Top 1200 Southern Accent Quotes & Sayings - Page 3

My mom has an English accent, so we always referred to the trunk as the 'boot.' And then, suddenly, we moved to Georgia and I would say things like 'open the boot' with a bit of an accent, and I quickly realized I had to adapt; that kind of thing will get you beat up!

People may think of Southern humor in terms of missing teeth and outhouse accidents, but the best of it is a rich vein running through the best of Southern literature.

I went to a dialect coach and she told me that I had five problems; two were my Israeli accent and three were my New Jersey accent. I don't even want to know what I sounded like back then!

I speak English without an accent, and I speak Spanish without an accent. I really do have the best of both worlds.

My family are very, very religious in Texas. They're Southern Baptists. I left to go to New York when I was 17 and I realised I wasn't Southern Baptist. That's not how I am inclined.

I've had battles with writers who live in L.A. and were writing southern characters, because they felt like if they wrote 'Sugar' and 'Honey' at the end of every sentence, that would make it southern.

There are things I like about fancy Southern food and there are things I really love from just down-home Southern cooking. So mixing those two together would probably be right up my alley.

Several southern actors are coming to Mumbai. Likewise, many Bollywood actors are appearing down South or borrowing ideas from southern films.

The Southern Progress Fund will bring much-needed resources into multiple Southern states where Democrats must identify up-and-coming leaders and build a bench of strong potential candidates up and down the ballot.

Going to the Huntington gardens and libraries was radically important for me. They have one of the best collections of 18th- and 19th-century British portraiture that you can imagine in Southern California. One doesn't think about Southern California as being the capital of great art.

Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again...?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.

For me, I love the flavors of Southern food, and people usually think of Southern food as heavy and fattening, but it doesn't have to be.

I have trouble sometimes watching actors - even when they do a great job - with an accent. It kind of removes me, somehow. And maybe at some point, yeah, it could be a really cool experience. It's not something that I consciously think, "Oh yeah, I want to do a movie with an accent." Not to say that it couldn't happen.

I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.

I think people in the north and the south and the east and the west, anywhere they come from, are just as interesting, and they're humans. They have the same realm of emotions that we all have. But I'm just more drawn to the Southern character and the different types, and Southern literature is so lyrical and so wonderful.

As a kid I decided that a Canadian accent doesn't sound tough. I thought guys should sound like Marlon Brando. So now I have a phony accent that I can't shake, so it's not phony anymore.

I'm very Southern in the way I walk in the world. I love to laugh. I love to eat. I love to hug people. But if somebody makes me mad, my neck may roll. I can be aggressive with a Southern twang.

I have an accent, I'm limited, I have to play foreign parts - I would love to play American parts but I can't because I have an accent. You are more limited as a foreigner in every area.

I was raised by very traditional Southern parents with Southern manners. You don't air your dirty laundry to people that aren't your family or your friends. Why would I ever want to portray myself as anything other than together?

I've never played Scots or got the chance to do my Scottish accent. I'm always trying it out in auditions, but they always say no. I'd love to act in a Scottish accent for once.

My accent fades away I guess when I sing. It's real weird. I guess singing is pretty much a universal language like you sing however everyone else sings and that's with an American accent. I sound very different when I talk.

But the Constitution was made not only for southern and northern states, but for states neither northern nor southern, namely, the western states, their coming in being foreseen and provided for.

We need to secure our southern border. Clearly, the southern border is now a nexus between immigration and national security. It's a sieve.

I'm aware now over the last 5 or 10 years that when you do an accent, you really have to kind of get down to the nitty gritty and go into the phonetics of it, if necessary. Find out not just the sounds but the rhythms and the music - or lack thereof - in a particular accent.

I've been banging on about doing stuff in Birmingham for years and years, and everyone says 'We can't, it's the accent thing.' For some reason it's a very difficult accent to get right, harder even than Geordie.

I feel like style is like accent. You don't hear it on yourself, and then everyone's like, man, you got a strong accent.

I can have an accent and not have an accent, so it's really cool. I can play with it. I can be very Sofia Vergara, too, so it's really cool.

People often ask me why I sing with a strong Irish accent. I suppose when I was five years old, I spoke with a strong Irish accent, so I sang with one, too.

I grew up on a farm in eastern Tennessee with a very southern lifestyle, so my roots are super country and southern, but my first concert was Britney Spears. I think that you can hear both of those influences in my music.

I doubt if the texture of Southern life is any more grotesque than that of the rest of the nation, but it does seem evident that the Southern writer is particularly adept at recognizing the grotesque; and to recognize the grotesque, you have to have some notion of what is not grotesque and why.

The Southern Poverty Law Center is a hate group rivaled only by the Democrat Party. The Southern Poverty Law Center... Folks, if there's anything you should ignore - and there are a lot of things you should ignore - put the Southern Poverty Law Center on the list.

I did use my own accent in a play once. It's a very freeing, liberating experience. Actors are often asked to adopt a different accent, and sometimes a different voice, so when that's taken away and you don't have to think about it, that's a lovely thing.

I created the characters from what I read in the script. I decided how I should talk, accent, no accent, my own voice, or a created voice. Then, I visualize what I should look like.

