I'm not gonna sound like the next person. I could respect your sound, but I could also do my own - you feel me?
I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.
Ultimately, what we do as musicians, I think of us as a type of emotional engineer. We essential take these sound waves, this sound, and we organize it into emotion, and that's how we connect with our audiences.
I've discovered that sheer quantity doesn't necessarily make for a heavier sound; if anything, overdubs make guitars sound mushier.
It's taken a while for me to figure out my sound. It's tough, coming from DJing, because you know how things are supposed to sound, but you also don't want to be formulaic about it.
Sound economy is a sound understanding brought into action; it is calculation realized; it is the doctrine of proportion reduced to practice; it is foreseeing contingencies, and providing against them.
When poets go off the boil, they sound like bumble bees; when critics do, they sound like sewing machines.
And then a low and powerful sound rumbles thru the sky, like some giant, deep horn. A sound God would make when he wanted yer attenshun.
As music is the poetry of sound, so is painting the poetry of sight and the subject-matter has nothing to do with harmony of sound or of color.
Reformation is a return to the sound doctrine of the Bible. Revival is the practice of that sound doctrine under the power of the Holy Spirit.
People forget the skates are like knives. Those blades are constantly sharpened... that's why they sound the way they sound. They are blades.
I tell my workshop students, 'I want you to think of yourselves as artists. Then, when you're writing, you're painting, you're crafting, you're making a design, you're sculpting, you're creating choreography, sound, a sound script.'
Supercalifragilisticexpialidocious!
Even though the sound of it is something quite atrocious!
If you say it loud enough you'll always sound precocious.
Supercalifragilisticexpialidocious!
When you chant "Aum" or any mantra, do so softly and gently. Extend the sound. Focus your awareness on the sound of the mantra and become absorbed in it.
Technique is the main thing when it comes to success at the top level. The sound temperament comes into work only when you have a sound technique.
You know, sound was still a fairly new thing when I came into movies. And the reason musicals happened is because of sound. They could put music in the picture! That's how it all began.
Usually one or two things happen: Either you have an idea straightaway - the sort of sound that you want or the instrumentation or one particular sound that you want to feature - or you don't.
There are a number of things that sound good, but frankly, we just can't afford them. And Obamacare doesn't sound good and it's not affordable.
If you want the truth, I'll tell you the truth. Listen to the secret sound, the real sound, which is inside you.
There is nothing as precious to man as a sound mind in a sound body and it is essential that the physical well being of our people merits as much attention as its spiritual welfare
Sound is a subtle form of speech and then more subtle than sound is silence and that's like the realm of being.
Sound doctrine is sound politics.
When I started surfing, you'd hear this neat rumbling sound when you took off and go for the drop, and when the wave is lipping up over the top of you, it makes this hissing sound.
I remember rehearsing it, and it was the one that we were really excited about and thought would sound the best, and once it was down on tape, it was like, This doesn't actually sound that good.
The 'idea' for the poem, which may come as an image thrown against memory, as a sound of words that sets off a traveling of sound and meaning, as a curve of emotion (a form) plotted by certain crises of events or image or sound, or as a title which evokes a sense of inner relations; this is the first 'surfacing' of the poem. Then a period of stillness may follow.
I'm always trying to evolve my sound. I love the simplicity of my setup. I play Gibson guitars and Marshall amps. So it's kind of like the standard rock sound.
The group Bananarama has such a light, cutesy-pie sound that they make The Go-Go's sound like Led Zeppelin by comparison.
As soon as they say I don't sound as good as my old stuff, I tell them, "I would never sound as good as I first sounded, because you guys didn't know who I was. Being that I'm in rotation, you guys are getting used to the sound, so now you expect another track and another track, but it never happens again, no matter how hard I try."
I have a lot of my mother in me, but I was just born with the same parts as my father. I don't sound like him. I mean, I can do an impression of him right now, and I do not sound like him. I sound like me. My sense of rhythm I learned from my mother. My melodies, I think sometimes, I get from my mother.
The sound is very much always in my head, I have to get the sound out of my head onto the recording.
