Top 1200 Sound Of Music Quotes & Sayings - Page 16

Explore popular Sound Of Music quotes.
Last updated on November 24, 2024.
How to play music may be known. At the commencement of the piece, all the parts should sound together. As it proceeds, they should be in harmony while severally distinct and flowing without break, and thus on to the conclusion.
Music is music and I think music people are the delivers, the actors, when they put their music out they want to insert their character in it. So they call it such and such so you know how they live so to speak.
But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.
Quite often I'll turn on the television and something like Sound of Music will be on or Victor/Victoria and I might watch a moment or two. But I don't actually sit down and say I'm going to watch one of my movies.
Country music was the music I was brought up on. It's the music that's closest to my heart and the music that speaks to me the most, and it's always been a big influence on my own songwriting.
When I think of Morricone, more than his using a specific instrument or a specific sound, it's his way of approaching music that sticks out. — © Marco Beltrami
When I think of Morricone, more than his using a specific instrument or a specific sound, it's his way of approaching music that sticks out.
When I pull out vinyl - which isn't that often anymore - it's undeniable that I get a different feeling. There's a different physiology happening between the sound waves and the body that doesn't happen with music playing off the computer.
In music, I don't think there's any need to be an all-rounder and do everything yourself. Play to your strengths, and do what you feel. Or do whatever the material itself demands. In this case, I felt like it would benefit from me singing, and I wanted it to have that sound.
My training in music has been very eclectic - as first a flute player from classical chamber music to jazz, Greek, Brazilian and African music to contemporary concert music.
Free music, to me, is music without boundaries. It's music that... says you don't have to play a blues in three chord change. See what I'm saying? Music that can go from any range.
Work with sound until you are absolutely amazed that you can produce such a sound and it seems to you that you are just the instrument to which the divine pied piper blows the whisper of the incantations of his magic spell.
One of the most important things you need when you're doing big shows, like Rock in Rio, is consistency, and that starts with the sound in your ears. If it isn't just right, it throws you off and makes it hard to focus on the music and the performance.
I did my first little kids' musical, 'The Sound of Music,' at 5, in a jungle gym, essentially. I was a made-up Von Trapp child, Ingrid Von Trapp.
I can actually see the sound in my head. I can actually see it... But each sound is different so this one has that sparkle, there is a sparkle to the sound.
It's great to see Latino music coming to the mainstream, but at the same time, there are also a lot more styles to explore: African music, Indian music, Chinese music.
In the beginning, I was so inspired by the music. I had the option to make something modern with classic undertones, but I wanted to make something that was exactly like that old sound.
Their eagerness for the big-band music and their ability to grasp the essence of it made me realize that today's generation has not been properly exposed to the big-band sound.
People are beginning to recognize reggae music, and know it's a very powerful music, and researchers have been researching and coming up with reports that it's a great music, a healing music
When poets go off the boil, they sound like bumble bees; when critics do, they sound like sewing machines. — © Mason Cooley
When poets go off the boil, they sound like bumble bees; when critics do, they sound like sewing machines.
What is Music? How do you define it? Music is a calm moonlit night, the rustle of leaves in Summer. Music is the far off peal of bells at dusk! Music comes straight from the heart and talks only to the heart: it is Love! Music is the Sister of Poetry and her Mother is sorrow!
In this world, everything has a pulse or a vibration. This sound is unique to each living or non-living thing and in itself creates a music that no-one can hear. I believe that this has a very powerful resonance with, and a deep effect on, our lives.
People forget the skates are like knives. Those blades are constantly sharpened... that's why they sound the way they sound. They are blades.
Well, what we do is we have a script, of course. But for us, writing is also like storyboarding. It's drawing. And so we will cut all of those drawings together with music, sound effects and dialogue. And we screen this kind of stick-figure version of the film.
Doing something like that, quite radically changing your approach to sound in one go, could leave you high and dry. It's happened before where people have changed direction and then everyone's stopped liking their music.
There is no pattern the human mind can devise that does not exist already within the bounds of nature...Everything we do, see, write, notate, all are an echo of the deep seams of the universe. Music is the invisible world made visible through sound.
I know what my sound is. I'm just trying to get it out there how I can explain it. I'm not trying to write or put out some music that doesn't represent me.
I think it's challenging trying to describe my sound. Not because I'm making some experimental martian music, but because it's a little broader. The things that you've heard are only fragments and small fractions of what you're going to hear.
I'm one of the guys who wants to watch the film completely done, with special effects, sound and music, because I tend to get disappointed if I watch it not fully done.
I cannot state enough how important post-production is for the success of a horror movie. You bring so much to it with the way you edit it, the way it is sound-designed, and the way the music works with it.
For 'Black Beatles' to be so true to us and our sound - we weren't chasing a sound - it solidifies that the world is ready for us and what we have to come.
I really love the fact that instrumental music can have you do your own inner-movies or your own visuals to the sound. There's not lyrics dictating what you should feel.
