Top 1200 Sound Of Music Quotes & Sayings - Page 3

Mainly, I don't like it when music is made solely to impress people or in order to please business people; it doesn't sound good to me. If you're making music in order to become famous or loved by the masses... that's not what I'm about. When somebody's making music for the wrong reasons, I hear it right away.

I love when I reach Marcus on the phone and as he says hello, I can hear the music he's listening to in the background. That music is the sound of him without me. How he surrounds himself when I'm not there, which is almost all the time.

There is a hollow, holey cylinder running from hilt to point in my machete. When I blow across the mouthpiece in the handle, I make music with my blade. When all the holes are covered, the sound is sad, as rough as rough can be and be called smooth. When all the holes are open, the sound pipes about, bringing to the eye flakes of sun on water, crushed metal. There are twenty holes. And since I've been playing music, I've been called all different kinds of fool - more times than Lobey, which is my name.

The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.

I want people to listen to the lyrics of each song and absorb the music fully before they look at me and make a judgment about what they think my music will or should sound like.

Music gives the soul this inner self-expression, a voice. It gives the soul a sound, the sound of the Muse.

Honestly, the way I make music, you know - it's like, I don't want to sound cocky or anything, but I try my best to make time with music that doesn't have an expiration date.

I think I could walk into any music shop anywhere and with a guitar off the rack, a couple of basic pedals and an amp I could sound just like me. There's no devices, customized or otherwise, that give me my sound.

I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music.

We constantly try to change and stay fresh. We've done a lot of different styles of music: R&B, hip-hop, rock, orchestral. So when people hear us doing a rock'n'roll record or a movie like "Dreamgirls," they'll say, "Hey, that doesn't sound like an Underdogs sound."

Music? Music is life! It’s physical emotion - you can touch it! It’s neon ecto-energy sucked out of spirits and switched into sound waves for your ears to swallow. Are you telling me, what, that it’s boring? You don’t have time for it?

I mean, take 'Chariots Of Fire.' That opening scene, the long shot of the runners along the beach, and then you hear that music... I think that was one of the first times synthesizers were really used in movie music. I just flipped! I didn't even care what the story was going to be. Give me a nice marriage of sound and music.

Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.

A lot of people say I got my own sound. I ain't never really got no comparisons. When people hear my music, they be like, 'He got his own lil sound.'

I hate the technological rip-offs that pass for music formats these days, and go back to vinyl to hear a good record because the sound is always so much fuller. I don't even like listening to music in the car.

I'm not trying to sound mean spirited, but I honestly don't know of many successful musicians who get that excited about other current artists' music. You're either a music fan, or you're a working musician.

Think of the sound you make when you let go after holding your breath for a very, very long time. Think of the gladdest sound you know: the sound of dawn on the first day of spring break, the sound of a bottle of Coke opening, the sound of a crowd cheering in your ears because you're coming down to the last part of a race--and you're ahead. Think of the sound of water over stones in a cold stream, and the sound of wind through green trees on a late May afternoon in Central Park. Think of the sound of a bus coming into the station carrying someone you love. Then put all those together.

To be honest, because there's loud music in my ears probably three hours a day, between sound check and the show, I listen to podcasts more than I listen to music on the road.

As a DJ I am never 100 percent in charge of the sound. The sound levels are controlled by someone at the sound board of the venue.

I don't know if it's my music, my lyrics, my sound and knowing the music business the way I do - all I can say is, my career has lasted way longer than I expected.

I don't really see huge barriers between any styles of music. My definition of music is "organizing sound and silence into emotion," and that's a very broad definition.

I love finding out-of-the-box inspirations and blending them with what I've done in the past. And when I started to experiment with genres, it didn't sound forced. Maybe that's because it's all music that I listened to growing up, and it's all music that I love.

Probably my favorite piece of music, as an album taken as a whole, is Bruce Springsteen's 'Greetings from Asbury Park.' I just think it's incredibly pure. It's a sound that sort of broke new ground, and I think it paved the way for a hundred people that sound very similar.

I wanted to do something as an extension of my passion for music. My aim for the STREET by 50 On-Ear Wired Headphone range is to present music as it's meant to be heard, in studio-mastered sound.

It's really the sound of the voices, the sound of the words, the sound of the sound that we're interested in.

Opera is music AND drama. I'm prepared to sacrifice the beautiful note for the meaningful sound any time... I can make a pretty tone as well as anyone, but there are times when the drama of a scene demands the opposite of a pretty sound.

Mainly, I don't like it when music is made solely to impress people or in order to please business people; it doesn't sound good to me. If you're making music in order to become famous or loved by the masses that's not what I'm about. When somebody's making music for the wrong reasons, I hear it right away.

I can make any type of music, so I wouldn't want to describe myself as having one type of sound. I think music is about keeping it diverse.

There's a lot of electronic surround-sound music, and I've done a lot of work where I write music for other people to move around a space.

Sound comes to us over time. You don’t get a snapshot of sound. Therefore, what you notice with sound, the essential building block, is change.

