Top 1200 Speaking And Writing Quotes & Sayings - Page 5

My dad came from Cuba when he was a teenager not speaking English. And I grew up here speaking Spanglish. That's the world in which I grew up, and that's a world in which a lot of second generation immigrants find themselves.

I'm very driven by writing. Coming from 'Saturday Night Live,' because it's such a writing job, and we all write our parts on the show and create characters, I'm so respectful of good writing.

There are receptors to these molecules in your immune system, in your gut and in your heart. So when you say, 'I have a gut feeling' or 'my heart is sad' or 'I am bursting with joy,' you're not speaking metaphorically. You're speaking literally.

I was German-speaking, and I arrived 10 years old to Croatia, and really wasn't speaking a lot at home with my parents in Croatian, so it was really difficult to write in Croatian. It took me two years after I went back to learn everything again in Croatian.

I wish I could show you what a small marihuana cigarette can do to one of our degenerate Spanish-speaking residents. That's why our problem is so great; the greatest percentage of our population is composed of Spanish-speaking persons, most of who are low mentally, because of social and racial conditions.

Whether it's writing a monologue or writing standup or writing a screenplay or writing a play, I think staying involved in the creation of your own work empowers you in a way, even if you don't ever do it. It gives you a sense of ownership and a sense of purpose, which I think as an actor is really important.

During the years 1945-1965 (I am referring to Europe), there was a certain way of thinking correctly, a certain style of politicaldiscourse, a certain ethics of the intellectual. One had to be on familiar terms with Marx, not let one's dreams stray too far from Freud.... These were therequirements that made the strange occupation of writing and speaking a measure of truth about oneself and one's time acceptable.

I never stopped writing. I started writing when I was twelve years of age. And I was writing all the time. But nothing was translated until thirty years after I started writing, when The Hidden Face of Eve was translated in 1980.

When I went to Los Angeles right after high school, I got some acting jobs, and I never, ever wanted to be an actress! Public speaking and acting make me want to vomit. But I have never been nervous singing. When it comes to public speaking, I stumble on my words, sweat, and pull at my clothes.

I worked at a job where 90 percent of my coworkers were Spanish-speaking, and some of them were only Spanish-speaking. My rule was if someone came into the office needing something - I worked in HR at the time - they had to bring a Spanish word to teach me. That was the deal.

On a crowded bus in Israel, a mother was speaking to her son in Yiddish. An Israeli woman reprimanded her. "You should be speaking Hebrew. Why are you talking to him in Yiddish?" The mother answered, "I don't want he should forget he's a Jew."

It was in Cardiff, and the cast was 60 per cent Welsh-speaking. It's the first time I've walked into a rehearsal room speaking my mother tongue, which in itself was a breath of fresh clean air from the Welsh mountains. Singing Hans Sachs is always a milestone, but I was happy to be part of such an achievement, not personally but as a company.

Re-writing is different from writing. Original writing is very difficult.

All great questions must be raised by great voices, and the greatest voice is the voice of the people - speaking out - in prose, or painting or poetry or music; speaking out - in homes and halls, streets and farms, courts and cafes - let that voice speak and the stillness you hear will be the gratitude of mankind.

Take the example of my daughter. A lot of people were speaking out about education when the Taliban were bombing schools in Swat Valley, but Malala's voice was like a crescendo. It spread all around the world. She was the smallest but her voice was the biggest, because she was speaking for herself.

I haven’t had trouble with writer’s block. I think it’s because my process involves writing very badly. My first drafts are filled with lurching, clichéd writing, outright flailing around. Writing that doesn’t have a good voice or any voice. But then there will be good moments. It seems writer’s block is often a dislike of writing badly and waiting for writing better to happen.

Writing on the subway or anywhere is writing. Maybe it's all just writing.

Write all the time. I believe in writing every day, at least a thousand words a day. We have a strange idea about writing: that it can be done, and done well, without a great deal of effort. Dancers practice every day, musicians practice every day, even when they are at the peak of their careers – especially then. Somehow, we don’t take writing as seriously. But writing – writing wonderfully – takes just as much dedication.

