Top 1200 Sports Movie Quotes & Sayings - Page 18

He very nearly stole a scene in my movie, and I didn't call him on it because I was just like, Hey, I saw some stuff on SuperDeluxe and how many different films do you have on there? And he goes, This one, this one, Comedy by Numbers and this one and one called 'Bob Pitches a Movie.' And I'm like, Oh! And then I was thinking he would say, which is very similar to the one to the one I did in your movie, but he never did. I just let it go. I don't care.

When you're in Los Angeles, everybody you meet is writing a movie, and they want you to be in it. Every cab driver is writing a movie!

You shoot yourself in the foot when you think, 'We have to get a good scary movie director to do a script by another scary movie writer.'

If your goal is to be the biggest movie star in the world, a 10-movie contract is gold. It was never my goal.

It was Britney's movie. I liked that movie. It didn't get too much love, but a lot of people really liked it.

Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.

People keep trying to make me a movie star but they just don't understand. I'm not a movie star, I'm an actor.

I was fired from a movie because I did 'Heathers!' I was cast in a movie, and the director saw an advance screening and was offended by it and fired me.

Every movie is a surprise. That's what is so fun about it. You can be planning a movie for years, and then you'd better be surprised every day, or it's going to be stale.

I always say the movie came out good if they want another one. That always tells me that people really liked the movie.

I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."

I've always been against trying to make a movie like another movie. That's lame. It's already been done, so why do it again?

God help me if I ever do another movie with an explosion in it. If you see me in a movie where stuff is exploding you'll know I've lost all my money.

Sometimes I get to see a movie that's adapted from a book that I haven't heard about or that I love the movie so much that I will, of course, read the book.

There's some kind of actors that can radically change who they are from movie to movie. I've never really been that kind of actor. I enjoy changing the worlds that I'm in.

If Irrfan plans to make a movie on me, I will be the hero of the movie, as I feel that no one better than me.

I don't know a single person that's like, ''Avatar' is my favorite movie.' It never even comes up. I don't know anyone that will defend that movie.

When I was 18, I drove from New York to California to be a movie star. Not an actor, mind you, but a movie star. Have you ever heard of anything so silly?

I want my movies to play in movie theaters. While festivals can fulfill a part of that, there's nothing like getting a week-long run for your movie. It's becoming increasingly difficult to get that.

Our kids seldom even get to see a movie. When we go to a movie, it's an event - and we make it an event.

The only movie I can watch on a loop, over and over, is 'Help', the Beatles movie. It's so funny and irreverent and great.

I thought I'd have time to become a movie star. And it didn't happen, did it? We're still waiting. And they're saying, 'Don't hold your breath, kid.' Even movie stars can't get movies, you know what I mean?

I never knew how much you had to do to promote a movie, and I can't imagine what it would be like if you didn't like the movie you were promoting.

The only reason you make a movie is not to make or set out to do a good or a bad movie, it's just to see what you learn for the next one.

Big movie or small movie, you make this thing, and then you show it to people, and you just hope they like it. You hope it works.

I was just like, "I want to make a decent 2-D movie." I was so worried that, instead of being a decent 2-D movie, it would have been a bad 3-D one.

Alec Guinness classed up that movie [Star Wars]. Nobody else in that movie knew how to act. Nobody else had a clue of what they were doing. The young guy was a complete loss, absolutely couldn't act his way out of a bag, but Alec Guinness carried that movie. He was such a class act that it elevated the film to be a joy to watch.

'Sairat' is a film I absolutely loved. I have great regard for the movie and its film-maker. The movie blew my mind.

If the movie works, nobody notices the mistakes... If the movie doesn't work, the only thing people notice are mistakes.

After making a movie, maybe you weren't able to shoot many of your ideas, because a movie is only 1 1/2 or two hours long, but TV gives you space to film a lot of things.

A movie is the product of the chemistry of the people that make it. Whatever that core group of people is, that becomes the DNA of the movie.

I get confused between the rock and roll thing and my movie star thing... We're f - -ing movie stars.

Whether it's a popcorn movie or some really intellectual sociopolitical movie, I think to some degree they're all influenced by the social climate that we're living in.

'The Road' was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

I think Alone in the Dark was too much an action creature movie than a horror creature movie.

We have a 'bad movie' club, and we go to whatever dumb movie is playing in the local theater, then go and have some beers and dinner.

My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.

WWE prepares you for everything in entertainment. It's the truth. You need a host? Get a WWE Superstar. You need someone for an action movie, a comedy movie, a drama movie, you get a WWE Superstar. Because these guys are the most well-versed, well-trained, and hardest working guys out there.

I'm in awe of directors like the Coen brothers who can shoot their script and edit it, and that's the movie. They're not discovering the movie in postproduction. They're editing the script they shot.

'Twin Peaks' is like a movie; 'China Beach' is like a movie. These are two of the most cinematic shows on television, and they belong together.

It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.

Think of the centre of interest in a painting as you would read it in a novel or see it in a movie. The crisis or climax is that point when you simply can't put the book down or wouldn't dare leave the movie, for whatever reason.

I think the approach of the character for us is the same in a silent movie as in a talking movie because we had balance, we had lines to learn.

When I came to America I thought, 'Wouldn't it be awesome to get into one movie?' And then I get cast in 'Bridesmaids' as my first job here and it's such a huge movie.

I think that making a movie is not just making the movie - it is also about having thoughtful ideas and embracing all the aspects of its launch.

The downside of doing a multi-protagonist movie is that you don't get to service each character as you would if they were the central protagonist of the movie.

There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie.

I have the best-ever body in 'Badrinath.' I have a six-pack body in this movie. I spent eight hours a day working out for the movie.

A movie with nothing but violence is not a good movie. But one that is actually entertaining around the horror is one that people will remember and watch again and again.

I think the location is almost as important as casting the leads of the movie. The location on The Purge was crucial to that movie working.

When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.

Hitchcock was one of the few people in Hollywood who had a brand. Every movie he made was an Alfred Hitchcock movie, couldn't have been anyone else.

I think the location is almost as important as casting the leads of the movie. The location on 'The Purge' was crucial to that movie working.

The Road was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

I grew up on movie sets, I'm comfortable on sets. A movie set is like a circus. I don't understand why moviemaking has to be such an insane environment.

I phoned my grandparents and my grandfather said 'We saw your movie.' 'Which one?' I said. He shouted 'Betty, what was the name of that movie I didn't like?

I think having simplicity doesn't always mean that you make a good movie. I have a theory that a movie that's easy to make is hard to watch.

You don't have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie.

I think it is so much more fun to discover film in the movie theatre when there is so much anticipation about the movie.

It's very rare to watch a movie and think, 'That's the movie we shot!' So many things happen, with edits and things getting cut out.