Top 1200 Sound Quotes & Sayings - Page 5

There were not very many girls in rock n' roll together with men that had a heavy rock sound as well as a more acoustic sound like Heart.

I'm not interested in having an orchestra sound like itself. I want it to sound like the composer.

I had a Velcro wallet in a casino. That sound annoyed the hell out of me. Whenever I lost money, and I opened the wallet, it was like the sound of my addiction.

Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me. I use direct sound, mono not stereo. Just direct sound, so for every shot there are only two sources. Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.

I was left with an urge to make the guitar sound like things it shouldn't be able to sound like.

Writing in the electronic world, you imagine a sound, and then you have to go and find it. It's not like imagining a flute and then making that sound materialize. That's easy!

We didn't want to sound like an old and crusty financial institution. We wanted to sound like we were fast moving and that we had this killer technology that was also safe.

Come around, feel the sound. Know you make my heart pound. Fill me up, bring me down; when I hear your sound.

I'm a Beatles fan, and I remember in the mid-1980s, when CDs first came out, there was a sound of vinyl and the sound of the needle on it that people loved, and suddenly CDs were threatening.

In recording, you're trying to make something work sonically - getting the right inflection on the right guitar sound - and maybe a part that would be musically great doesn't sound as cool.

I spend around one hour per day on physical exercise. Exercise is a must for every chess player. As the proverb says, 'A sound mind in a sound body'.

The sound of the Seekers, that four-part harmony sound, three boys and a girl, is so unlikely, you would not choose those four voices to blend together.

My dad had a candy-apple red sparkle drag boat with a giant hemi engine in it that he raced professionally. The sound of that engine was the most incredible sound ever.

Compression is a necessary evil. The artists I know want to sound competitive. You don't want your track to sound quieter or wimpier by comparison. We've raised the bar and you can't really step back.

I like the idea of imagining a sound and feeling a sound and then having it come out through your body, through an instrument. That's an important way to make music.

To wake up to the sound of my son saying 'Mama, mama!' It's the best sound ever.

You are an instrument if you understand your voice and how to use it - this sound, that sound and certain ranges and different pitch. Within that I try to find a rhythm and play the voice as if it was a horn.

If you're listening consciously, you can take control of the sound around you. It's good for your health and for your productivity. If we all do that, we move to a state that I like to think will be sound living in the world.

Oh my gosh! I can't tell you the number of times people have put autotune on my voice, and I'm like, 'Please take it off!' You don't even sound human; it makes you sound like a robot!

When we went into the New England states, people were talking about the new sound of Flatt & Scruggs, but we had been doing that sound for 20 years.

A great drum record has to sound good; in fact, it should sound special. It should capture the richness and the actual tones of the drums themselves, regardless of who is playing.

Perhaps there is no greater test of a man's regularity and easiness of conscience than his readiness to face the postman. Blessed is he who is made happy by the sound of a rat-tat! The good are eager for it; but the naughty tremble at the sound thereof.

A person does not hear sound only through the ears; he hears sound through every pore of his body. It permeates the entire being.

You are born with a sound; everyone is, less or more. And this sound has to be developed. I am not talking about vocal technique; I am not talking about how to sing. I am talking about how to produce a sound.

Somebody said I sound like an old lady, and I was really insulted by that. I'm trying to sound like Skip James and Smokey Robinson and Marvin Gaye.

We're all about exploring new sounds, so we don't have any limits whatsoever about how we go about finding them. We do tend to sample human vocals or sample sounds, which allows you to create your own sound. That's not our only way obviously, but that's a way you can use a sound no one's used before; it's not a sound in the synth. There's a lot of that going on in our songs in general.

My music, it breathes. It's the mysticism of sound. I'm a sound seeker, and I'm enthralled with it, by what it can do to change the molecules and uplift people. They feel something when we play. I can't take authorship for that. I can take that I'm in service.

You can't say I don't sound like a N.Y. rapper - it's because I don't wanna sound like nobody else.

If music is sound & came from silence, then silence is potentially greater than sound.

The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.

It couldn't sound like a dog, because K9 isn't a dog, but I made it sound as mechanical as possible.

Sound doesn't always have to be heard. Sound can also be created by how a pattern is set up on a surface- how it moves across the surface, how light reflects the surface [and] can generate a feeling. Sound can also be through feeling, through color, through texture.

