Top 1200 Space Movie Quotes & Sayings - Page 17

Trane was the perfect saxophonist for Monk's music because of the space that Monk always used. Trane could fill up all that space with all them chords and sounds he was playing then.

What strikes me is that 'XIII' looks like a movie. The shot making is movie-like, which is kind of fun - the kind of playful action movie shot making is pretty, is pretty good. What's also great about this game is its style and interesting story-line.

The dance is the mother of the arts. Music and poetry exist in time; painting and architecture in space. But the dance lives at once in time and space.

It's not completely obvious what gravity is, fundamentally, or what dimensions are, fundamentally. One of these days we'll understand better what we mean, what is the fundamental thing that's given us space in the first place and dimensions of space in particular.

The heart of the problem is not so much how we see objects in depth, as how we see the constant layout of the world around us. Space, as such, empty space, is not visible, but surfaces are.

My favorite movie of all time is 'The Silence of the Lambs.' I think Hannibal Lecter is the scariest movie monster ever because he's smarter than you are.

If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinemahas access to an alogical or discontinuous use of space.

Pour a liquid out of its container, and it changes shape, fills the space you give it. If you give children a lot of space, it may surprise you where they'll go and the shape they'll take.

You know, and it really doesn't have a lot to do with the movie. That's the trick to doing a good musical is that, if you take that music number out, there's less to the movie there. You would miss it.

I always refer to the first 'Resident Evil' movie as 'the little movie that could' because, at the time, it was kind of unfashionable to do video game movies.

The apologists for space science always seem over-impressed by engineering trivia and make far too much of non-stick frying pans and perfect ball-bearings. To my mind, the outstanding spin-off from space research is not new technology. The real bonus has been that for the first time in human history we have had a chance to look at the Earth from space, and the information gained from seeing from the outside our azure-green planet in all its global beauty has given rise to a whole new set of questions and answers.

If a movie doesn't even have financing yet, they'll do a table read for it at a casting director's office with actors, for the producer and the writer, just to hear if the movie is working.

The average movie-goer in this country sees six films in a year. That's one every two months. What the studios are trying to do is make sure it's their movie.

Leave a movie audience inspired, and they will want to ingrain that movie into their lives with the toys, branded food products, soundtracks, and clothing they buy.

Make movies you love because it's miserable. Every movie I've worked on at one point or another is exhausting, and you feel like you're making a bad movie.

You can be the lead in a movie just for the sake of being a lead in a movie, or you can just be in a good movie.

I would still encourage somebody, if they wanted to make a movie, to just go take a movie camera. That's clearly been shown to work.

You're able to do things in novels: introduce subplots, other characters, thematic layers and so on, in a way that you simply can't in a movie. A movie really has to choose its battles.

Through Tamil movie 'Kanchana' I wanted to convey the pain and struggles of transgenders and the movie received lot of appreciation from transgender's community and the public.

Private enterprise can never lead a space frontier. It's not possible because a space frontier is expensive, it has unknown risks and it has unquantified risks.

To a space alien or a German Shepherd dog, two humans would be indistinguishable, just as attractive and unattractive space aliens and German Shepherd dogs are difficult for you to tell apart.

If you make a movie about Elizabeth I, how much of the dialogue is her real words? Audiences know when they go see a movie that it is fiction.

Well, it's like my movie, 'The Apostle.' Some people in the North don't get that movie. They think that, in the South, if you don't shout, you can't play one of those guys.

You go to a theater now and you literally see parents watching the movie and they suddenly cover their kid's ears. I figured I'd make one movie where they didn't have to do this.

In every Kubrick movie, there is so much great thought put into the surroundings. It's almost like the sets are huge characters in the movie at all times.

I love going to movie theaters, even in the era of movies on-demand and Netflix. When you are in a movie theater, no one can reach you by phone or other means.

I'm dating myself by saying this, but I was the test audience for 'Space Invaders.' I remember when that was the first game that wasn't a pinball game. I spent a lot of money on 'Space Invaders,' in the form of quarters, of course.

What bother me, not "bother me," exactly; that's not the right way to put it. But especially in the horror genre, once a movie like Paranormal Activity comes out and becomes popular - and that's a totally fine and valid movie - everyone starts copying it. Everything becomes a found-footage movie that looks like somebody shot it with their phone.

My biggest emotional defeat and the greatest emotional pain I've had as an actor was when "Wild Wild West" opened up to $52 million. The movie wasn't good. And it hurt so bad to be the No. 1 movie - to open at $52 million - and to know the movie wasn't good.

