Top 1200 Space Between Quotes & Sayings - Page 20

It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.

No American can understand the need for time -- that is, simply space to breathe. If you have ten minutes to spare you should jam that full instead of leaving it -- as space around your next ten minutes. How can anything ripen without those 'empty' ten minutes?

This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.

Believe me... I've made a career out of being the right thing in the wrong space and the wrong thing in the right space. That's one thing... I really do know about.

Here in the U.S., culture is not that delicious panacea which we Europeans consume in a sacramental mental space and which has its own special columns in the newspapers - and in people's minds. Culture is space, speed, cinema, technology. This culture is authentic, if anything can be said to be authentic.

My biggest love is space. I completed 800 hours' space training in Moscow and I became the world's oldest man to go to the North Magnetic Pole. At 67, I also became the oldest man to reach 28,400ft on Everest without oxygen.

In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.

You think of yourself as an "individual person", with a unique and separate mind. You think you are born and you think you die. All your life you feel separate and alone. Sometimes desperately so. You fear death because you fear the loss of individuality. All this is an illusion. You, he, she, those things around you living or not, the stars and galaxies, the empty space in between- these are not distinct, separate objects. All is fundamentally entangled.

In any relationship, especially marriage, be as free of compulsive thinking as possible. In other words, the more space there is in the relationship - inner space - the more love there is because love arises out of the inner spaciousness.

Communism... is the genuine resolution of the antagonism between man and nature and between man and man; it is the true resolution of the conflict between existence and essence, objectification and self-affirmation, freedom and necessity, individual and species. It is the riddle of history solved and knows itself as the solution.

I know the difference between right and wrong, and I can tell good from bad. But I also know that the more difficult decisions come when we have to choose between good and better. The toughest calls of all are those we have to make between bad and worse.

I think I set myself on a course to become a scientist around about the time that Carl Sagan's 'Cosmos' series was on television, and there really was no going back for me at that point, and then I went on to study space science and then get my Ph.D., then go aboard and work in the European Space Agency.

By 1973, we had a space station, the Skylab, and we had multiple probes going up to planets. So, all this wonderful stuff happened in 10 to 15 years. About that time, there should have been enormous initiatives to make it affordable for people to fly in space, not just a handful of trained NASA astronauts and Russian cosmonauts.

The ego tells you to fill space. Your spirit tells you to let space fill you.

I always was fascinated by space and always wanted to learn more about it and wanted to experience it first hand by flying into space. I don't know how it began or where it began. Maybe I was born with it. Maybe it's in my genes.

The battle between two men over a girl is the same as the fight for two men over a piece of land. It is all about desire. There is no difference between a love triangle and the conflict between Israel and Palestine.

When I was young, there was never any space for me to get attention of my own that wasn't negative. Art, and the practice of making art, was the only space that was mine alone, where I could be anyone and do anything, where just by using my head and my hands I could cry, or laugh, or get pissed off.

A new consciousness is developing which sees the earth as a single organism and recognizes that an organism at war with itself is doomed. We are one planet. One of the great revelations of the age of space exploration is the image of the earth finite and lonely, somehow vulnerable, bearing the entire human species through the oceans of space and time.

Diamond, for all its great beauty, is not nearly as interesting as the hexagonal plane of graphite. It is not nearly as interesting because we live in a three-dimensional space, and in diamond, each atom is surrounded in all three directions in space by a full coordination.

I know that in South Africa, we were in that space, and we're still suffering from that space. And that was where a government very successfully convinced the majority of a population that every single person there was blocking the other people from achieving greatness in the country, only to realize that we were all being oppressed at the same time. That's one of the biggest things. And I'm proud to say that.

The ordinary adult never gives a thought to space-time problems ... I, on the contrary, developed so slowly that I did not begin to wonder about space and time until I was an adult. I then delved more deeply into the problem than any other adult or child would have done.

I asked: 'What is the meaning of my life, beyond time, cause, and space?' And I replied to quite another question: 'What is the meaning of my life within time, cause, and space?' With the result that, after long efforts of thought, the answer I reached was: 'None'.

I've hidden behind the camera my whole life because I much, much, much prefer shooting. Being behind the camera is my safe space, and it's my creative space, too.

