Top 1200 Space Odyssey Quotes & Sayings

When I was a kid, I was a bit of a space geek. I loved the space program and all things NASA. I would read books about our solar system; I had pictures of the Space Shuttle on my bedroom wall. And yes, I even went to Space Camp.

Standing beneath the white light of an Apple store is like standing on a Stanley Kubrick movie set. His '2001: A Space Odyssey' predicted Jobs and a future where technology was our friend. Kubrick, of course, didn't like what he saw. And occasionally, I have my doubts.

What if The Odyssey has no more validity or authenticity than one of the other stories that you hear Odysseus telling? Whoever created The Odyssey was incredibly hip to stuff that we think, in our post-modernist, post-structuralist era, we're uncovering for the first time; but we aren't.

You have to say now that space is something. Space can vibrate, space can fluctuate, space can be quantum mechanical, but what the devil is it?

As filmmakers, we want the audience to have the most complete experience they can. For example, I interviewed Stanley Kubrick years ago around the time of '2001: A Space Odyssey.' I was going to see the film that night in London, and he insisted I sit in one of four seats in the theater for the best view or not watch the film.

I always thought it would be good to do a psychedelic movie like '2001: A Space Odyssey.'

For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.

I remember going to London with my father in 1968 to see '2001: A Space Odyssey.' I just soaked in that movie. To me, that was real; it was going to happen.

I can't imagine anywhere I'd rather be than outside the space shuttle in my space suit next to the Hubble Space Telescope.

There must be an open space in the paintings - an entry space for the viewer, or even for me. Just white space where you can get into it.

Anything that is in space has form. Space itself has form. Either you are in space, or space is in you. The soul is beyond all space. Space is in the soul, not the soul in space.

Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space.

Why is there space rather than no space? Why is space three-dimensional? Why is space big? We have a lot of room to move around in. How come it's not tiny? We have no consensus about these things. We're still exploring them.

I touch your book and dream of our odyssey in the supermarket and feel absurd.

One can easily classify all works of fiction either as descendants of the Iliad or of the Odyssey.

'2001: A Space Odyssey' - I'd watched and hated it seven times before it provided the first 'religious experience' I'd ever had watching a film. Finally, I was able to pick up on what the film was transmitting almost entirely through dialogue.

Odyssey Dawn? That's not a military operation. That's a Carnival Cruise ship.

Family: A social unit where the father is concerned with parking space, the children with outer space, and the mother with closet space.

The trip was to be an odyssey in the fullest sense of the word, an epic journey that would change everything.

If you take 2001: A Space Odyssey as an example of somebody who creates a new language in film by what he was able to accomplish with art direction, photography, lighting, etc., it is still a gold standard for science fiction.

My parents wanted to name me Karim Hill. My aunt always liked the name Dule, from this actor Keir Dullea, who was in '2001: Space Odyssey.' That's how I got the name Karim Dule Hill. Growing up, I never liked the name Karim because people would ask me, 'Could you dunk like Kareem Abdul Jabbar?'

The base skill is listening: how I'm listening to the material, how I'm listening to the space. With electronic sound, it's a similar situation of how to produce it and place it so that it works in a space. The first consideration is adopting the space and having work that resonates in the space.

'Interstellar' may never equal the blast of scientific speculation and cinematic revelation that was Stanley Kubrick's '2001: A Space Odyssey,' but its un-Earthly vistas are spectral and spectacular.

There are no moral or intellectual merits. Homer composed the Odyssey; if we postulate an infinite period of time, with infinite circumstances and changes, the impossible thing is not to compose the Odyssey, at least once.

Back in the Seventies, we had a romantic, poetic vision of the future, like it was in the movie '2001: A Space Odyssey.' It felt as if everything was still ahead of us.

I think it's like that for people who don't remember 1969 first-hand. It's that sense of 'old hat.' Of 'been there, done that.' Space shuttles, space stations, communications satellites, GPS - they're all part of our everyday, taken-for-granted world in 2009, not part of an incredible odyssey.

The genius is not in how much Stanley Kubrick does in “2001: A Space Odyssey,'' but in how little. This is the work of an artist so sublimely confident that he doesn't include a single shot simply to keep our attention. He reduces each scene to its essence, and leaves it on screen long enough for us to contemplate it, to inhabit it in our imaginations. Alone among science-fiction movies, “2001'' is not concerned with thrilling us, but with inspiring our awe.

2001: A Space Odyssey was a wonderful conundrum when I was a boy, with its giant concepts thrown across the giant screen at Indian Hills Theater. That movie woke me up in ways that I hadn't imagined, and I went searching for book versions of the same drug.