My uncle gave me a trumpet, but I loved the Louis Armstrong sound and the Harry James sound and I played by ear and I played always soulful or very direct from the gut.

In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.

I've always enjoyed film, but I'm a little afraid of it because I think it is very powerful as a medium. You have the visuals, the sound, the colors, all of these things coming at you, and they transport you physically so it becomes this surround sound, virtual reality.

No one knew what Rococode was "supposed" to sound like. Now we have a sound and we have a good idea of what we want to create and the type of songs we want to present to people. I think it's really exciting, actually.

I wanted to give 'Droptops' away for free because it doesn't sound like my album. It's way more like a nostalgic Cool Kids sound, but that's me too.

I do remember, though, when I discovered the third! I was about five years old - it was a very pleasing sound. I remembered that if I hit one note, then skipped one and played the next, I could get this really good sound.

The sound of a golf game is very different than the sound of a football game.

The sound of 'Take Her Up to Monto' and 'Hairless Toys' is the sound of me and the producer in the studio doing whatever we like. There is no reference. It's too easy to be referential now; I'm trying to find something else.

It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.

Every technology that comes into filmmaking is first a gimmick. Think about sound with 'The Jazz Singer' or the first colour or surround sound - it takes a while for filmmakers to understand how to use it.

If you record the sound of bacon in a frying pan and play it back, it sounds like the pops and cracks on an old 33 1/3 recording. Almost exactly like that. You could substitute it for that sound.

I love words; I love the way they sound. Once I've worked on everything else, the last drafts of my books come down to how they sound.

Alas, the world has never known a sound social fabric, a fabric sound and clean to the core and kindly. For it has ever turned its back on Man.

An acoustic ecologist is a listener who is aware that sound is information. It's information because it's created by events, events produce sound, and that sound has all kinds of data, if you will, that conveys what event occurred, what the materials were, whether it was sudden, slow, loud, in what direction. And because it is information, we can think of it as a message. The acoustic ecologist studies information systems that are both intentional and sometimes wild.

As usual the Liberals offer a mixture of sound and original ideas. Unfortunately none of the sound ideas is original and none of the original ideas is sound.

People would come up to me, saying, 'You sound a lot like the lead singer from Queen.' I started wondering, 'Who is this guy making me sound so unoriginal?'

All the songs I've written, if they don't sound good on acoustic guitar, they won't sound good at 11.

It's time that we move from good words to good works, from sound bites to sound solutions.

If you tell a lie, always rehearse it. If it don't sound good to you, it won't sound good to anybody.

The latest thing that has caught me by surprise is Maryanne Amacher. I like sound that affects the listener physically. Traits such as complexity or simplicity don't really become a factor then. It's just the sound that I pay attention to.

You know, ogres only sound stupid. Most are pretty smart." "And it's a shallow person who judges anyone by the way they sound. I'm so shallow I'm surprised I don't reflect myself.

I'm fascinated by the notion of a perpetual sound: a sound that won't dissipate over time. Essentially, the opposite of a piano, because the notes never fade. I suppose, in literary terms, it would be like a metaphor for eternity.

I love the sound of a brand-new bottle of coke when you pry the lid off and it starts to fizz. Whenever I hear that sound, I think of roses, and of sitting together with someone you care about and of Romeo and Juliet waking up somewhere and saying to each other, weren't we jerks? And then having all that be over. That's what I think of when I hear the sound of a brand-new bottle of Coke being opened

We believe that our truly urgent need is to make our nation secure, our economy strong and our dollar sound. For every American this matter of the sound dollar is crucial. Without a sound dollar, every American family would face a renewal of inflation, an ever-increasing cost of living, the withering away of savings and life insurance policies.

When I was a kid, I remember trying to emulate Stevie Wonder's sound, and Donny Hathaway's sound. It's just part of who I am - I'm just a soulful kind of dude.

When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes. When you put a sound to something and it's wrong, it's so obvious. When it's right, the whole is greater than the sum of the parts. That's a magical thing that can happen in cinema.

Sound is more than just noise. Ordered sound is music. My life is music.

It’s my failure to sound like my heroes that’s allowed me to sound like myself.