Top 1200 Sound Of Music Quotes & Sayings - Page 20

Explore popular Sound Of Music quotes.
Last updated on November 9, 2024.
In the morning light, I remembered how much I loved the sound of wind through the trees. I laid back and closed my eyes, and I was comforted by the sound of a million tiny leaves dancing on a summer morning.
About 10 minutes ago, we all woke up because of this strange roaring sound. We all raced toward the sound, which turned out to be the washing machine going back on. Who knew the rinse cycle could be so scary?
Sometimes when you are standing still and it’s snowing, you think that you hear music. You can’t tell where it’s coming from either. I wondered if we all really did have a soundtrack, but we just get so used to it that we can’t hear it anymore, the same way that we block out the sound of our own heartbeat.
I like the natural sound of a room. All the rooms have their own sound, so it's a matter of putting it where you like and seeing what it sounds like. — © Jeff Lynne
I like the natural sound of a room. All the rooms have their own sound, so it's a matter of putting it where you like and seeing what it sounds like.
A film just doesn't involve actors, a director and a producer, there is also the cameraman, the sound engineer, the music composer, the lyric writer. So many people come together to make a film. When we all feel satisfied with the film that we have created it's a win for all of us.
You can't say that people don't love music anymore because they do. If we say that all the music stopped, if music stops now, the world can't handle that. We need our music.
A sound mind in a sound body, is a short, but full description of a happy state in this World: he that has these two, has little more to wish for; and he that wants either of them, will be little the better for anything else.
The rhythmic feel of 'Dark Days In Paradise' is completely different to anything I've ever done before. There's a lot of drum loops on there, but used in conjunction with real drums: a lot of influence from hip-hop and dance music, with the keyboard sound and sequencing.
You can muck around with different guitars for certain bits, but you have to have your own sound. That's your benchmark, that's your sound. I also play a Black Beauty. It sounds amazing.
I despair about the lack of proper respect shown for the piano. If you want it to sound like a traffic jam, go out in the street and forget the piano. That's not a piano sound.
I tell you truly, when we are born, we enter the world with the sound of God in our ears, even the singing of the vast chorus of the sky, and the holy chant of the stars in their fixed rounds; it is the Holy Stream of Sound.
I got so much love for classical music and I hear so much incredible music.You should know a bunch of music and have respect for all sorts of genres and styles of music.
I fight with pizazz. It's a different sound from everyone else. It's the sound of pizazz.
I completely love playing and designing games and always will. I am so into games that I listen to game music all day. That may sound strange, but you can guarantee I'm a hardcore gamer and would never let you down by designing a crappy title.
It takes a lot of money to make music and get it to people. It takes a lot of time to make a record sound good. — © Grieves
It takes a lot of money to make music and get it to people. It takes a lot of time to make a record sound good.
I start with voice, maybe a sentence. That sentence might embody an image, and I go from there. One sentence to the next. Sound drives the work these days - sound before description.
If we all could sound like we wanted to, we'd all sound like George Jones.
I'm obsessed - not just interested, obsessed - with folk music, street music, the parallels between a country's street music and its so-called classical and intellectual music, the way certain scales have travelled right across the globe. All this ethnological and musical interaction fascinates me. Have you heard any trance music? That's the thing.
When I think about a Chicago sound, I think about the Great Migration from the South. Many of Chicago's black artists are from Mississippi, Arkansas, and with them was brought blues and gospel music.
In each medium - popular music, literature, and visual art, respectively - the woman has broken form, shed a skin, with each phase of her career, whereas the man has returned to ever-deepening iterations of the sound or sentence or imagery with which he began.
It's like an electroacoustic, surround-sound cello gamba. It embodies everything that fascinates me the most - acoustics, playing instruments, digital processing, movement of sound. Somehow, everything is combined in Ómar.
Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldn't dare play this kind of music. They would never play a record where only two minutes of the song was all it was worth. They wouldn't buy those types of records.
A lot of the time, in pop music especially, there's reverb. And the reason is that reverb makes vocals sound better 99% of the time. It makes the notes ring out.
A lot of bands are still just bands that artists ask to get involved, but a lot of artists are using sound they create. This is different from referencing music.
I could read music and sing all the right notes at the right time. And over time, I literally found my voice, found a way to make sound.
I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.
In anything I've ever written, all the characters sound like me, which I don't think is a bad thing. It makes sense. But I had always admired filmmakers who made movies that didn't sound like them at all.
I searched YouTube for 'deaf music videos' and watched them with the sound muted. I noticed that though you could understand the words being signed, the sense of rhythm was lost. That's when I had the idea to create a video where you could see the sounds you couldn't hear.
We've always described our sound as a bit more guitar driven than normal pop music. Kind of Pink in a boy band form. We've heard a few people say that so now we use it. I think Pink is amazing person to be compared to.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
For example, after developing a sound similar to an elephant trumpeting, I wrote the song Elephant Talk which gave my elephant sound an appropriate place to live.