From the weak nations' point of view, it is better if there are many powerful countries then if there are just a few. The more concentrated is power, the fewer opportunities there are to move. Space for change, space for freedom to implement change is then very narrow; very small.

In the nineteenth century, which was a dark and inflationary age in typography, man compositors were encouraged to stuff extra space between sentences. Generations of twentieth-century typists were then taught to do the same, by hitting the spacebar twice after every period. Your typing as well as your typesetting will benefit from unlearning this quaint Victorian habit.

All Mattia saw was a shadow moving toward him. He instinctively closed his eyes and then felt Alice’s hot mouth on his, her tears on his cheek, or maybe they weren’t hers, and finally her hands, so light, holding his head still and catching all his thoughts and imprisoning them there, in the space that no longer existed between them.

Vienna is relatively small. And it had wonderful salons, opportunities for people to get together. There was a lot of interaction between scientists and non-scientists, between Jews and non-Jews, between artists, writers and scientists, including medical scientists.

I had always been interested in the space program, and I didn't know if I could be an astronaut like I'd dreamt about when I was a little kid - to me it sounded kind of silly, someone grow up to be an astronaut - but, when I was in my 20s, I thought maybe I can get a job with NASA or a contractor, do something with the space program.

For me, a rocket is only a means--only a method of reaching the depths of space--and not an end in itself... There's no doubt that it's very important to have rocket ships since they will help mankind to settle elsewhere in the universe. But what I'm working for is this resettling... The whole idea is to move away from the Earth to settlements in space.

When we are in our studios, in our private space... we need to block out the outside world; we need to disbelieve anything that would doubt us, because - everyone will doubt us if we allow them that space.

Know the difference between Giant and Jumbo? Between two-ounce and a big two-ounce? Between a quart and a full quart? What's a tall 24-inch? What does Extra Long mean? Who's kidding who?

Even as I've become more reticent about the political possibilities of the academic space, I want to note that students have played significant roles in insurrectionary activity across the globe for decades and centuries, and I don't think that we've crossed some threshold where that's never going to happen again. We still need to take the university space quite seriously.

To most people in the UK, indeed throughout Western Europe, space exploration is primarily perceived as 'what NASA does'. This perception is - in many respects - a valid one. Superpower rivalry during the Cold War ramped up US and Soviet space efforts to a scale that Western Europe had no motive to match.

My father was always very interested in space. I watch Star Trek and all those things, but I always had a different picture in my mind... maybe closer to Alien. I don't see it in space as much as I do see it in different planets, with each having its own strange characters.

I am convinced that of all the people on the two sides of the great curtain, the space pilots are the least likely to hate each other. Like the late Erich von Holst, I believe that the tremendous and otherwise not quite explicable public interest in space flight arises from the subconscious realization that it helps to preserve peace. May it continue to do so!

Like in the paintings, there has to be moments that are completely right to be able to feel how wrong it is when the space gets flattened or the space collapses. It's the same with the technique in the sculptures: for some to feel really wrong, you have to have parts be really right.

And as much as I’d like to believe there’s a truth beyond illusion, I’ve come to believe that there’s no truth beyond illusion. Because, between ‘reality’ on the one hand, and the point where the mind strikes reality, there’s a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blur to provide what life does not: and this is the space where all art exists, and all magic.

The frontiers are not east or west, north or south; but wherever a man fronts a fact, though that fact be a neighbor, there is anunsettled wilderness between him and Canada, between him and the setting sun, or, farther still, between him and it. Let him build himself a log house with the bark on where he is, fronting IT, and wage there an Old French war for seven or seventy years, with Indians and Rangers, or whatever else may come between him and the reality, and save his scalp if he can.

Architecture is inherently a totalitarian activity. One thing we hate about it is that when you design a space, you're probably designing people's behavior in that space. I don't know if we know how to change that, but our goal is to make spaces for people rather than people being subservient to spaces.

We were trying to do as much science as we could because that was the main purpose of the international space station. But without the shuttle to bring up heavy laboratory equipment and bring back samples, we were limited by what we could do, but I was proud that we actually accomplished more science that was planned for the flight. And I got a chance to do two Russian spacewalks on that flight, I had become an expert in U.S. spacewalks and using U.S. suits and techniques, and this was a chance to put on a Russian Orlan suit and do two construction space flights outside of the space station.

Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into a part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving.

