Top 1200 Space And Time Quotes & Sayings - Page 5

Explore popular Space And Time quotes.
Last updated on December 21, 2024.
Without space, there is no time.
Triumphs against the natural order of living exact unforeseen payments. At the same time that man attempts to straighten a crooked nature, he is striving to annihilate space, which seems but another phase of the war against substance. We ignore the fact that space and matter are shock absorbers; the more we diminish them the more we reduce our privacy and security.
I really look forward to every single bit of it. Every time I do something in space, it will be the first time. — © Victor J. Glover
I really look forward to every single bit of it. Every time I do something in space, it will be the first time.
The Space Shuttle will stop directly below the Space Station and Sergei and I will be looking out two different windows looking straight down at the Space Shuttle.
We're in a time when bashing is the norm - especially on social media, where everybody's online and no one interacts face-to-face. There's a quote I found yesterday - it was hilarious: "People need to chill, like literally, we're floating in space on a giant rock we can't leave. Look at the stars or something instead of being awful." You think of floating on a rock in space as so alien, but that's exactly what we're doing.
Bad actors like Russia, Iran, and China have demonstrated time and time again they have both the capabilities and the intent to use the cyber domain as an operating space to wreak havoc.
The teacher showed us how to see proportions, relationships, light and shadow, negative space, and space between space - something I never noticed before! In one week, I went from not knowing how to draw to sketching a detailed portrait. It literally changed the way I see things.
Looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. The energy and space around a material are as important as the energy and space within. The weather--rain, sun, snow, hail, mist, calm--is that external space made visible. When I touch a rock, I am touching and working the space around it. It is not independent of its surroundings, and the way it sits tells how it came to be there.
I loved you backward and forward in time. I loved you beyond boundaries of time and space.
Now is not the time to gut these job-creating investments in science and innovation. Now is the time to reach a level of research and development not seen since the height of the Space Race.
When we listen, it's not linear, it's 360, and it's in a time-space continuum, so you don't have to create a list of priorities, because it's all important. You can deal with everything at any given time. Not only that, but it happens very simply, without effort.
The obvious thing to me was, let's take freely floating masses in space and measure the time it takes light to travel between them. The presence of a gravitational wave would change that time. Using the time difference, one could measure the amplitude of the wave.
I think I was kind of melancholy as a kid. I spent a lot of time inside my own head, a lot of time sort of staring into space wondering the hell was going on.
If I could get one message to you it would be this: the future of this country and the welfare of the free world depends upon our success in space. There is no room in this country for any but a fully cooperative, urgently motivated all-out effort toward space leadership. No one person, no one company, no one government agency, has a monopoly on the competence, the missions, or the requirements for the space program.
And from, you know, small ideas, bigger ideas emerge. So we're starting with suborbital space flights and we'll then go into orbital space flights and, you know, maybe one day we'll send people on a one-way voyage into the depths of space as per the science fiction trips.
What greatly attracted me - and it was the main line of advance of Cubism - was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still lifes, because in nature there is a tactile, I would almost say a manual space... that was the earliest Cubist painting - the quest for space.
I wasn't frightened going to outer space. I'd been living this in my head for many, many years, so I sort of had played all of these scenarios of flying into space and seeing earth. I think I was very prepared for it. It was almost a completely joyful, very happy, very exciting experience, and I didn't have time or any desire to think about what things could go wrong.
Moreover, all our knowledge of organic remains teaches us, that species have a definite existence, and a centralization in geological time as well as in geographical space, and that no species is repeated in time.
We will eventually build space science labs and hotels, prodding the capability for missions beyond the orbit of the Earth. Our space-hotel guests will be able to take breath-taking excursions, flying a couple of hundred feet above the Moon's surface in small two-man spaceships. In time, we will launch missions to Mars and beyond.
A deed happens in a definite place at a definite time, but if it be sufficiently great and pregnant, its virtue radiates everywhere in time and space. — © George Sarton
A deed happens in a definite place at a definite time, but if it be sufficiently great and pregnant, its virtue radiates everywhere in time and space.
