Top 1200 Space Between Quotes & Sayings - Page 5

Explore popular Space Between quotes.
Last updated on December 5, 2024.
Very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be.
There’s no real separation between the real world and the Internet. What we’ve begun to see now is a militarization of that space.
A practical way to travel between the stars is a must-have for space opera, and a sine qua non for our frequently vaunted future as a galactic society. — © Seth Shostak
A practical way to travel between the stars is a must-have for space opera, and a sine qua non for our frequently vaunted future as a galactic society.
It's a reality of film festivals that you can't see everything. You're dividing your time between seeing films and utilizing that unique space to have meetings with people that you can't otherwise.
Now with the international space station generating a bunch of video, and Space X and other companies pursuing private space flight, I think it's on all of our radars much more than it has been since the moonshots. The science of filmmaking is making these visions possible now.
In the space which thought creates around itself there is no love. This space divides man from man, and in it is all the becoming, the battle of life, the agony and fear. Meditation is the ending of this space, the ending of the me.
And don't tell me there isn't one bit of difference between null and space, because that's exactly how much difference there is.
A long life in journalism convinced me many presidents ago that there should be a large air space between a journalist and the head of a state.
Looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. The energy and space around a material are as important as the energy and space within. The weather--rain, sun, snow, hail, mist, calm--is that external space made visible. When I touch a rock, I am touching and working the space around it. It is not independent of its surroundings, and the way it sits tells how it came to be there.
We've been surrounded by images of space our whole lives, from the speculative images of science fiction to the inspirational visions of artists to the increasingly beautiful pictures made possible by complex technologies. But whilst we have an overwhelmingly vivid visual understanding of space, we have no sense of what space sounds like.
Inequality is not just an issue between individuals, between classes, between regions. It's between urban and rural.
When you grow older, you realize that all that matters is the connection between two people. What the other person's dreams are, what they do, what they want to be, that's their business and you have to give them space for that.
The future of humanity in space will be determined by the answer to a key question: What will happen first, the first human born in space or the first combat fatality in space?
Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture-they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity.
Take your delight in momentariness, Walk between dark and dark a shining space With the grave 's narrowness, though not its peace. — © Robert Graves
Take your delight in momentariness, Walk between dark and dark a shining space With the grave 's narrowness, though not its peace.
Time is said to have only one dimension, and space to have three dimensions. ... The mathematical quaternion partakes of both these elements; in technical language it may be said to be 'time plus space', or 'space plus time': and in this sense it has, or at least involves a reference to, four dimensions. And how the One of Time, of Space the Three, Might in the Chain of Symbols girdled be.
We name one thing and then another. That’s how time enters poetry. Space, on the other hand, comes into being through the attention we pay to each word. The more intense our attention, the more space, and there’s a lot of space inside words.
Is not the space between Heaven and Earth like a bellows? It is empty, but lacks nothing. The more it moves, the more comes out of it.
I look at culture, and I see what the kids around me are wearing, and I see a particular style. I understand the space between fashion and streetwear.
Restraint offers a space between intention and action and the opportunity to protect others from actions or reactions that should exist only in your imagination
If nothing once, you nothing lose, For when you die you are the same; The space between is but an hour, The frail duration of a flower.
The script is so important... Even if you have a huge entourage or big lighting trucks, the most important thing is the space between the actor and the camera.
I write flawed characters. Ones that do not always make the best decisions and are driven by ambition or lust. They are not black or white, they are in the large space that exists between.
I've been doing a few interviews since the loss of the SpaceX Dragon on its way to the Space Station. Each one very quickly questions the viability of what they call commercial space in light of the failure. I tell them space is hard: this is what happens early in a program with new technology.
There's actually an incredible amount of parallels between working in central Congo in a remote, isolated village and doing research aboard the space station.
We dig a well and create a huge pit. The space in the pit or well has not been created by us. We have just removed the earth which was filling the space there. The space was there then and is also there now.
Heaven-as you call it-is nowhere. Let's just put some space between the w and the h in that word and you'll see that heaven is now...here.
Adaption of the human body in space is not yet mastered. As soon as you hit space, you feel your body is going through a period of mutation. There's no blood in your head; you have a hard time swallowing. We're not born to naturally be in space.
reaking up the space and using the space, using the length of the space, the height of it, whatever, the light, all of those things. It's something that you have to kind of slowly recognize in your work and develop over years of making work.
Particularly with Netflix, there are some series you just binge-watch. But I think with 'Black Mirror,' it's a joy to have some space between each one.