On 'Hairless Toys,' I've tried to create an ambiguous character to go with an ambiguous record. She's anything but rock n' roll - she's so not rock n' roll that, in a twisted way, she's kind of radical. She's like someone from my memory, almost like my mother, and she's lost in some space-time between the 1960s and the late '80s.

Human rights pale beside the rights of machines. In more and more cities, especially in the great metropolises of the South, people have been banned. Automobiles usurp human space, poison the air, and frequently murder the interlopers who invade their conquered territory -and no one lifts a finger to stop them. Is there a difference between violence that kills by car and that which kills by knife or bullet?" (p.231)

Shooting of a sex scene is never going to something where you're having a wonderful time. It's a very intimate thing and a very intimate space to be put into - that's usually a space reserved for one. To have someone else in that proximity is pretty jarring, but we're all in the same boat and we're all experiencing the same anxieties.

Being single is about celebrating and appreciating your own space that you're in. I couldn't have lived alone before. I always needed someone to share my space but now I like being by myself. If I want to be with people then I see my friends; if I want a date then I'll have one.

Once a century, all of a certain kind of bamboo flower on the same day. Whether they are in Malaysia or in a greenhouse in Minnesota makes no difference, nor does the age or size of the plant. They flower. Some current of an inner language passes between them, through space and separation, in ways we cannot explain in our language. They are all, somehow, one plant, each with a share of communal knowledge.

That was in 1994, July, 1994, and I can remember that like it was yesterday too because it was the culmination of a childhood dream to finally be laying on the launch pad inside a space shuttle and getting ready to be launched into space. The impression of going into a space shuttle is that it looks like a brand new simulator. We spend so many hours inside a simulator that everything is very familiar. Every switch, the seats, the way things work, but the vehicle, the actual spacecraft looks brand new because it hasn't been used nearly as much as the simulators.

I always call myself a space construction worker. We were only the second mission ever to go to the space station. There was nothing on board. We brought the first three tons of equipment, including some of the Imax camera stuff. We literally switched the light on to the station and walked in. It was an assembly mission.

Each of us is a moving center, a space of divine mystery. And though we spend most of our time on the surface in the daily details of ordinary existence, most us hunger to connect to this space within, to break through to bliss, to be swept away into something bigger than us.

The history of mankind, the history of salvation, passes by way of the family... The family is placed at the center of the great struggle between good and evil, between life and death, between love and all that is opposed to love.

I pray, read the word, and then creative stuff happens here. Problem-solving and all of that comes into that space. So 'Da Box' actually represents my sanctuary and that time. I might look trapped in a box, but I'm actually more free in that box than anyone on the outside looking in or in any other space in my life.

It's fascinating as we continue to innovate and lead the way in both the application space and the database space. In the very beginning, people said you couldn't make relational databases fast enough to be commercially viable. I thought we could, and we were the first to do it. But we took tremendous abuse until IBM said, "Oh yeah, this stuff is good."

Our time here is magic! It's the only space you have to realize whatever it is that is beautiful, whatever is true, whatever is great, whatever is potential, whatever is rare, whatever is unique, in. It's the only space.

I think we are afraid to take up space. We are afraid to be amazing. As soon as that fear leaves us and we start building that confidence of being unapologetic about being great, then i think we can get into that space of having a lot of women leaders who are just fearless.

I love producing my kids and my wife's TV show. I love doing that. I think that's my most natural space in the business. I would say the most natural space for me is producing or editing. That's just where I thrive.

Space is a unifying field of awareness in which you meet the other person without the separative barriers created by conceptual thinking. And now the other person is no longer 'other.' In that space, you are joined together as one awareness, one consciousness.

I'm always involved with the Aerospace Program and NASA and Goddard Space Flight Center. And if kids feel so inclined, they can log onto NASA and the Optimus Prime Spinoff Award, which we present every year to some of the brilliant young minds that are taking up into the academics of space, science, technology, math.

I work out of silence, because silence makes up for my actual lack of working space. Silence substitutes for actual space, for psychological distance, for a sense of privacy and intactness. In this sense silence is absolutely necessary.

Time is not a line but a dimension, like the dimensions of space. If you can bend space you can bend time also, and if you knew enough and could move faster than light you could travel backwards in time and exist in two places at once.

The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize.