Top 1200 Speaking The Same Language Quotes & Sayings - Page 18

Israel is the representative of the United States in the Middle East. Its policies are so integrated with American policies that they use the same language. If you read Sharon's statements and George W. Bush's statements, they're virtually identical.

It is okay to experiment with language. Writers such as James Joyce, Virginia Woolf experimented with writing, but basically, one must have a familiarity with the language. And to have that, one must respect it.

Music is the language of God. God's language, music, is not like mathematics or geometry. It is a language of love. If we love music, that is enough.

Linguistic philosophers continue to argue that probably music is not a language, that is in the philosophical debate. Another point of view is to say that music is a very profound language.

I'm writing, I'm using language, I'm using that language to tell stories and even more so to get ideas across. And I just love that, and I've always loved that.

The more elevated a culture, the richer its language. The number of words and their combinations depends directly on a sum of conceptions and ideas; without the latter there can be no understandings, no definitions, and, as a result, no reason to enrich a language.

I could fill my whole time doing interviews, speaking to crowds, and there's this natural human tendency because of our culture to think that the more people I talk to, the bigger the impact I'll have, and yet Jesus didn't spend His time just speaking to the masses. He spent the bulk of his time with a small group of people.

Music is a language, a universal language.

The word right should be excluded from political language, as the word cause from the language of philosophy.

Our language is the reflection of ourselves. A language is an exact reflection of the character and growth of its speakers.

If the president is going to use so much language of theology and the Bible, then let's use that language for a serious discussion about the war in Iraq. And that was never done.

The language of the poem is the language of particulars.

No one gets angry at a mathematician or a physicist whom he or she doesn't understand, or at someone who speaks a foreign language, but rather at someone who tampers with your own language.

To the extent that language forces experiences into categories it is a screen between reality and the human being. In a word, we pay for its benefits... Therefore, while using language, as we must of necessity, we should be aware of its shortcomings.

I'm keen on making English language movies. English is still the global language and we can't change that.

It's no big deal about how you get language to evolve. You cause language to evolve by saying new and intelligent things to each other.

Because Shakespeare's language is so expansive, we're under this misconception that it's difficult. But I discovered that it's easy because it's so brilliantly written. The words are perfect, and the language is intelligent and very emotional.

When one wakes up in the morning, one's whole life is neatly laid out, consistent with the past, to the degree that we even (apparently) remember the same language spoken the day before, suggesting previous experience had simply entered a dormant state.

We all need to learn a new language for love - a language that speaks not in socks, pancakes, and paychecks, but in shared fascination with physics or poetry, delight in each other's uniqueness, and mutual practical and emotional support.

Above all, a book is a riverbank for the river of language. Language without the riverbank is only television talk - a free fall, a loose splash, a spill.

I could fill my whole time doing interviews, speaking to crowds, and there's this natural human tendency because of our culture to think that the more people I talk to, the bigger the impact I'll have, and yet Jesus didn't spend His time just speaking to the masses. He spent the bulk of his time with a small group of people.

A powerful programming language is more than just a means for instructing a computer to perform tasks. The language also serves as a framework within which we organize our ideas about processes.

English, for me, is an acquired language. I started with English at the age of 10. At the time, it was my third language.

When you speak a new language you must see if you can translate all of the poetry of your old language into the new one.

I grew up with a very quick temper, and the language of violence is a language that I'm very familiar and comfortable with.

My being a teacher had a decisive influence on making language and systems as simple as possible so that in my teaching, I could concentrate on the essential issues of programming rather than on details of language and notation.

I love language. It doesn't bother me that its effects are partial. To me that is very sanity-producing. It would be weird if the effects of language were more than partial, if your whole life existed within your texts. That would be much scarier to me than language being an inadequate tool to represent.

My delight in things is definitely Caribbean. It has to do with landscape and food. The fact that my language may have a metrical direction is because that's the shape of the language. I didn't make that shape.

