Top 1200 Spring Poems Quotes & Sayings - Page 6

I do not know how to make poems

When I was a boy, I choked on a piece of candy outside the kitchen window for a few minutes while watching my parents making dinner. I thought I was going to die, but I didn't want to scare them. Our existence was so separate, a dying and a doing well, an outside and an inside. Trey Moody's poems hover in that cold, wet, refrigerator-lit place between the dying and the doing well, the outside and the inside. His poems are the thoughts of the person you love who is always standing behind you, slowly and silently suffocating. But they're not afraid to say hello, and please, and I'm scared.

That there is a Spring, or Elastical power in the Air we live in. By which ?????? [elater] or Spring of the Air, that which I mean is this: That our Air either consists of, or at least abounds with, parts of such a nature, that in case they be bent or compress'd by the weight of the incumbent part of the Atmosphere, or by any other Body, they do endeavour, as much as in them lies, to free themselves from that pressure, by bearing against the contiguous Bodies that keep them bent.

That's what poems are for, unlivable love.

The first question that I ask : do I have public support or not. That is the first question that I asked as President. If I don't have the public support, whether there's the so-called "Arab spring" - it's not spring, anyway - but whether we have this or we don't, if you don't have public support, you have to quit, you have to leave. If you have public support, in any circumstances you have to stay. That's your mission, you have to help the people, you have to serve the people.

Could Hamlet have been written by a committee, or the "Mona Lisa" painted by a club? Could the New Testament have been composed as a conference report? Creative ideas do not spring from groups. They spring from individuals. The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.

Many of my poems are not sexual.

Six months after 9/11, Jean-Marie Le Pen was almost elected president of France. There were a number of leaders and a number of parties running in the French national elections that year in the spring of 2002. But it ended up being not just a shock across France, and not just a shock across Europe. But it ended up being almost a worldwide shock when in the spring of 2002, Jean-Marie Le Pen came in second in those national elections. That put him in a two-man runoff for the presidency of France, spring of 2002.

There are not enough poems in praise of bed.

Your poems will happen when no one is there.

Outrage and possibility are in all the poems we know.

I've always been intrigued with the male characters in novels like 'Pride and Prejudice' such as Mr. Darcy, and this poem is part of a series of poems that explore desire and obsessions. The poems have been sitting in a drawer for a few years, so I decided to dust them off and work on them again since I have not written a new poem in more than three years. I'm not sure anything will become of the series, but at least it gives me something to work on in a period where I feel very uncreative.

Poems that come swiftly are usually the ones that you keep.

When you paint Spring, do not paint willows, plums, peaches, or apricots, but just paint Spring. To paint willows, plums, peaches, or apricots is to paint willows, plums, peaches, or apricots - it is not yet painting Spring.

Poems aren't postcards to send home.

It was in the spring that Josephine and I had first loved each other, or, at least, had first come into the full knowledge that we loved. I think that we must have loved each other all our lives, and that each succeeding spring was a word in the revelation of that love, not to be understood until, in the fullness of time, the whole sentence was written out in that most beautiful of all beautiful springs.

poems are small moments of enlightenment

Women are not supposed to have uteruses, especially in poems.

I am writing these poems from inside a lion.

So what rhyming poems do is they take all these nearby sound curves and remind you that they first existed that way in your brain. Before they meant something specific, they had a shape and a way of being said. And now, yes, gloom and broom are floating fifty miles away from each other in you mind because they refer to different notions, but they're cheek-by-jowl as far as your tongue is concerned. And that's what a poem does. Poems match sounds up the way you matched them when you were a tiny kid, using that detachable front phoneme.

The truth is that the poems are ecstatic.

I like the machinery of poems, especially when they have human warmth.

I'm clean, I've always been clean. But it never ends. It seems like every reporter from last season to this season has reported and opened up a new can of (expletive). And I haven't even been to spring training. At least let me get to spring training and (expletive) up before you crucify me.

In Advance of All Parting is a tough, unsentimental examination of marital grief. Musically elegant and inventive, understated and passionate, the poems give us a profound glimpse into how the events of a life can form a center of gravity that fixes the self in its force field. Theres a cold, truth-telling clarity about them that makes them as unsettling as they are beautiful. Ansie Baird has created a richly-drawn world in which this elemental drama plays out, and the result is vivid, startling poems in which pain has left its indelible tracks.

As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind, crazy people, and my grandfather's death. During my long period of observation, I felt that something like poems were filling up my body. They were in some kind of state and condition that made them difficult to render into words. As a university student, I tried hard to write them in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.

I like spring, but it is too young. I like summer, but it is too proud. So I like best of all autumn, because its leaves are a little yellow, its tone mellower, its colours richer, and it is tinged a little with sorrow and a premonition of death. Its golden richness speaks not of the innocence of spring, nor of the power of summer, but of the mellowness and kindly wisdom of approaching age. It knows the limitations of life and is content.

Back and forth she went each morning by the river, spring arriving once again; foolish, foolish spring, breaking open its tiny buds, and what she couldn’t stand was how—for many years, really—she had been made happy by such a thing. She had not thought she would ever become immune to the beauty of the physical world, but there you were. The river sparkled with the sun that rose, enough that she needed her sunglasses.

Spring had come. Despite the many wet and gusty days which April had thrust in rude challenge upon reluctant May, in the glory of the triumphant sun which flooded the concave blue of heaven and the myriad shaded green of earth, the whole world knew to-day, the whole world proclaimed that spring had come. The yearly miracle had been performed.

What do you have in mind after you graduate?" What I always thought I had in mind was getting some big scholarship to graduate school or a grant to study all over Europe, and then I thought I'd be a professor and write books of poems or write books of poems and be an editor of some sort. Usually I had these plans on the tip of my tongue. "I don't really know," I heard myself say. I felt a deep shock, hearing myself say that, because the minute I said it, I knew it was true.

No, I don't know any Emily Dickinson poems!

People try to persuade us that the objections against Christianity spring from doubt. That is a complete misunderstanding. The objections against Christianity spring from insubordination, the dislike of obedience, rebellion against all authority. As a result, people have hitherto been beating the air in their struggle against objections, because they have fought intellectually with doubt instead of fighting morally with rebellion.

The word of God is a tree of life that offers us blessed fruit from each of its branches. It is like that rock which was struck open in the wilderness, from which all were offered spiritual drink. Be glad then that you are overwhelmed, and do not be saddened because he has overcome you. A thirsty person is happy when drinking, and not depressed, because the spring is inexhaustible. You can satisfy your thirst without exhausting the spring; then when you thirst again, you can drink from it once more.

All the poems of our lives are not yet made.

I like poems that are complex.

To think that the affairs of this life always remain in the same state is a vain presumption; indeed they all seem to be perpetually changing and moving in a circular course. Spring is followed by summer, summer by autumn, and autumn by winter, which is again followed by spring, and so time continues its everlasting round. But the life of man is ever racing to its end, swifter than time itself, without hope of renewal, unless in the next that is limitless and infinite.

Poets don't finish poems, they abandon them.

Poems come from incomplete knowledge.

I like poems that are little games.

Listen to presences inside poems.

I like poems that are daggers that sing.

S. E. Smith's I Live in a Hut has a deceptively simple title, considering that the brain in that hut contains galaxies-worth of invention: At night when your soldiers are praying ceaselessly for less rain and more underwear my soldiers make underwear out of rain. These poems seesaw between despair and delight but delight is winning the battle. Smith is a somersaulting tightrope walker of a poet and her poems will make you look at anything and everything with new eyes: For days I tried to rub the new freckle // off my hand until I realized what it was / and began to grant it its sovereignty.

Some poems are art because of their passion.

Title deeds generally outlast poems.

This spring as it comes bursts up in bonfires green, Wild puffing of emerald trees, and flame-filled bushes, Thorn-blossom lifting in wreaths of smoke between Where the wood fumes up and the watery, flickering rushes. I am amazed at this spring, this conflagration Of green fires lit on the soil of the earth, this blaze Of growing, and sparks that puff in wild gyration, Faces of people streaming across my gaze.

The nobility of Teresa Leo's poems is that they are not disposed to hide from the dark-rather, they display a mind that tends toward obsession and brooding, that works against fatality like fingers at a knot. The firm, attentive mind on display and the lucid unfolding of the poems are the life instinct seeking and finding its way through again and again. Love and beauty are the argument, but they don't win easily. Bloom in Reverse works through elegy toward survival with moving persistence, both driven and compelling.

And the view was suddenly clear to me. The world opened out to its grim beyonds and I realized that, at forty, one must learn the rigors of acceptance. Capitalize it: Acceptance. I needed to accept what was put before me--be it a watery grave in Ireland's only natural fjord, or a return to the city and its grayer intensities, or a wordless exile in some steaming Cambodian swamp hole, or poems or no poems, or children or not, lovers or not, illness or otherwise, success or its absence. I would accept all that was put in my way, from here on through until I breathed my last.

I like Beethoven, especially the poems.

My poems are naughty, but my life is pure.

There are poems inside of you that paper can’t handle.

Writing fiction, for me, is a more indirect form of self-exploration than writing verse. When I'm working on a novel I'm moving characters around and I'm thinking about plot and there's a lot of other things going on at the level of structure and story. With a poem, a single idea or line or emotion can sometimes be enough - there's often a sense, in the best poems, of capturing a single instant. Perhaps poems differ from prose in the degree of solace they can offer - by speaking so personally, so directly, about shared experience. A few lines of poetry can provide comfort.

I have seen the universe! It is made of poems!

Histories in blazonry and poems in stone.

Poems are difficult to silence.

In my dream I hadn't arrived at this street yet; this was just downloaded to me as this woman mentioned only the street name. It reminded me of hearing the words "Disneyland" and how we are instantly filled with joy and recognize it as a happy place full of fun. The words "Media Spring Street" created a movement of its own. When people just simply heard "Media Spring Street" it was like catching a wave of God and you wanted to get there as fast as you could!

Poems are rough notations for the music we are.

The poems in Katherine Soniat's new collection, The Swing Girl, weave emotion's 'spray going farther than thought' with the 'bedrock things' of the trod-upon world. These poems eddy and pool in unpredictable and often surprising ways, much as the mind moves in its twilight state between waking and sleep. The fluidity of their cadence and the luminosity of their imagery carry the reader to the wellspring of poetry itself, that deep delight of which Robert Penn Warren spoke, whose source is, in Soniat's words, 'beauty on its way to being mystery.'

This, at last, was where things were as they ought to be. Everything was in its place -- the tree, the earth underneath, the rock, the moss. In autumn, it would be right; in winter under the snow, it would be perfect in its wintriness. Spring would come again and miracle within miracle would unfold, each at its special pace, some things having died off, some sprouting in their first spring, but all of equal and utter rightness.

Think of the Father as a spring of life begetting the Son like a river and the Holy Ghost like a sea, for the spring and the river and sea are all one nature. Think of the Father as a root, and of the Son as a branch, and the Spirit as a fruit, for the substance in these three is one. The Father is a sun with the Son as rays and the Holy Ghost as heat.

I write poems.

The ear writes my poems, not the mind.