People who write for reward by way of recognition or monetary gain don't know what they're doing. They're in the category of those who write; they are not writers. Writing is simply something you must do. It's rather like virtue in that it is its own reward. Writing is selfish and contradictory in its terms. First of all, you're writing for an audience of one, you must please the one person you're writing for. Yourself.

I think something happens only when people find that they are moved with others, find themselves linked or allied in new ways, showing up or speaking out in ways that resonate with one another. That resonating can be very compelling and lead to moving and speaking more emphatically and with sharper focus.

I'm just writing, writing, writing. I keep these tablets on me until I'm inspired to go back in and make the music. I never take a break from my pen, because I pride myself on that.

I may be writing well, I may be writing poorly, but I enjoy the act of writing and sometimes when it turns out okay, I feel an elation that is incomparable.

In the past, we saw European leaders speaking against the Jews. Now, we see them speaking against Israel. It is the same anti-Semitism of blood libels, spreading lies, distorting reality and brainwashing people into hating Israel and the Jews.

Actually, I've taught creative writing in Turkey, at an English language university, where the students were native Turkish speakers, but they were writing their essays in English, and they were very interesting - even the sense of structure, the conventions of writing, the different styles of writing.

Writing fiction is very different to writing non-fiction. I love writing novels, but on history books, like my biographies of Stalin or Catherine the Great or Jerusalem, I spend endless hours doing vast amounts of research. But it ends up being based on the same principle as all writing about people: and that is curiosity!

Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.

I have held and hold souls to be immortal.... Speaking as a Catholic, they do not pass from body to body, but go to paradise, purgatory or hell. But I have reasoned deeply, and, speaking as a philosopher, since the soul is not found without body and yet is not body, it may be in one body or in another, and pass from body to body.

I don’t even know what I’m writing, I have no idea, I don’t know anything, and I’m not reading over it, and I’m not correcting my style, and I’m writing just for the sake of writing, just for the sake of writing more to you… My precious, my darling, my dearest!

I approach writing a poem in a much different state than when I am writing prose. It's almost as if I were working in a different language when I'm writing poetry. The words - what they are and what they can become - the possibilities of the words are vastly expanded for me when I'm writing a poem.

I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.

A song is no song unless the circumstance is free and fine. If a singer sing from a sense of duty or from seeing no way to escape,I had rather have none. Those only can sleep who do not care to sleep; and those only write or speak best who do not too much respect the writing or the speaking.

Writing is the process of finding something to distract you from writing, and of all the helpful distractions - adultery, alcohol and acedia, all of which aided our writing fathers - none can equal the Internet.

I'm not writing for myself. I'm writing as an educator, I'm writing to stimulate others.

Here and there, human nature may be great in times of trial, but generally speaking it is its weakness and not its strength that appears in a sick chamber; it is selfishness and impatience rather than generosity and fortitude, that one hears of. There is so little real friendship in the world! – and unfortunately' (speaking low and tremulously) 'there are so many who forget to think seriously till it is almost too late.

If things are going well I can easily spend twelve hours a day writing, but not writing writing, just thinking and revising and taking a comma out and putting it back in.

I've also been writing with my guitarist, Ted Barnes, and he's amazing. Writing with him has taught me a lot about my own writing process, in the sense that it's incredably personal to write with someone else from scratch.

In the Bible angels speak and humans speak back to them. This is the case with Mary in Luke 1. The angel speaks, Mary questions, and it goes back and forth. Abraham speaks with angels. So I would contend the Bible has enough evidence of angels speaking and humans speaking that speaking with an angel today would be reasonable. I've heard enough stories and read such that confirm that Christians today do speak with angels.

Being a songwriter or a painter you're definitely facing your fears. You're facing your fears because you're speaking your truth; you're speaking from your heart. That's something that's not easy to do, you set yourself up for all sorts of criticism or vulnerability but that's why we do it.

One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing. I did that with 'World's Fair,' as with all of them. The inventions of the book come as discoveries.

Legally speaking, there are no such things as 'public rights,' as distinguished from individual rights. Legally speaking, there is no such creature or thing as 'the public.'

When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.

It is vain to try and hide a bad spirit from the eyes of them who are spiritual, for it will show itself in speaking and in writing as well as in all other conduct, it is also useless to make great pretensions when the heart is not right before God, for God looks at the heart, and where the heart is not right the Lord will expose it to the view of the faithful.