I was more worn out with the "Odyssey" than it was with the "Iliad." I mean, just comparing those two - you can see how it's changing, how the language of the "Iliad" is somehow monstrously new - and that language of the "Odyssey" is more comfortable, even for us.

We are on a difficult course, on a new Odyssey for Greece, but we know the road to Ithaca and have charted the waters.

My review of 2001, the year, is the same as my review of 2001: A Space Odyssey. It went on too long, it was hard to follow, and you could only enjoy it if you were really, really, *really* stoned.

I watch 2001: A Space Odyssey every time it’s on. I made the kids watch it every time, too, and now they just love watching it. Stanley Kubrick’s great. And Blade Runner is one of my top three science fiction films. A lot of it has come true.

I read The Odyssey all the time. I always get something out of it.

In 2009 I went up on the space shuttle. I was in space for 16 days and docked at the space station for 11 days. The entire crew did five space walks, of which I was involved with three of them. When you're doing a space walk, you always have a buddy with you. It's a very dangerous environment when you're doing a space walk.

Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive; space is dynamic; space is imbued with movement expressed by forces and counterforces; space vibrates and resounds with color, light and form in the rhythm of life.

Lily white’s petals are at my feet anticipating the moment in which adventure and odyssey meet.

I've completed half of my space training at Space City in Moscow. I love adventure, and I've been training in a centrifuge and MiG Fighter with a view to going into space and being a spokesman for space exploration!

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But, after all, the aim of art is to create space - space that is not compromised by decoration or illustration, space within which the subjects of painting can live.

The dimension that counts for the creative person is the space he creates within himself. This inner space is closer to the infinite than the other, and it is the privilege of the balanced mind... and the search for an equilibrium is essential - to be as aware of inner space as he is of outer space.

I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.

Everybody's 'odyssey' is a little bit different. Batman's is his own and unique to him.

Empty space is never-wasted space. Wasted space is any space that has art in it.

Christopher Nolan’s 168-minute odyssey through the space-time continuum is stuffed with stuff of bewildering wrongness.

In the future, search engines should be as useful as HAL in the movie 2001: A Space Odyssey-but hopefully they won't kill people.

A lot of cinematic influences on 'Descender' - Kubrick for sure. '2001: A Space Odyssey' is my favorite movie. It has been since I was 12. I just love that film.

It is amazing that 2001: A Space Odyssey has not aged at all, except for a few minor technical gadgets. The main reason is, of course, the philosophical or spiritual element in this story. We know as little today about the secrets of Creation and evolution as we knew before, and it is not likely that we'll ever know much more. We'll have to be satisfied, as Kubrick was, respectfully admiring the potential for evolution within the mystery of the universe's creation.

I think "Avatar" is kind of a unique category where people are enjoying the unique theatrical experience even though they may have seen it on the small screen. They want to have that immersive, transportive experience. "2001: A Space Odyssey" played for three years at the Loews cinema in Toronto. I remember that. It just kept playing. People wanted to return to that experience. That may not be the best example because I think "2001" took 25 years to break even.

The majority of the world is empty space. Empty space, empty space, empty space. All that we see in the world, the life, the animals, plants, people - it's all empty space. That's amazing!

A voice expressing emotion in a musical way moves on. It's like the finale of the movie 2001: A Space Odyssey (1968) - the world turns in on itself, as a universe unto itself, in the shape of one human being.

While we've taken seeds into space, and astronauts on the International Space Station have eaten lettuce they've grown, we haven't produced fruit in space, so we can't pollinate something.

I do feel that a poem needs not just space, but, ideally, space around that space - space for meditation, reverie, subliminal link-ups. I sense that poetry happens at a level above or below intelligence. It doesn't come into being at a purely rational level.

Space can vibrate, space can fluctuate, space can be quantum mechanical, but what the devil is it? And, you know, everybody has their own idea about what it is, but there's no coherent final consensus on why there is space.

Space, space: architects always talk about space! But creating a space is not automatically doing architecture. With the same space, you can make a masterpiece or cause a disaster.

Writing a book is an emotional odyssey, sometimes exhilarating, other times deflating.

In 1969 I was 16, and for me anything was possible. '2001: A Space Odyssey' was in theaters. Man's future in space seemed limitless, and here on TV to punctuate it all were men walking on the moon.

My odyssey to become an astronaut kind of started in grad school, and I was working, up at MIT, in space robotics-related work; human and robot working together.

It doesn't seem to me that anyone has discovered much that's new since the Iliad or the Odyssey.

'2001: A Space Odyssey' is a movie that really impressed me as a teenager. And also 'Blade Runner.' And 'Close Encounters of the Third Kind' is also one of my favorites. I'm always looking for sci-fi material, and it's difficult to find original and strong material that's not just about weaponry.

The story as told in The Odyssey doesn't hold water. There are too many inconsistencies.