It was the in-between time, before day leaves and night comes, a time I’ve never been partial to because of the sadness that lingers in the space between going and coming.
She was gone, and all that was left was the space you'd grown around her, like a tree that grows around a fence. For a long time, it remained hollow. Years, maybe. And when at last it was filled again, you knew that the new love you felt for a woman would have been impossible without Alma. If it weren't for her, there would never have been an empty space, or the need to fill it.
In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place.' Then, little by little, and to some extent deliberately, I made it go the other way, opening up an interior space... so that there was a layered, shallow depth.
We can conceive of eternity because we cannot conceive of a cessation of time. We can conceive of infinite space because we cannot conceive of so much matter that our imagination will not stand upon the farthest star and see infinite space beyond.
We are always in the space in-between... all the spaces where you are not actually at home. You haven't arrived yet.... This is where our mind is the most open. We are alert, we are sensitive, and destiny can happen. We do not have any barriers and we are vulnerable. Vulnerability is important. It means we are completely alive and this is an extremely important space. This is for me the space from which my work generates.
We all have different brow bones, and different amounts of space between the eyebrow and the lashes; the space on the upper lid is bigger or smaller, the space on the bridge of the nose or between the eyes is wider or narrower. Everyone is different.
Time is not a movement in space. Space is a movement in time.
My interest in space started early, but for many years, I could not find any space-related investments that really penciled-out for venture. That changed in 2009 when Elon Musk came to us with a big vision to explore Mars while producing rockets at a fraction of a price and making space accessible.
I have said more than once, that I hold space to be something purely relative, as time; an order of coexistences, as time is an order of successions.
Too bad Einstein’s dead. I’m sure he would have appreciated my latest discovery within the space-time continuum.The closer you are to experiencing a monumental event, the longer time stretches out. It makes you feel alone
Whereas I think: I’m lying here in a haystack... The tiny space I occupy is so infinitesimal in comparison with the rest of space, which I don’t occupy and which has no relation to me. And the period of time in which I’m fated to live is so insignificant beside the eternity in which I haven’t existed and won’t exist... And yet in this atom, this mathematical point, blood is circulating, a brain is working, desiring something... What chaos! What a farce!
And the fear of not being is born in that space. But in meditation, when this is understood, the mind can enter into a dimension of space where action is inaction. We do not know what love is, for in the space made by thought around itself as the me, love is the conflict of the me and the not-me. This conflict, this torture, is not love. Thought is the very denial of love, and it cannot enter into that space where the me is not. In that space is the benediction which man seeks and cannot find. He seeks it within the frontiers of thought, and thought destroys the ecstasy of this benediction.
In the physical universe, there are objects that include suns, planets, all life, and all matter in all dimensions. And then there is the space where all these things exist. That space is the vital element. For virtually every kid since 1968 who picked up a guitar to find his voice on the instrument, Jimmy Page has been the space that enables all our notes to be played.
I think I need to continue to think and plan and marry all of the different things that we could do that make transportation in space from the earth to the space station, from the earth to the moon to space stations around the moon to visiting an asteroid.
I think that it's good for us to be able to travel in space and do research in space, and I emphasize the research, because space travel to me is far more than just seeing how far we can go.
The question to ask is whether the risk of traveling to space is worth the benefit. The answer is an unequivocal yes, but not only for the reasons that are usually touted by the space community: the need to explore, the scientific return, and the possibility of commercial profit. The most compelling reason, a very long-term one, is the necessity of using space to protect Earth and guarantee the survival of humanity.
You need space to try things and create. It takes a long time to recalibrate if you let people pull at you all the time. A lot of stress comes from reacting to stuff. You have to keep a certain guard [up], if you're a creative person.
There comes a time when you've toured a ton, and a time to be inspired again. Listen to awesome jazz records that are mellow with no words, and just sit there and read a book, or space out on your couch. And eventually, all that inspiration comes.
Capital creates space-time. — © David Harvey
Capital creates space-time.