That was the first sound in the song of love! Scarce more than silence is, and yet a sound. Hands of invisible spirits touch the strings Of that mysterious instrument, the soul, And play the prelude of our fate. We hear The voice prophetic, and are not alone.
Not one sound fears the silence that extinguishes it. And no silence exists that is not pregnant with sound.
There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote.
I love all kinds of music, and I would write really traditional country songs and songs that were just really out there, that didn't sound country at all, and everything in between.
When I was a little boy, I was reading Dante and I was saying to myself 'Bravo, Dante, Bravo.' It's so beautiful, the music, the sound, the meaning. I felt like calling him by phone, like a friend.
Sometimes I can sit at my computer and find a cool sound, or a new synth patch, and get super-inspired by that and make a track based on that sound. But the piano is where I find the inspiration and come up with the melody.
Rather than thinking of sound and sense in my essays as two opposing principles, two perpendicular trajectories, as they are often considered in conversations around translation, or even as two disassociated phenomena that can be brought together to collaborate with more or less success, I think of sound as sense. Sound has its own meaning, and it's one of the many non-semantic dimensions of meaning in language. I want to emphasize is the formal dynamic between language-as-information and language-as-art-material.
My music confuses people because they think I will sound a certain way because I look a certain way with the dreads. — © Valerie June
My music confuses people because they think I will sound a certain way because I look a certain way with the dreads.
What I reach for first when I play is sound. Technique maybe, but there is technique in sound.
We are slowed down sound and light waves, a walking bundle of frequencies tuned into the cosmos. We are souls dressed up in sacred biochemical garments and our bodies are the instruments through which our souls play their music.
Ilaiyaraaja is my most favourite music director. His music was my lullaby, his music was my food, his music was my childhood, his music was my first love, his music was my failure, his music was my first kiss, my first love failure, my success... he is in my blood.
The New Kids took some hits for, you know, not writing their own music. But on a songwriting standpoint, I mean, I'd never written music before when I was in the group, ... Now the music is my music, so it's kind of like my baby, and that was a whole different experience.
I do get a lot of gifts. I get a lot of things to sign, too. People do collect the memorabilia. Between 'Poppins' and 'The Sound of Music,' there were beautiful plates that they made, and I've signed a lot of them.
Poetry is so close to music, not just in cadence and sound but in silences. That's why, to me, I can't talk about prose poems. I can talk about poetic prose.
I come up short when I create music I don't like. The goal isn't to get into it to be famous; the goal is to perfect your craft and create your own sound.
I think blues music is music of the soul. Of course, there are other forms. You could call some classical music blues music in that way.
Music in Africa often contains messages. Music in Senegal, and Africa, is never music for music's sake or solely for entertainment. It's always a vehicle for social connections, discussions and ideas.
I really think there are two genres of music: good music and bad music. And I'm just trying to be on the side of making good music.
Interspirituality is the world music of religion; borrowing, fusing, blending and bouncing rhythms and riffs off one another not to create a homogenized spirituality, but to birth a radical new sound embedded in the ancient and timeless silence. This doesn't impact or deepen my life-it is my life.
I grew up in one of those households where, growing up in Detroit, you gravitate towards music and cars because we were the capital for a long time. Especially during my childhood. We were the Motown sound. We were the Motor City.
I look good. I feel good and not to sound conceited I sound great. — © A. J. McLean
I look good. I feel good and not to sound conceited I sound great.
By adding open strings to even the simplest chords, you can create voicings that sound sophisticated, but are really easy (and fun) to play. They're practical, not intimidating, and most certainly don't sound like 'jazz chords.'
I'm definitely influenced by the music. We dance to music, and you have to listen to it and phrase your dancing and movement in a certain way to compliment the music. We have to work hand in hand, the dancer and the music.
I like the way the stories of my relationships sound to music more than the way they look in print, in gossip columns or in me talking about them in interviews. I think it's a better way of telling the stories.
I like Celtic folk music, Native American music, and any kind of early music. There isn't a lot of music that I don't like... except for Show Tunes.
I want my music to sound like throwing yourself out of a tree, or off a tall building, or as if you’re being sucked down into the ocean and you can’t breathe… It’s something overwhelming and all-encompassing that fills you up, and you’re either going to explode with it, or you’re just going to disappear.
Designing a tour is a daily thing. I work on it every day for several months. I’m involved with every department, from lighting, sound, music direction, the visual direction. The set list is something I create myself and that’s the root of everything
I don't believe that recordings should sound radically better than the artist, I think that's dishonest. For example, I'm not a great singer but if I spent enough time tweaking my vocals, I could sound like one. But I don't, what you hear is pretty much what I sing.
I love sad songs. They say so much. I love country music but even the happy songs sound really sad.
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