Wherever I go, I have to speak English, which is my second language. So whenever you get a chance to speak in your own language? It feels good.

But, after all, the sciences have made progress, because philosophers have applied themselves with more attention to observe, and have communicated to their language that precision and accuracy which they have employed in their observations: In correcting their language they reason better.

So much of language is unspoken. So much of language is compromised of looks and gestures and sounds that are not words. People are ignorant of the vast complexity of their own communication.

When you fall in love with a book, something especially interesting and exciting is happening because of the way language works on us as human beings. And I love language.

If you can't hear language, you won't be able to understand language and experience normal development. Every minute spent without hearing is a minute a child is not getting back.

Language is our way of communicating what we want and who we are. By using bad language, we diminish the divine spark within us that defines our humanity.

To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.

Catalan language is one of the most complete and perfect expressions that I know from the point of view regarding language, I not only read it since many years ago, but I understand it. Moreover, I speak it intimately too.

Loving the process. I learn it over and again and in different ways. I'm speaking particularly to the musical process, but I definitely think that this lesson transcends. Loving the life process. Loving the process of becoming stronger by experiencing something that makes me feel unsteady. The process of speaking and living my truth and making my own path.

I've always felt the easiest way to get to know new culture is through its food even if you don't speak the language. Food will do it for you. It's an universal language.

The word 'right' should be excluded from political language, as the word 'cause' from the language of philosophy.

Our Digital Immigrant instructors, who speak an outdated language (that of the pre-digital age), are struggling to teach a population that speaks an entirely new language

This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story.

In the lives of individuals and societies, language is a factor of greater importance than any other. For the study of language to remain solely the business of a handful of specialists would be a quite unacceptable state of affairs.

This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story

The connection between the language in which we think/program and the problems and solutions we can imagine is very close. For this reason restricting language features with the intent of eliminating programmer errors is at best dangerous.

When we developed written language, we significantly increased our functional memory and our ability to share insights and knowledge across time and space. The same thing happened with the invention of the printing press, the telegraph, and the radio.

Bad English was the second language of Israel and bad Hebrew, of course, remained the national language.

It is not the language of painters but the language of nature which one should listen to, the feeling for the things themselves, for reality is more important than the feeling for pictures.

Bill Condon, I must say, may have been one of the best professional experiences of my life, collaborating with him. He, himself, is an Academy Award winning screenwriter. He is a storyteller first and foremost, so we speak the same language. We approach things always from the story.

Working with the Latin language is pretty powerful. Working with a language that is not spoken vernacularly is intense.

Much more of the brain is devoted to movement than to language. Language is only a little thing sitting on top of this huge ocean of movement.

As a prose writer, I work with language; and those who work with language turn to poetry for renewal.

A marvellous power of expression over language often distinguishes genius; but Shakespeare in his phrases seems independent of the bonds of language as of the bonds of metre.

Poems are a dance of language that comes out when my body taps into the rhythm of language. Rhythm gets us naked and exposes our selves completely.

There's a specificity of language that's required in Shakespeare that most drama students in England deal with - a specificity of language that is somehow not as clear in a lot of American schools.

Language alone protects us from the scariness of things with no names. Language alone is meditation.

As a matter of fact, a national language which spreads beyond its own confines very quickly loses much of its original richness of content and is in no better case than a constructed language.

In my mind, there's nothing wrong with it. I don't instinctively know what's wrong with it. There is a language of the ghetto. There is a language of the barrio. And it's not good. There is an attitude. There is a behavior. There is a mindset and we wouldn't anybody to be stuck in it.

Something of the previous state, however, survives every change. This is called in the language of cybernetics (which took it form the language of machines) feedback, the advantages of learning from experience and of having developed reflexes.

The easiest way for me to tell someone what I do is to say that I'm a non-musician who practises and produces music. I don't have a theoretical language for music. I have this abstract dream language.

Thinking about language, while thinking _in_ language, leads to puzzles and paradoxes.