Every guitarist has a special quality of sound. The best ones will use a good ear, much sensitivity and a thorough knowledge of music to prepare the nuances and colors of sound.
Work with sound until you are absolutely amazed that you can produce such a sound and it seems to you that you are just the instrument to which the divine pied piper blows the whisper of the incantations of his magic spell.
When I sing, the sound is a totally different range, color, all of it. It's all about the breath. You take in a breath and you make a sound.
The sound of the pages turning was the sound of magic. The dry liquid feel of paper under fingertips was what magic felt like.
Deep inside I feel that this world we live in is really a big, huge, monumental symphonic orchestra. I believe that in its primordial form, all of creation is sound and that it's not just random sound, that it's music.
Divine sound is the cause of all manifestation. The knower of the mystery of sound knows the mystery of the whole universe.
With 'Midnight Special,' the sound was used as a narrative construct. The audience is looking in one direction when a sound suddenly erupts from the other direction.
I can't just sing karaoke; I can't do anything to try to sound like other people. I have to find what I naturally sound like and emphasize that.
I don't like listening to my music, not even new pieces. Generally, they sound pretty much like I expected them to sound, so it's what I wanted, and that's it.
I like to change and switch it up. I don't want to sound like anybody else or sound the same. I always have to reinvent myself.
I have to say that getting to tackle Maria in 'The Sound of Music' at Carnegie Hall was surreal. When I heard my voice, it was all I could do to keep myself from doing a British accent and sound like Julie Andrews!
The radio is playing jazz, and I listen to the sound of the trumpet playing a solo until I become that sound.
Yes, there was music after all. The sound of the swamp rose up to him. The sound of frogs and crickets, of birds and 'gators, of life in every puddle and pond and knothole and leaf. I Travel By Night
If you're in the U.S. and talk to someone on the phone who's in Iraq, you'll experience sound delay. It isn't long, but the sound has to go to a satellite and back, it's used for everything. I'm proud to have that be something I invented.
Sound is the basis vibration of the universe All those little vortices may get sent going the other way. Sound is really very powerful.
When I go to the cinema, I want to have a cinematic experience. Some people ignore the sound and you end up seeing something you might see on television and it doesn't explore the form. Sound is the other picture. When you show people a rough cut without the sound mix they are often really surprised. Sound creates a completely new world. With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue I think expositional dialogue is quite crass and not like real life.
For 'Black Beatles' to be so true to us and our sound - we weren't chasing a sound - it solidifies that the world is ready for us and what we have to come.
It's not only the wealth of sounds in Omnisphere; You're struck by the fact that you hear magic sound after magic sound.
Use she, he, it, one, they. You could call me mow mow, and I honestly don't care. A pronoun is just a sound. All I'm listening for in that sound is positivity.
It can be really weird to say, 'Hey man, let's make a record and start with this horrible zither sound.' But I was obsessed with the idea of taking a sound and completely phenomenologically thrashing it."
I'm usually the last man on the totem pole. Except for the sound effects and the final sound mix, the score is the last element to be added to a picture.
If you try to sound like somebody else, it will never work because we already have that person. You are noticed when you try to be an original sound.
Sound is the vocabulary of nature... noises are as well articulated as the words in a dictionary... Opposing the world of sound is the world of music.
I can actually see the sound in my head. I can actually see it... But each sound is different so this one has that sparkle, there is a sparkle to the sound.
However now we can create a sound that can truly startle someone and in terms of sound effects I think the environment that we are in now has improved dramatically.
After a long section of the glass playing, you'll hear an instrumental sound emerge from some undisclosed location. There'll be a lot of mystery about the sound, I think.
I think my sound differentiates me from everyone else. I'm able to dip and dabble in other genres, without feeling out of place. Im not confined to one sound.
The beauty of a piece of music is not in its technique but in the Soul of its creator; nor is it in the
sound vibrations of the piece but in the silence of the Light from which the sound springs.
But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.
I believe in legacy. And I believe in making the radio sound better. If I gotta listen to it, I want it to sound good.
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