I had a moment where I wrote a movie script, and it was my first movie job, and I was very excited to do it, and my only goal was really not to get fired off of it.

I continue to see good growth in the mobile space; I expect to see PCs being the core driver in the home. And I mean that for entertainment along with the work-at-home space.

A reflection of my feelings about the space program is found in a quotation from Charles A. Lindbergh's "Autobiography of Values." It reads, "Whether outwardly or inwardly, whether in space or time, the farther we penetrate the unknown, the vaster and more marvelous it becomes."

I was 18 years old when I booked 'Youth in Revolt,' and it was my first movie, and I was starring in that movie - and even then, I didn't feel like I had made it.

The influence of the senses have in men overpowered the thought to the degree that the walls of time and space have come to look solid, real and insurmountable. .. Yet time and space are but inverse measures of the power of the mind. Man is capable of abolishing them both.

This year-in-space mission was a profound challenge for all involved, and it gave me a unique perspective and a lot of time to reflect on what my next step should be on our continued journey to help further our capabilities in space and on Earth.

I've done radio interviews about this movie [42]. I feel I'm a part of this movie, since I knew Jackie Robinson. I was at his first game.

I love 'Child's Play 2!' I love Don Mancini. That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant studio horror movie - but I liked the script, and I thought that was such an important theme because I don't think adults listen to children enough.

Sivaji' was a fantastic movie. It is one movie I am going to take back to my grave and like a greedy actor, I want more such movies in my career.

As for the best '80s action movie, I'm going to be predictable here and say 'Die Hard.' I watch that movie at least twice a year. Perfect script.

The first movie I ever saw was a horror movie. It was Bambi. When that little deer gets caught in a forest fire, I was terrified, but I was also exhilarated.

Adaptations are fun for me because they connect to the idea of filmmaking I had when I was a kid. I would see a movie and think: 'I'm gonna make that movie.'

Prior to being in 'Carousel,' I had only seen the movie. So, when I read the script, I felt like it was a lot deeper than the movie portrayed it to be.

I don't think there is a movie that I've been on that I wasn't sure I could direct it better. But certainly also, as a director of photography, I have to serve the movie in whatever way I can as a filmmaker.

Before any movie of yours gets made, it will be vetted by the studio's marketing department. So, you do have to answer the question: Who is your movie for?

I am a movie fan across the board, though, so if a movie is well done then I love it and it does not really matter what the genre is.

This is the inevitable consequence of a popular movie: you become the guy who wrote "the book that inspired the movie." Frankly speaking, I find it a bit insulting.

When someone lives as a minority, they experience the world differently than those of us who live in the majority. We may occupy the same physical space, but we don't occupy the same psychic space.

It is that rare film [Moonlight] that comes along once in a while that catches the zeitgeist. This movie is that. I certainly have my fingers crossed that it is. Everyone needs to see this movie.

I saw 'Boogie Nights' more times before the movie came out than any other movie I had ever seen.

In a progressively privatised city, the defence of public space, the production of new public space, and saving what is public really for the public is very important.

I do believe very much in movie as a one-man-show. I think that where I've watched movie go wrong, it's usually because the dread committee has been interfering with it.

You can change a person's life in an instant; put him in a movie, and you start thinking differently, you want to be in another movie. It's like an addiction almost.

What really made me think about space and begin to think about ways to use it was Einstein's statement that there are no fixed points in space. Everything in the universe is moving all the time.

We're always supposed to be happy and positive. There's something about letting yourself slip into that vulnerable space because you can really feel things there. It helps you grow as a person. I tend to enjoy being in a vulnerable space, in a weird way.

Sometimes I feel as if we are all trapped in a movie. We know our lines, where to walk, how to act, only there is no camera. Yet, we can't break out of the movie. And it's a bad one.

Horror movie is a great date movie. For dates... maybe grab on to the guy. I just think people love a good scare.

Look, spaghetti arms. This is my dance space. This is your dance space. I don't go into yours, you don't go into mine. You gotta hold the frame.

Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.

I like films about people who figured out what they believed and had the guts to act on it in a way that added value to others. So, there are lots of movies that have characters who did that. I'll pick an odd one - Stranger Than Fiction because I really liked the movie - particularly the offbeat cookie maker. You'll have to see the movie to see what I mean. The movie also reinforces that you can be the author of your own script.

Of course, we talked about Westerns we like with [James Ransone in Valley of Violence] , but it was always thematically in relation to the movie and what the themes of the movie were.