I like to think my accent isn't strong enough, but it's funny: I get people coming up to me in America and saying I sound like Mel B. She's from Leeds. They just hear a British accent and probably can't quite work it out.

Well, I have a Norwegian father who emigrated to America in the 1950s, and he still speaks with varying degrees of an accent. Over my lifetime my ear has been well-tuned to that accent. Any first generation kid has that wonderful gift from their parents.

Is it to be expected that the Southern States will deliver themselves bound hand and foot to the Eastern States? A few rich merchants in Philadelphia, Boston, and New York could thereby monopolise the staples of the Southern States and reduce their value.

Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.

If I can iron out my accent, it opens up another world of possible jobs. Whereas if you have that very strong European accent, it leaves you always being cast as the Hungarian maid or the stripper or whatever. I have voice lessons, and my coach has given me different tongue-twisters to rehearse at home.

I was surprised by some of my French colleagues who immediately assumed that because I spoke English with an American accent, that, therefore, you must be a supporter of whoever is the current president of the United States. There seems to be this widespread feeling that, 'Oh, American accent - therefore, you like cowboy boots.'

With the accent, it's an internal dialogue that Southerners have with themselves. We kind of carry around that shame, that feeling of being inferior to the North. I think I did lose some of the accent for a while. Because when I was a graduate student, I was terrified at having to get up in front of a roomful of smart New York kids.

It's really an organic sort of process. You start off with the character on the page. You fall in love with that character and you have to represent that character well and I think it's just an evolution there. Using the accent and speaking the lines with the accent in fact opens the door to who the character really is.

I have played Polynesian. I have played an Arabian girl. I played an East Indian girl. And what was so confusing about that, which I mention in my book, is that I assumed I had to have an accent. Nobody said anything, so I made up what I call the universal ethnic accent, and they all sounded alike. It didn't matter who I was playing.

I'm not really much of an actor, so when I started on 'The Daily Show,' I was just trying to adopt the faux authority of a newsperson. Having a British accent definitely gave me a sonic leg up on that because there is a faux authority to the British accent in and of itself.

I'm all into Jazz; I'm into New Orleans type music. There is country, there is southern gospel. I'm a huge southern gospel fan.

The accent got lost somewhere along the way. I'm a little embarrassed about it. When I arrived in LA I assumed I'd be able to put on the American accent. It proved difficult so I had six months working with a dialect coach and it's become a habit.

I do one accent - my own. I can make it louder or quieter. That is the sum total of my vocal range. I thought I could do an American accent until I tried it in front of an American - the expression of horror is still burnt onto my retinas.

The South is about the abundance, beauty, and richness of Southern culture, but also its dark underside. The history of Southern food reflects the history of slavery, of poverty, of the negotiation of power.

I had a 'Monty Python' CD, and I would listen to it in the car on the way to school. It also refined my British accent. I can do a killer British accent because I'm just imitating 'Monty Python.'

I didn't really like my Sydney accent - nobody likes the sound of their own voice - and when I was a little younger tried to change my accent gradually. But I've only ever really lived in Sydney and Los Angeles, so I haven't been influenced by the accents of some far-off land.

My accent was horrible. In Mexico, nobody says, 'You speak English with a good accent.' You either speak English, or you don't: As long as you can communicate, no one cares.

Southern girls are God's gift to the entire male population. There is absolutely no woman finer than one raised below the mason-dixon line and once you go southern may the good Lord help you - you never go back

My theory is the root of a country artist is truth and honesty. For me, I look at Sam Hunt. The truth and the honest thing is we have southern roots, we were raised in a southern way, but we listen to Drake and other stuff, too.

For whatever reason, we relate to anything godlike with an English accent. The English are very proud of that. And with anything Roman or gladiators, they have an English accent. For an audience, it is an easy trick to hook people in.

When I first started out, being from the South and going to New York or Chicago, people kept telling me to get voice lessons and 'lose that stupid accent you got.' And I'm like, 'Well, where I come from, you have the stupid accent.'

I'm really drawn to comedy. I grew up in the South, so I'm drawn to all things southern, so my role in 'Getting On' has been fun for me to play something southern - I always feel like I understand those characters more because of where I was raised.

People come to Nashville where I live and they say, 'What's a great Southern restaurant?' Well, you got to know the right grandmother, because there's a lot of magic to good Southern cooking.

I grew up in a small Southern town, kind of a counterculture to a small Southern mentality.

I felt so out of place at the Miss India pageant. I had just come back from America, and I was told I needed to lose my American accent and learn the Queen's English, so I had to enunciate my vowels and speak well and eloquently. Giving up a New York accent is pretty hard.

The time for compromise has now passed, and the South is determined to maintain her position, and make all who oppose her smell Southern powder and feel Southern steel.

I'm sorry,' said the shopkeeper. 'I can't understand your ridiculous accent.' 'My accent?' 'It is quite silly.' 'So you can't understand me?' 'Not a word.' 'Then how did you understand that?' 'I didn't.' ''You didn't understand what I just said?' 'That's right.' 'You understood that, though.' 'Not at all.' The American glowered.