That's one of the things I haven't had time for in my personal life, is art, and I probably should make more time for it. I also don't have space where I'm living right now to set up a studio, but I'm sure at some point, I will.
You're just constantly outputting, and giving all you know so you don't have time to look inside of yourself and to really reflect. The four years at drama school really gave me that time and space.
When asked, "How do you write?" I invariably answer, "One word at a time," and the answer is invariably dismissed. But that is all it is. It sounds too simple to be true, but consider the Great Wall of China, if you will: one stone at a time, man. That's all. One stone at a time. But I've read you can see that motherfucker from space without a telescope.
Eternity is said not to be an extension of time but an absence of time, and sometimes it seemed to me that her abandonment touched that strange mathematical point of endlessness, a point with no width, occupying no space.
I would go to bed every night and have dreams about having a time machine and somehow I'd have the ability to move through time and space freely, and save Anne Frank.
Although we are busy with our own work, we still try and spend time together. At the same time, we give each other space. I think that is the key to a successful marriage.
We've been surrounded by images of space our whole lives, from the speculative images of science fiction to the inspirational visions of artists to the increasingly beautiful pictures made possible by complex technologies. But whilst we have an overwhelmingly vivid visual understanding of space, we have no sense of what space sounds like.
On my second space walk, I was riding the Canadarm, heading down toward the payload bay of the space shuttle, and I could see the space shuttle highlighted against the Earth in the background, and there was this black, infinite, hostile void of space. I remember looking down at the Earth and thinking, "Beneath me is a 4½-billion-year-old planet, upon which the entire history of the human species has taken place." That was an incredibly humbling moment, and I had a bit of an epiphany.
The truth us that other systems of geometry are possible, yet after all, these other systems are not spaces but other methods of space measurements. There is one space only, though we may conceive of many different manifolds, which are contrivances or ideal constructions invented for the purpose of determining space.
Space is a way of measuring time; time is a way of measuring space.
Traveling makes time go fast. So maybe traveling in space will give people time.
Space we can recover; time never.
Russia and the U. S. have announced they are definitely planning several space machines. So it's quite possible that the first space ships or satellites may encounter other interplanetary machines, manned or otherwise. Our space devices may even be closely approached by such alien machines.
There's a huge amount of pressure on every astronaut, because when you get right down to it, the experiments that are conducted on a space flight, or the satellites that are carried up, the work that's to be done, is important and expensive work, and you are up there for a week or two on a Space Shuttle flight. The country has invested a lot of money in you and your training, and the Space Shuttle and everything that's in it, and you have to do things correctly. You can't make a mistake during that week or two that you're in space.
For it is only framed in space that beauty blooms. Only in space are events and objects and people unique and significant-and therefore beautiful. A tree has significance if one sees it against the empty face of sky. A note in music gains significance from the silences on either side. A candle flowers in the space of night. Even small and casual things take on significance if they are washed in space, like a few autumn grasses in one corner of an Oriental painting, the rest of the page bare.
Time doesn't exist. It doesn't exist in any way. It's more subjective than real. Time doesn't exist. I believe in memory. Memory is the real inspiration. Memory creates time. Memory is pure power. Pure power and pure strength, and pure utilization of space and time (if time is something we can really ever label). But I don't believe in time itself.
The future of humanity in space will be determined by the answer to a key question: What will happen first, the first human born in space or the first combat fatality in space?
Love is beyond time or rather love is both time and space but all focused on one single constantly evolving point-the Aleph. — © Paulo Coelho
Love is beyond time or rather love is both time and space but all focused on one single constantly evolving point-the Aleph.
It is going to be necessary that everything that happens in a finite volume of space and time would have to be analyzable with a finite number of logical operations. The present theory of physics is not that way, apparently. It allows space to go down into infinitesimal distances, wavelengths to get infinitely great, terms to be summed in infinite order, and so forth; and therefore, if this proposition [that physics is computer-simulatable] is right, physical law is wrong.
Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture-they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity.
Space is to place as eternity is to time.
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