I had some bad jobs when I was young. Writing is not one of them. If you're fortunate enough to reach my age, to still be writing, you have to be grateful, and I am. I've been lucky. For many years, all I've done is writing, and it's all I've ever wanted to do.

Writing is a key differentiator. I've used it for 14 years. Writing will not just lead to differentiation. Writing is the credibility you need to create buyer confidence

"Oppression" or "systems of oppression" operate as a shorthand terms in much writing and speaking so that we do not have to list all these systems of meaning and control each time (i.e. racism, ableism, xenophobia, etc.). I needed a term like that, but "oppression" implies a kind of top-down understanding of power that is at odds with the Foucaultian model I rely on in my work.

I find myself speaking through the other characters, putting ideas in their voices and heads. Writing almost becomes a splitting of myself into multiple personalities. But I don't write to make an argument on behalf of any of the characters, or to prove anything about a character. I think that's important that I be serving the story first and not my own point of view.

And so the question becomes, what you do in the meantime? And you go - if you're forever on the move, especially in the life of the mind; forever reading veraciously, writing, speaking, lecturing, trying to unsettle minds, trying to touch souls, trying to encourage and inspire, on the one hand, but also trying to unhouse and unnerve people, so that they have to reexamine themselves, society and the world on the others. There's tremendous joy in it.

I began writing books after speaking for several years and I realize that when you have a written book people think that you're smarter than you really are if I can joke. But it's interesting. People will buy your book and hire you without reading the book just because you have a book and you have a book on a subject that they think is of interest to themselves or e to their company.

One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing. I did that with 'World's Fair' as with all of them. The inventions of the book come as discoveries.

I don't want to be the only one speaking up for the refugees. I get all these comments from people saying, 'Thanks so much for your courage,' and, 'You're the only one who's spoken out.' But I don't want to be the only one speaking up.

I'm not speaking in favor of killing innovation. I'm speaking in favor of centrist use of the market, which involves necessarily a considerable degree of regulation. Markets by themselves will get themselves inevitably into inequality and into their own destruction. It will happen again and again.

I read a lot of scripts, and there's a lot of good writing and a lot of OK writing and a lot of crappy writing. And even with the really good writing, it doesn't necessarily speak to me.

Your man Daddy Yankee, some black and white people who know what's going on in the 'hood and the clubs are supporting him and loving him. But he's speaking Spanish, and he's speaking directly to the Latino people, and the people who know the language really dig it.

I used to be incredibly afraid of public speaking. I started with five people, then I'd speak to 10 people. I made it up to 75 people, up to 100, and now I can speak to a very large group, and it feels similar to speaking to you one-on-one.

Wine writers have been around for almost as long as there has been wine, but in the past, generally speaking, most wine writing was uncritical and emphasized wine as a romantic, historic beverage. Criticism and comparative tastings were eschewed for fear of offending the trade, which most writers depended upon for survival.

Right now-whether you're in writing courses getting "paid" in credit for writing, or burdened and distracted by earning a living and changing diapers-figure out how to make writing an integral part of your life. Publication is good, and gives you the courage to go on, but publication is not as important as the act of writing.

The Norse way of speaking, no one really knew what the Vikings sounded liked, they were Norsemen. The accent is really a combination of a Scandinavian accent, maybe with a Swedish accent and an old way of speaking.

Among all the liberal arts, the first is logic, and specifically that part of logic which gives initial instruction about words. ... [T]he word "logic" has a broad meaning, and is not restricted exclusively to the science of argumentative reasoning. [It includes] Grammar [which] is "the science of speaking and writing correctly-the starting point of all liberal studies."

I started writing sketches with Dennis Kelly, who I ended up writing 'Pulling' with. We entered a BBC competition and did quite well, then started writing bits for other people's shows. You wheedle your way in, write pilots and eventually you end up writing a sitcom.

I don't have a writer's room. I write all the shows myself. Ninety-one episodes a season, I'm sitting there at the computer writing and writing and writing because I want the voice to be authentic so that the audience is hearing from me and not other writers.