If you ask "Should we be in space?" you ask a nonsense question. We are in space. We will be in space.
When I'm in the best physical shape of my life, I'm in the best professional space. I can track the connection between the two.
for most of us the space between 'dreaming on things to come' and 'it is too late, it is all over' is too tiny to enter.
Writing, painting, singing -- it cannot stop everything. Cannot halt death in its tracks. But perhaps it can make the pause between death's footsteps sound and look and feel beautiful, can make the space of waiting a place where you can linger without as much fear. For we are all walking each other to our deaths, and the journey there between footsteps makes up our lives.
I like to have space between the notes. I like to use silence.
I think that it's good for us to be able to travel in space and do research in space, and I emphasize the research, because space travel to me is far more than just seeing how far we can go.
When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.
The great thing about space films generally, with the exception of Apollo 13, is that big stars tend not to work in space and I think that's because space is an equaliser. It makes everyone the same really and suits an ensemble cast and actors who are prepared to work with each other.
My fascination has been the space between cloth and the body, and using a two-dimensional element to clothe a three-dimensional form. — © Issey Miyake
My fascination has been the space between cloth and the body, and using a two-dimensional element to clothe a three-dimensional form.
In the original 'Star Trek' TV series, space stations served as deep-space research laboratories, as well as rendezvous points where starships could dock before exploring the unknown. When we were envisioning our own space station, the applications were similar.
And the fear of not being is born in that space. But in meditation, when this is understood, the mind can enter into a dimension of space where action is inaction. We do not know what love is, for in the space made by thought around itself as the me, love is the conflict of the me and the not-me. This conflict, this torture, is not love. Thought is the very denial of love, and it cannot enter into that space where the me is not. In that space is the benediction which man seeks and cannot find. He seeks it within the frontiers of thought, and thought destroys the ecstasy of this benediction.
When I define polarities in my work, I actually create the space between things. I point to the question I am actually interested in, without naming it.
I like to see myself as a bridge builder, that is me building bridges between people, between races, between cultures, between politics, trying to find common ground.
Actually, I was the seventh private explorer but the first Canadian 'space clown.' I never dreamed of going into space; I just dreamed of traveling. But I admit that space is an incredible destination and the absolute traveling experience.
You have got to be one step ahead, as a striker, to create that space you need. Apart from the ball, when you're a striker, it is space that's your best friend. You need space.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
Come! let us take a moment's shelter under some roof Look! there - before you, a little way off There is an empty space Between truth and falsehood.
There has been a great gulf in psychological thought between the perception of space and objects on one hand and the perception of meaning on the other.
Poetry is a dangerous profession between conflict and resolution, between feeling and thought, between becoming and being, between the ultra-personal and the universal - and these balances are shifting all the time.
I try not to play two days in succession. I usually try to space it so I have a day in between. — © Darrell Royal
I try not to play two days in succession. I usually try to space it so I have a day in between.
I actually had four space flights altogether, three times on shuttles. My second flight was really unique for me because I was going back into space, first of all. The first one was like an appetizer at a nice dinner. You know, you want to go up and you want more. So, the second time I got into space, it was neat because I got to actually do two space walks.
I created my own space, which was called the cave. It was a live/work space in downtown Los Angeles on 7th and Spring. When I lived there it was quite derelict. I got this massive space and half of it was my bedroom and the other half of it was the back room - no [natural] light, all fluorescent lights.
We who walk the narrow line have stood for free thinking for thousands of years. Let us continue balancing within the world as we try to understand the space between.
Between stimulus and response, there is a space where we choose our response.
My interest in space started early, but for many years, I could not find any space-related investments that really penciled-out for venture. That changed in 2009 when Elon Musk came to us with a big vision to explore Mars while producing rockets at a fraction of a price and making space accessible.
NASA was going to pick a public school teacher to go into space, observe and make a journal about the space flight, and I am a teacher who always dreamed of going up into space.
My expertise is the space program and what it should be in the future based on my experience of looking at the transitions that we've made between pre-Sputnik days and getting to the moon.
What greatly attracted me - and it was the main line of advance of Cubism - was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still lifes, because in nature there is a tactile, I would almost say a manual space... that was the earliest Cubist painting - the quest for space.
There is a space between man's imagination and man's attainment that may only be traversed by his longing.
I'm interested in the space between the viewer and the surface of the painting - the forms and the way they work in their surroundings. I'm interested in how they react to a room.
This site uses cookies to ensure you get the best experience. More info...
Got it!