Top 373 Spectator Quotes & Sayings - Page 7

Look round this universe. What an immense profusion of beings, animated and organized, sensible and active! You admire this prodigious variety and fecundity. But inspect a little more narrowly these living existences, the only beings worth regarding. How hostile and destructive to each other! How insufficient all of them for their own happiness! How contemptible or odious to the spectator! The whole presents nothing but the idea of a blind Nature, inpregnated by a great vivifying principle, and pouring forth from her lap, without discernment or parental care, her maimed and abortive children.

When the peacock has presented his back, the spectator will usually begin to walk around him to get a front view; but the peacock will continue to turn so that no front view is possible. The thing to do then is to stand still and wait until it pleases him to turn. When it suits him, the peacock will face you. Then you will see in a green-bronze arch around him a galaxy of gazing, haloed suns.

Fitzgerald describes the social disillusionments and ballroom romanticism of the young people of the upper classes and the loneliness of Gatsby, who gives large parties and has an extensive social life; yet he is lonely, and his guests scarcely know him.... Hemingway's characters live in a tourist world, and one of their major problems is that of consuming time itself. It is interesting to observe that his works are written from the stand point of the spectator. His characters are usually people who are looking--looking at bullfights, scenery, and at one another across cafe tables.

Beware the irrational, however seductive. Shun the 'transcendent' and all who invite you to subordinate or annihilate yourself. Distrust compassion; prefer dignity for yourself and others. Don't be afraid to be thought arrogant or selfish. Picture all experts as if they were mammals. Never be a spectator of unfairness or stupidity. Seek out argument and disputation for their own sake; the grave will supply plenty of time for silence. Suspect your own motives, and all excuses. Do not live for others any more than you would expect others to live for you.

We resist mindlessness of any kind. Again, drugs, like television, are fine for other people. The more enslaved they are, the easier it is for us, as long as they stay out of our way. Whether it’s through religiously-imposed ignorance, spectator sports, crack, pot, coke, heroin—or the consumer insecurities imposed by the almighty Tube—it’s fine with us as long as it keeps sheep more docile and easily contained. That doesn’t mean we have to subject ourselves to it. Military generals don’t step out on the missile range and volunteer as targets for the latest prototype weapons

It is with art as with love: How can a man of the world,with all his distractions, keep the inwardness which an artist must possess if he hopes to attain perfection? That inwardness which the spectator must share if he is to understand the work as the artist wishes and hopes... Believe me, talents are like virtues; either you must love them for their own sake or renounce them altogether. And they are only recognized and rewarded when we have practised them in secret, like a dangerous mystery."

As he gave a sleepy, growling groan, that hand disappeared under the sheet. Arizona's lips parted, and her heartbeat tripped up. She cleared her throat. "Spencer?" Freezing, without moving any other body part, he opened his eyes and met her gaze. She frowned at him. He didn't look super-startled, and he said nothing. He just started at her. With his hand still under there. "Yeah..." Semi-satisfied with his frozen reaction, she nodded at his lap. "You weren't going for a little tug, were you? Because as your spectator, I'd just as soon not see it." -Arizona and Spencer

Faithfulness to the truth of history involves far more than a research, however patient and scrupulous, into special facts. Such facts may be detailed with the most minute exactness, and yet the narrative, taken as a whole, may be unmeaning or untrue. The narrator must seek to imbue himself with the life and spirit of the time. He must study events in their bearings near and remote; in the character, habits, and manners of those who took part in them. He must himself be, as it were, a sharer or a spectator of the action he describes.

Very great charm of shadow and light is to be found in the faces of those who sit in the doors of dark houses. The eye of the spectator sees that part of the face which is in shadow lost in the darkness of the house, and that part of the face which is lit draws its brilliancy from the splendour of the sky. From this intensification of light and shade the face gains greatly in relief and beauty by showing the subtlest shadows in the light part and the subtlest lights in the dark part.

America is a large country and its people have so far not shown much interest in great international problems, among which the problem of disarmament occupies first place today. This must be changed, if only in America's own interest. The last war has shown that there are no longer any barriers between the continents and that the destinies of all countries are closely interwoven. The people of this country must realize that they have a great responsibility in the sphere of international politics. The part of passive spectator is unworthy of this country and is bound in the end to lead to disaster all round.

You could call him," Wes suggests. "Why be a spectator in the game of love? Take charge. Don't wait around and let the boy call all the shots." "As cheesy as all of that sounds," Kimmie adds. "Cheese or not,I know what I'm talking about." He sulks. "I've lived it. I've learned it." Kimmie lets out a laugh. "With who,Romeo? That Wendy girl you paid to date you?" "Oh, and because I don't have a dating history as big as your mouth, it doesn't quite measure up?" "I hate to break this to you, but that isn't the only thing of yours that doesn't measure up." "Wouldn't you like to know?" He grins.

The private citizen today has come to feel rather like a deaf spectator in the back row, who ought to keep his mind on the mystery off there, but cannot quite manage to keep awake. He knows he is somehow affected by what is going on. Rules and regulations continually, taxes annually and wars occasionally remind him that he is being swept along by great drifts of circumstance. Yet these public affairs are in no convincing way his affairs. They are for the most part invisible. They are managed, if they are managed at all, at distant centers, from behind the scenes, by unnamed powers.

The functional freedom that anybody can buy a gun and go out and murder a lot of people at a McDonald's is prevalent, yes. But through the effects of TV and interactive video systems and so forth, we'll also have the freedom to pretend to be a mass murderer for the evening. I've seen descriptions of advanced TV systems in which a simulation of reality is computer controlledthe TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to ?ction created by others, but an active participant in your own fantasies/dramas.