Top 1200 Space Odyssey Quotes & Sayings - Page 5

You mean old books?" "Stories written before space travel but about space travel." "How could there have been stories about space travel before --" "The writers," Pris said, "made it up.

We are at a point in history where a proper attention to space, and especially near space, may be absolutely crucial in bringing the world together.

I am a working mom, so to be able to have a space for my kids as well as a space for my work, it's just great. That is what balance is.

If I have the space, I recognise the space, I like to take the ball and go straight to the goal, if there's a chance to create something then I'll do it.

Sci-fi is very much an American genre. Space and the exploration of space is something so closely associated with America.

There is no way, absolutely no way, that I would want people to stop reading the 'Odyssey.' But I want them to read it with their eyes open. To notice it and then to think what it says about us.

Space excites me. My dream is to go to space.

I think space will be conquered through the mind rather than the clumsy medium of space travel.

I feel like there’s a space of personal freedom for me where my art-making happens. When I go to that space, I’m completely in this world of possibility.

All space exploration is risky. As an astronaut, I had to decide each and every time I went to space whether or not to risk my life for the mission.

We should explore new ways to drive down the cost of space travel. instead of costly booster rockets, maybe we should think of laser/microwave driven rockets, or space elevators. Until then, the cost of space exploration will limit our ability to explore the universe.

Social media has colonized what was once a sacred space occupied by emptiness: the space reserved for thought and creativity.

In the long term, space resources could lead to a thriving new space economy and human expansion into the solar system.

However, the Kosovo War took place in orbital space. In other words, war now takes place in 'aero-electro-magnetic space'. It is equivalent to the birth of a new type of flotilla, a home fleet, of a new type of naval power, but in orbital space!

All the things that live within you find their place, in character and story, once you tap into that other space that is the creative writing space.

From a mathematical standpoint it is possible to have infinite space. In a mathematical sense space is manifoldness, or combinations of numbers. Physical space is known as the 3-dimension system. There is the 4-dimension system, the 10-dimension system.

With 'Space Dandy,' you've obviously got your image of the space and 80s music, and blending them together is how I created it.

I think the International Space Station is providing a key bridge from us living on Earth to going somewhere into deep space.

It's important to bring things back from the Space Station because, unlike somebody living at the house where the garbage truck comes by twice a week, they don't have that in space.

If we think of the field as being removed, there is no 'space' which remains, since space does not have an independent existence.

A dwelling should be not a retreat from space, but life in space.

If everything when it occupies an equal space is at rest, and if that which is in locomotion is always occupying such a space at any moment, the flying arrow is therefore motionless.

There is space within sisterhood for likeness and difference, for the subtle differences that challenge and delight; there is space for disappointment-and surprise.

I am always in my space and it's a happy space. It gets stressful at times, but that's a part and parcel of our job.

In space, you need to stay as 'usual' as possible. On the space station, I would brush my hair every day.

For the last several years and culminating in six months in orbit next year, I've been training for my third space flight. This one is almost in a category completely different than the previous two, specifically to live in on the space station for six months, to command a space ship and to fly a new rocket ship.

When Russians were having troubles, the Space Shuttle supported the Space Station Mir bringing up much needed supplies and replacements, critical spares, really. That they were able to keep their space station going for much longer than they would have without us. So, I think that shows the value of international cooperation.

The theoretical recognition of the split-space of enunciation may open the way to conceptualising an international culture, based not on the exoticism of multiculturalism or the diversity of cultures, but on the inscription and articulation of culture's hybridity. It is the inbetween space that carries the burden of the meaning of culture, and by exploring this Third Space, we may elude the politics of polarity and emerge as the others of our selves.

I really love sharing with young Canadians the changes we're seeing in the space program right now with what we call "commercial space." We have commercial cargo delivery to the space station, and now we have what we call "commercial crew," where we're going to be delivering people to low orbit on new vehicles that are being designed by Boeing and SpaceX.

Space is not just going up and coming back down again. Space is getting into orbit and being there, living there, establishing a presence, a permanence.

We look forward with great anticipation to see the course that the National Space Council charts for America's future in space.

By the way, Japan is also known to be actively engaged in manned space flights as part of the International Space Station.

Development of space will improve life on Earth. Access to space is important for agriculture, humanitarian efforts, communications, and navigation.

