Top 1200 Speaking The Same Language Quotes & Sayings - Page 17

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Last updated on December 4, 2024.
Things that are so hard for people, like playing championship-level Go and poker, have turned out to be relatively easy for the machines. Yet at the same time, the things that are easiest for a person - like making sense of what they see in front of them, speaking in their mother tongue - the machines really struggle with.
Yeats was the greatest poet of our times . . . certainly the greatest in this language, and so far as I am able to judge, in any language.
Since 'concepts' are closely bound up with language, concept art is a kind of art of which the material is language. — © Henry Flynt
Since 'concepts' are closely bound up with language, concept art is a kind of art of which the material is language.
I would never use obscene language in the office. Certainly not. I kept my obscene language for the home, where it belongs.
The young cult of sociology, needing a language, invented one. There are many dead languages, but the sociologists' is the only language that was dead at birth.
I'm speaking to someone I'm trying to get to fall in love with me. I'm trying to speak intimately to one person. That should be clear. I'm not speaking to an audience. I'm not writing for the podium. I'm just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I'm trying to interrupt some silence in their life, which is utterance.
Do the structures of language and the structures of reality (by which I mean what actually happens) move along parallel lines? Does reality essentially remain outside language, separate, obdurate, alien, not susceptible to description? Is an accurate and vital correspondence between what is and our perception of it impossible? Or is it that we are obliged to use language only in order to obscure and distort reality -- to distort what happens -- because we fear it?
A language is not just words. It's a culture, a tradition, a unification of a community, a whole history that creates what a community is. It's all embodied in a language.
When members of this House use inflammatory language, use offensive language, it does not help the process. It is beneath the dignity of this body and this country.
The writer cannot abandon himself simply to inspiration, and feign innocence vis a vis language, because language is never innocent.
The poet is primarily a spokesman, making statements or incantations on behalf of himself or others - usually for both, for it is difficult to speak for oneself without speaking for others or to speak for others without speaking for oneself.
The supposed inferiority of a constructed language to a national one on the score of richness of connotation is, of course, no criticism of the idea of a constructed language.
I wanted to write for all children, even those kids who might see language as a threatening thing, even if English is their second language. — © Ursula Dubosarsky
I wanted to write for all children, even those kids who might see language as a threatening thing, even if English is their second language.
We used to look at each other and say, 'We play the same game with the same rules, the same bat, the same ball, the same field. What the hell does color have to do with it? You don't play with color. You play with talent.'
Language is the writer's only tool - we really don't have anything else - but our language contains within it our entire experience of the world.
I do not use the language of my people. I can take liberties with certain themes which the Arabic language would not allow me to take.
I do believe that in America there needs to be a primary language and that English should be that language, it's not a radical position, it's a position that's held by countless people who are Latino.
I will never stop working on Spanish-language projects because that's my language, and because I'm a Latina and Mexican before anything else.
An ear will never do you wrong, but I know writers who... most of the language they use is just extracted language from other languages they've read. I am a big-time reader, but I mix and match.
Any time there is a film in a 'foreign language,' in Spanish or Korean or whatever language, it's usually not an American film. It's usually from another country.
A ruler must learn to persuade and not to compel... he must lay the best coffee hearth to attract the finest men... a good ruler has to learn his world's language... it's different for every world... the language of the rocks and growing things... the language you don't hear just with your ears... the Mystery of Life... not a problem to solve, but a reality to experience... Understanding must move with the flow of the process.
In TV, when you come in to direct an episode, you are effectively learning an established language; you then have to try to learn to speak it really well. But on a movie, you are the guy. You are creating the language; you make most of the decisions.
It's a difficult competition against silence, because silence is a perfect language, the only language which says with no words.
Genuine bravery for a writer... It is about calmly speaking the truth when everyone else is silenced, when the truth cannot be expressed. It is about speaking out with a different voice, risking the wrath of the state and offending everyone, for the sake of the truth, and the writer's conscience.
We can move no faster than the evolution of our language, and this is certainly part of what the psychedelics are about: they force the evolution of language.
For language to have meaning, there must be intervals of silence somewhere, to divide word from word and utterance from utterance. He who retires into silence does not necessarily hate language. Perhaps it is love and respect for language which imposes silence upon him. For the mercy of God is not heard in words unless it is heard, both before and after the words are spoken, in silence.
If I would want to have a huge audience, I would make American movies, not French movies, because there is a limit of course with French language. If I prefer to shoot in my own language, it is to play with my language, to play in my Paris, and I have complete freedom in France. It's so amazing. If American directors could imagine how free I am, they would have asked for political asylum immediately.
Language is filled with words for deprivation images so familiar it is hard to crack language open into that other country the country of being.