We just love international music. We love the climate of that sound, it's that pulse that we just have to appreciate.
It's been amazing to create with one another because we're so different when it comes to music. We love different genres. So to vibe together and create this Fifth Harmony sound is what makes it so special.
It is really amazing to be able to do cinematic, big feature style film music on a weekly basis and do it in LA, on a big scoring stage, on a studio lot, and do it with the right players and make it sound great.
If anything's going to go wrong, it'd go wrong during 'Peter Pan,' not 'The Sound of Music.'
Sound is a subtle form of speech and then more subtle than sound is silence and that's like the realm of being.
Pop music is a difficult term to define. I think about good music and bad music. Good music is good music whatever origin it comes from.
The Wyclef Jean music is eclectic music. Wyclef represents music -eclectic music. I've been doing this music since I was a child, and I said I will refuse for anyone to put me into a box.
If there's loads of material going by you don't notice the individual things quite so much. Also it really foregrounds the sonic dimensions like electronic ambient music, it's pushes all of that colour to the foreground so you hear little every atom of sound.
The air was stifling, but he liked it because it was stifling city air, full of excitingly unpleasant smells, dangerous music, and the distant sound of warring police tribes.
Music is a physical expression that has a physical impact upon the listener. Sound travels in waves through the air. This is not abstract. This is scientific fact. And it makes physical contact with the eardrum... and with the heart... and with the rest of the body.
The sound of the pages turning was the sound of magic. The dry liquid feel of paper under fingertips was what magic felt like. — © Emma Donoghue
The sound of the pages turning was the sound of magic. The dry liquid feel of paper under fingertips was what magic felt like.
I've discovered that sheer quantity doesn't necessarily make for a heavier sound; if anything, overdubs make guitars sound mushier.
The best music to dance to is my music! Haha! I say anything that speaks to you. I personally enjoy dancing to hip-hop, R&B music, EDM/trap music.
I had always loved cartoons, especially 'Bugs Bunny,' and I found I enjoyed making animated films. Even a 30-second commercial involved drawing and painting, storytelling, not to mention actors, music, and sound effects.
I really wanted to be able to make the music that acknowledged the metaphysical aspect of extreme sports because when I started watching GoPro videos, the thing that struck me the most was that the sound seemed completely detached from the imagery.
I chose the songs for the music more than for the lyrical content and it wasn't until the end of the recording and when we were trying to decide running order that I realized how sad a lot of the songs could sound.
I'm admitting that I don't know that to be true, but it does sound pretty good. So a big part of my childhood was affecting black culture and black accents and black music and anything black I was into.
I'm interested in bridging and filling in space that hasn't already been filled, so when it comes to making music, I've just always wanted to be able to reference things that producers in the big pop major label context do, without compromising the entire sound of the record.
People don't appreciate music any more. They don't adore it. They don't buy vinyl and just love it. They love their laptops like their best friend, but they don't love a record for its sound quality and its artwork.
I remember being in college and taking a class on classical music and getting a big laugh when I said very sincerely that I was not really into trained voices. Some of the greatest singers can transcend their technical perfection and still sound great.
I think it was inevitable that I get into synthesizer music. I always wanted to deal with sound more than anything else. I couldn't get the sounds I wanted out of the piano.
I've never really had a certain style of music in mind that I make, or am really adamant on how something should sound, but I like the process of not knowing, of just seeing what happens and what comes out.
In American commercials in the past year or two, I don't know, the singers all sound like they're whining and the music's all melancholy. It's sort of like, I hear these commercials and it makes me feel sad, you know? Like - for instance, my barley tea is gone. Now, there's music out there that encourages you, when your barley tea has run out, to just sort of sit there and be like "My tea ran out. Oh, man." And just be slouching. So we wanted to make music that when your tea runs out, instead you're like, "I'm gonna go get some more tea!" You know? It just gives you the energy.
I spent half my life in a boarding school where we were shown only the sporadic wholesome classic like 'The Sound Of Music.' So, I am not familiar with most of the works of the acting greats in Bollywood, Hollywood, or Tamil-Telugu cinema.
I think you just have to be yourself instead of catering your sound to a specific audience, make the music you want to make, and the audience will find you. — © Lewis Capaldi
I think you just have to be yourself instead of catering your sound to a specific audience, make the music you want to make, and the audience will find you.
I would find myself being inspired by things that I've heard as a kid: Nigerian music or African music, some French music or some Jamaican music. When it's time for music to be made, it's almost like my ancestors just come into me and then it's them.
Reggae was always playing at home in East Ham when I was growing up. Loud music would be coming from the bedroom, and downstairs all you'd hear was the bass. My uncles had sound systems and we used to go to Jamaica a lot as a family.
I listen to a lot of religion-based music, culturally rich music. Ethnic and world music. Music from Latin America has been influencing me in particular.
If you follow a trend, by the time it is released it will sound like the same regurgitated music that the public has been hearing for the past eight months (at least.) I am not referring to genres or production that is considered to be timeless or "classic" sounding.
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