I mostly write to music, even though I know I sound free-form a lot. Then there are times when I'll have a concept and hold on to it until I come across the right music that makes a marriage.

No music while making love... the sound of the love being made is better than music.

The dubbing of the music and effects is really incredible today. You're feeling gun shots. I mean, it's not the way people say it is, but the gunshot sounds real. And cars sound real. Among the many things in the evolution (of movies) is to make the sound in the movie incredible. That's what you feel.

One day in Berlin ... Eno came running in and said, 'I have heard the sound of the future.' ... he puts on 'I Feel Love', by Donna Summer ... He said, 'This is it, look no further. This single is going to change the sound of club music for the next fifteen years.' Which was more or less right.

I never consciously tried to conceive of what my sound should be...I never tried to imitate anybody, but when you love somebody's music, you're influenced...I really don't know how I developed my sound, but it comes from a combination of my musical conception and no doubt the basic shape of the oral cavity.

I love all types of music. Jazz, classical, blues, rock, hip-hop. I often write scripts to instrumentals like a hip-hop artist. Music inspires me to write. It's either music playing or completely silent. Sometimes distant sound fuels you. In New York there's always a buzzing beneath you.

The music goes into people in a totally different way than words. There's air, there's the sound of words, there's touch, there's music. All of those things have a really distinct way of meeting and entering people's bodies and souls. It's the most beautiful part about humans; that we make music.

There's a lot of steps between there not being music and there being music. Composition is one part of that, but if no one performs it... It's like if a tree falls in the forest and no one's there to hear it, does it make a sound?

We needed to make a sound that's not gonna fit in with everything else - we wanted to make something that was completely unique and individual to us. We spent a lot of time trying to make a sound that was a One Direction sound. At first it was quite hard to do that, but I'm really happy with the sound.

My interests are moving toward both 'sound and music,' not just 'music.' I have been doing lots of field recordings and also collecting lots of strange sounds.

...man is a musical being. His origin is in the spoken Word. By sound was he sustained and by music he evolved. One day he will recognize music as a vital factor in the physical, mental, emotional, and spiritual evolution of the whole human race.

I have a real love of sound and the shape of the sound. I'm a musician, and I'm fascinated with the effects of sound, and tone, and pitch and melody and all that sort of stuff.

The thing I find frustrating about rock music is, how different can you make an acoustic drum kit sound, an electric guitar and vocals? It's very stuck, whereas with electronic music, new sounds are being created.

We never look deeply into the quality of a tree; we never really touch it, feel its solidity, its rough bark, and hear the sound that is part of the tree. Not the sound of wind through the leaves, not the breeze of a morning that flutters the leaves, but its own sound, the sound of the trunk and the silent sound of the roots.

I had a style before I was signed, but now I'm developing my commercial sound as well as trying to strike a balance between authentic music and music that the masses will love.

In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.

turns me on so loud it's like no sound, everybody yelling at me hands over their ears from behind a glass wall, faces working around in talk circles but no sound from the mouths. my sound soaks up all other sound.

'I Get Around' came on one day. I'd never heard the Beach Boys before. The sound was so fresh to me. That was the first time when I truly was gripped by the power of music. It opened my eyes to the heights that music can achieve.

I didn't get into the music business because somebody made me take piano lessons, you know. I got into music because I was a natural writer and had a lot of curiosity about sound.

I don't know if it's my music, my lyrics, my sound, and knowing the music business the way I do-all I can say is, my career has lasted way longer than I expected.

For me people are people, without meaning to sound corny, it's a plain natural fact, music is a universal language and I've always known that and observed that and treated music with great respect accordingly.

Ambient means the natural center or atmosphere of a space. All music has that in it- a space or center. I think it just means the atmosphere or what defines the environment of sound and maybe removing the more destructive, harsh elements and harder rhythmic elements and you get down to the stillness that's inherent. There's an ambient quality in every sound. You may have to enhance that to hear it or bring it out in a different way but there is that in every environmental sound.

I don't want to sound like Ross; I don't want to sound like Puff. I want to make my own music: French Montana.

It's typical for video customers to often use licensed music - whether a soundtrack, background music, or sound effects - to complement their video projects.

As hard as it is, as ghetto as it is, hip-hop is pop music. It's the sound of music getting out of the ghetto, while rock is looking for a ghetto.

My purpose is to create music not for snobs, but for all people, music which is beautiful and healing. To attempt what old Chinese painters called 'spirit resonance' in melody and sound.

Music has no subject beyond the combinations of notes we hear, for music speaks not only by means of sounds, it speaks nothing but sound.

When they played, it wasn't music. It was the sound of chaos. I knew it was the sound of chaos because you could hear pigs being slaughtered. Women were weeping and men were gnashing their teeth, and there were sounds so horrible that I cannot repeat them to you, or you would flee from this room in horror!

I think of all music as existing in the substance of the air itself. It is the composer's task to order and make sense of sound, in time and space, to communicate something about being alive through music.

The first reason why I started to use the [electric] keyboard is because I really like the bending sound of the guitar and bass player. I can't bend the piano sound. I really like the feel behind it. I feel it adds flavour and character to my music.