Latin is beautiful and has become something of an international language, but there is also something about singing in your native language that has meaning.
Poetry is simply literature reduced to the essence of its active principle. It is purged of idols of every kind, of realistic illusions, of any conceivable equivocation between the language of "truth" and the language of "creation."
People talk about the age and positioning of a brand, but hell, it's not about that. The global language is digital, and we need to speak the language.
One can understand nature only when one has learned the language and the signs in which it speaks to us; but this language is mathematics and these signs are methematical figures.
There's something to be said about all music being some translation of our languaging, our way of communicating. It's a language. This is a new language.
I haven't shifted language. I'm writing in English because I like it. I'm a sucker for the language, but the good old poems I'm still writing in Russian.
The sum of human wisdom is not contained in any one language, and no single language is capable of expressing all forms and degrees of human comprehension.
The world of public discourse - political, social, diplomatic, commercial - has so corrupted language that we are rightly more suspicious of the meaning of words than we are convinced of their veracity. Language has been turned on its head.
Solidarity does not assume that our struggles are the same struggles, or that our pain is the same pain, or that our hope is for the same future. Solidarity involves commitment, and work, as well as the recognition that even if we do not have the same feelings, or the same lives, or the same bodies, we do live on common ground.
Language should fulfill your individual existence as a wholesome human being... Language should be more than just getting by. — © Chogyam Trungpa
Language should fulfill your individual existence as a wholesome human being... Language should be more than just getting by.
We're very concerned with language and how language works. We're trying to engage people rather than dictate how they should be thinking.
Most of conflicts and tensions are due to language. Don't pay so much attention to the words. In love’s country, language doesn't have its place. Love's mute.
I come from not just a household but a country where the finesse of language, well-balanced sentence, structure, syntax, these things are driven into us, and my parents, bless them, are great custodians of the English language.
Reading or written language is a cultural invention that necessitated totally new connections among structures in the human brain underlying language, perception, cognition, and, over time, our emotions.
While I admire writers who are able to write with a vitality based on order and action, I work in a different vein. I often feel that if I can get the language just right, the language hypnotizes the reader.
I thought of Joel Silver. He never changes. He's sort of the unmoving, unchanging rock of Gibraltar in the otherwise-shifting world of Hollywood. He's the same as he always was. He looks the same, talks the same, has the same enthusiasm.
In my madness I was actually in love with her for the few hours it all lasted; it was the same unmistakable ache and stab across the mind, the same sighs, the same pain, and above all the same reluctance and fear to approach.
She can't force us to go to the ball. We're grown men, for Lord's sake!" Will cocked an eyebrow at his younger brother. "You don't think she can force us? We are speaking of the same mother, correct? Small frame, enormous will?
The iconoclastic mode, that specific mode of language, there is an element of it that it is punk - that is confrontational. That's just a part of the language of jazz - at a certain point.
If it's a language you don't understand and you're not concerned with the meanings of the words, your impression comes from how the words look, particularly if the language uses different characters.
When we look at the specific effect of the Internet on language, languages asking the question, 'Has English become a different language as a result of the Internet?' the answer has to be no.
If you're hungry, God is feeding. You know, if you're listening; He is speaking. And I think sometimes trouble and intense hardship can make us - it made me at times, you know, block our ears, shut our eyes, it's like too much. But actually He's speaking, He's encouraging us, He's loving us all the time.
But even in the schoolyard I'd been aware of that silence, that reserve in him, as though he'd been raised by foxes and language was his second language. — © Patricia A. McKillip
But even in the schoolyard I'd been aware of that silence, that reserve in him, as though he'd been raised by foxes and language was his second language.
A picture held us captive. And we could not get outside it, for it lay in our language and language seemed to repeat it to us inexorably.
The language of film is further and further away from the language of theater and is closer to music. It's abstract but still narrative.
My interest is in how meaning is communicated via language, and I believe the shape, positioning, even the color of the language has an effect on meaning.
The language of poetry is not stuck in place. Nothing can own language. I think, however, the genre of poetry itself is very feminine and motherly.
Maybe when the President tells you that you should be afraid of Mexicans or Muslims or Jews or black people or gay people or trans people, you'll realize that those are just labels, that underneath it all we're all the same people, we all have the same aspirations, the same hopes, the same desires, that we all share the same values.
If language is intimately related to being human, then when we study language we are, to a remarkable degree, studying human nature.
I do a mind game every day. I play chess, sudoku. I learn something different: a language, a few words of a different language.
Even though language has its richness the relationship between language and the writer is always like a stone and you have to make the stone human.
Learn a language of another country and then you can go to that country: a place where the problems of your family will not follow. A language they do not speak.
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