create a scene in which that works. Judd Apatow is fantastic at it. But as an audience member, I like the sound of something that's been written - I like it to sound written.

I don't any longer make any quality judgement between theater and cinema. They are different experiences for the audience, and they also are for the actors - although they have a lot in common.

Me in my music and onstage - that's me without any fears of judgement; that's me when I'm shining.

I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am.

I never consciously tried to conceive of what my sound should be...I never tried to imitate anybody, but when you love somebody's music, you're influenced...I really don't know how I developed my sound, but it comes from a combination of my musical conception and no doubt the basic shape of the oral cavity.

I wanted all the music to sound strong. It's all down to the restoration and mastering. In many ways I feel the work in general was never properly mastered in the first place. To me, making the music sound the way we wanted it was by far my biggest goal with the re-issues.

My kids will come to me and ask me to listen to a 'new sound' they think they've discovered. One time it was the Beatles' 'Yesterday,' and the new sound was four strings. All of a sudden the new generation discovers the string quartet!

I have songs that sound like this and songs that sound like that. I think it's just my vocal that keeps it all together.

Silence is Golden; it has divine power and immense energy. Try to pay more attention to the silence than to the sounds. Paying attention to outer silence creates inner silence: the mind becomes still. Every sound is born out of silence, dies back into silence, and during its life span is surrounded by silence. Silence enables the sound to be. It is an intrinsic but unmanifested part of every sound, every musical note, every song, and every word. The unmanifested is present in this world as silence. All you have to do is pay attention to it.

My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.

I use a progressive alarm that makes a soft sound at first and then progressively gets louder. But I usually wake on the first sound, so it doesn't disturb my wife. When I used a loud alarm clock, I was more likely to hit it on the head and go back to sleep.

I am not that thrilled about the way our records sound anyway. Don't get me wrong, I work hard on them and I want them to sound fantastic but I'm happy to have another interpretation of them anyway.

The only justice is to follow the sincere intuition of the soul, angry or gentle. Anger is just, and pity is just, but judgement is never just.

I never think about actual things when I'm painting. I'm not thinking, "I'm going to put a person here, a tree here and a bird there." The beginning stage is always the sound. From that, slowly, stories come about based on what I'm reading or thinking at the time, but if I didn't have that sound I don't know what I would do.

Does sound have rhythm? Does it rise and fall like the ocean? Does sound come and go like wind?

It seems like the powers that be are really trying to separate everything and really divide the genres and divide the trends. If you're metal and you don't sound like Slayer would sound now, then you're not metal. If you're punk rock and you don't sound like and preach about what The Sex Pistols would have preached about back in the day, then you're not really punk rock.

Please raise your children with love and non-judgement. Tell them everyone has the right to love who they want to love. It shouldn’t threaten you or who you are.

The hatred of the youth culture for adult society is not a disinterested judgement but a terror-ridden refusal to be hooked into the, if you will, ecological chain of breathing, growing, and dying. It is the demand, in other words, to remain children.

All my life, I wanted to sound like myself. I never wanted to sound like anybody else.

I've come more to terms with the fact that I sound like myself. No matter what I do, I sound like myself.

When I'm acting, there are moments where I'm thinking, 'I sound like my mom when I say that,' or, 'I sound like my dad when I say that.'

Independence is the recognition of the fact that yours is the responsibility of judgement and nothing can help you escape it - that no substitute can do your thinking, as no pinch-hitter can live your life.

The way I perceive an album to sound and the way I put out mixtapes are two different energies. There's a different focus; there's a different sound.

Your head is a stereo input. The density and cartilage of your ears embed certain extra characteristics into stereo sound sources. Your brain decodes that and gives you sound plus conscious directions.

I was just a punk kid, trying to get a sound out of a guitar that I couldn't get off the rack, so I built one myself ... I wanted a Gibson type of sound but with a Strat vibrato .. I went to town painting it and I put three pickups back in, but they don't work - only the rear one works

I don't want to sound like Ross; I don't want to sound like Puff. I want to make my own music: French Montana.

With Metavoid, I wanted to move forward with the Lustmord sound, rather than recreating past works such as Heresy or Black Stars, I wanted to create a sound that was new, but which was also unmistakably Lustmord. It's for others to decide if I failed or succeeded.