Creativity is a space for solitary longing, the desire to be elsewhere in space and time, to be in a new ideal world where life is as it should be.

We had 83 different space research projects on my last space flight in '98, and they covered the whole gamut.

We are creatures of the earth and live on this planet through the powers of the sun and moon and through all facets of nature so I want our odyssey to the 'Metal Galaxy' to be one that we constantly appreciate how much we are able to travel the world through the power of music.

That's what the American odyssey is really about: Leaving home. Leaving home and coming home, and trying to understand the difference.

In the 1920s the young English physicist Paul Dirac began trying to understand and describe the space-time evolution of the electron, the first elementary particle discovered by J.J. Thomson in 1897. Dirac was puzzled by an unprecedented property of space-time, discovered by Lorentz in his studies of electromagnetic forces, whereby if space was real, time had to be imaginary, and vice versa. In other words, space and time had to be a ‘complex’ mixture of two quantities, one real and the other imaginary.

We're going to see passengers in space stations in 15 years, who will be able to buy a ticket and spend a weekend in space.

I always think of space-time as being the real substance of space, and the galaxies and the stars just like the foam on the ocean.

... If we consider the difference between William Henry Jackson packing in his camera by mule, and the person stepping for a moment from his car to take a picture with his Instamatic, it becomes clear how some of our space has vanished; if the time it takes to cross space is a way by which we define it, then to arrive at a view of space 'in no time' is to have denied its reality.

After analyzing the sanctions against our space industry, I suggest to the USA to bring their astronauts to the International Space Station using a trampoline.

The right sort of gossip is a charming and stimulating thing. The Odyssey itself is simply glorious gossip, and the same may be said of nearly every tale of mingled fact and legend which has been handed down to us through the ages.

Cooperating in something as visible as space exploration and space flight can only improve relations between the two countries because what happens is, you're working on a common project in a very visible light and so, you're motivated to not have conflicts with each other in other areas. And bringing up China is a good example. In the early '90's, China got serious about wanting to launch astronauts into space and they were actually quite successful in launching many communication satellites. They went ahead and in 2003 they launched their first astronaut into space.

To say that a body or its gravitational field 'bends in space' in its vicinity is the discuss visual space in acoustic terms.

So Ahmadinejad wants to be the first Iranian in space - wasn't he there just last week? 'Iran launches monkey into space.'

Bizarrely, a lot of the innovations in free-to-play are coming out of the PC space rather than the mobile space.

Abstract is not a style. I simply want to make a surface work. This is just a use of space and form: it's an ambivalence of forms and space.

Over the years, in making art, I have constantly explored issues dealing with space, time, light, and society. I am particularly interested in how the light of a space determines how we see that space and similarly, in how light and color are actually phenomena within us, within our own eyes.

The frontier in space, embodied in the space colony, is one in which the interactions between humans and their environment is so much more sensitive and interactive and less tolerant of irresponsibility than it is on the whole surface of the Earth. We are going to learn how to relate to the Earth and our own natural environment here by looking seriously at space colony ecologies.

We must... maintain that mathematical geometry is not a science of space insofar as we understand by space a visual structure that can be filled with objects - it is a pure theory of manifolds.

Sooner or later, I hate to break it to you, you're gonna die, so how do you fill in the space between here and there? It's yours. Seize your space.

Space ails us moderns: we are sick with space.

To deal with a 14-dimensional space, visualize a 3-D space and say 'fourteen' to yourself very loudly. Everyone does it.

The first thing you must know as an actor or director is the space you will inhabit. See the architecture; imagine where things can happen in space.

It is important to understand, not intellectually but actually in your daily life, how you have built images about your wife, your husband, your neighbor, your child, your country, your leaders, your politicians, your gods-you have nothing but images. The images create the space between you and what you observe and in that space there is conflict, so what we are going to find out now together is whether it is possible to be free of the space we create, not only outside ourselves but in ourselves, the space which divides people in all their relationships.

If we want to go to space with humans, that's for fun not for science. Human adventures in space are just sporting events.

I can say for myself that I feel like I've gotten a ton of opportunities in the digital space and not a lot in the traditional space when I was first starting out.

You don't go into space just for the science. Economically, it is not worth it. I think the reason we should be in space is for the exploration; it's the human endeavour.

I'm not really into sci-fi movies, but I'm into the science of space a lot. I love astronomy and thinking about the nothingness of the everythingness of space.