Some things can be perfectly expressed by sound alone and images would only be disturbing. Other times, sound would be possible, but visuals are much stronger and closer to what I want to express and then again, they sometimes overlap perfectly.

People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.

A truly great work of art breaks beyond the bounds of the period and culture in which it is created, so final judgement on a current book has to be deferred until it can be seen outside this present moment.

The Florida sound would probably be best defined as heavy bass with high energy dance records. There's a strong Caribbean heritage in Florida which features a lot of uptempo music, and the music accents the sexy, body-oriented sound.

The sound of tap is not 'clickety clickety tap tap,' this monotone thing. The sound of tap has depth. We want you to hear the different highs and lows, the bass, the trebles and the melodies, if you can.

We are a categorically obsessed culture, where we have to compartmentalize everything in reference to another thing, like, 'What does it sound like? Does it sound like this?'

I've got a song on One Direction's album called 'Tell Me A Lie'. It's a really cute song - I love it. I loved that they liked it. They sound really great on it. I already have it - I'm so VIP with my copy on my computer! It does sound really good.

I think when we do our job right, our artists don't sound like anybody else. I have a real hard time with voices that sound like other big voices.

With mindfulness, we can be with the experience in more immediate way. When we find ourselves flooded with an emotion that's come after the judgement, we've often missed the very judgment that triggered the emotion.

For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.

When you got a sound that don't sound like nobody else and it's brand new, you've got to feed it to 'em. You've got to force it on 'em.

The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.

Historical judgement is not a variety of knowledge, it is knowledge itself; it is the form which completely fills and exhausts the field of knowing, leaving no room for anything else.

It's weird to me when an artist comes in, and the label says, 'We want him to sound like Chris Brown,' but he says he wants to sound like Sean Paul. There's a huge disconnect - it's like we're making a product.

Seattle, they like the Bay a lot. They like the Bay area sound, the West Coast sound.

I believe that the fact and the reality of homosexuality and heterosexuality and of opposite and same-gender unions should be taught in our public schools without a value judgement system also being offered.

The reason I wanted to become an organ player was because I heard Ray Charles play on Quincy Jones' arrangement of "One Mint Julep." I heard that sound, and it just struck me. I thought that's what I want to do with my life. That's the sound I want to try to make.

I don't know rap. I can't tell you a Tupac song. But you put on some go-go, and I'll know it word-for-word. That's why I feel like I got my own sound - or a D.C. sound.

Creed's sound is my sound.

It does sound like a science fiction story and I may sound like one of these guys who walks up and down with a sandwich board saying the end of the world is nigh, but the end is nigh.

I have been baptized twice, once in water, once in flame. I will carry the fire of the holy spirit inside until I stand before my Lord for judgement.

Don't be intimidated by people who seem to be experts. Hear their points of view and get their judgements. But at the end of day, you've got to make a judgement because it's not their life that's going to be affected so much as your future.

Death arrives among all that sound like a shoe with no foot in it, like a suit with no man in it, comes and knocks, using a ring with no stone in it, with no finger in it, comes and shouts with no mouth, with no tongue,with no throat. Nevertheless its steps can be heard and its clothing makes a hushed sound, like a tree.

I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie.

Property may be destroyed and money may lose its purchasing power; but, character, health, knowledge and good judgement will always be in demand under all conditions.

And the sound of your heart," he continued. "It's the most significant sound in my world. I'm so attuned to it now, I swear I could pick it out from miles away. But neither of these things matter. This," he said, taking my face in his hands. "You. That's what I'm keeping. You'll always be my Bella, you'll just be a little more durable.

I don't like no fancy chords. Just the boogie. The drive. The feeling. A lot of people play fancy but they don't have no style. It's a deep feeling-you just can't stop listening to that sad blues sound. My sound.

It's like having a conversation. Doing beatbox for me is as natural as talking is for someone else. Sending sound through a certain part of my throat, so that I am accurate every time. It's not like whatever happens happens, this is a focused sound.

One day in Berlin ... Eno came running in and said, 'I have heard the sound of the future.' ... he puts on 'I Feel Love', by Donna Summer ... He said, 'This is it, look no further. This single is going to change the sound of club music for the next fifteen years.' Which was more or less right.