Top 1200 Stage Actors Quotes & Sayings - Page 9

Explore popular Stage Actors quotes.
Last updated on November 15, 2024.
I'm the same on stage as I am off stage. A lot of people who I admire - Bruce Springsteen, Jackson Browne - are not that different either. You hope that if you met them that they'd be as nice and well-rounded as they appear.
Actors and actresses who say they never go to see their own pictures are talking through their hats. You don't have to be a Freud to know that the most fascinating person in the world - actors or anybody - is yourself.
I think we've seen every type of drag come across the stage of 'RuPaul's Drag Race,' and there is no end in sight of what can be on the stage. — © Michelle Visage
I think we've seen every type of drag come across the stage of 'RuPaul's Drag Race,' and there is no end in sight of what can be on the stage.
Never bring the problem solving stage into the decision making stage. Otherwise, you surrender yourself to the problem rather than the solution.
I don't slot actors into the image of a character that's already built. I build characters by listening to the voice and the story inside the heart of each actor. Art and life are linked, and expressed through my actors.
I've reached the stage of my life where learning is so important to me. I go through the past enough when I play my old songs on stage. And I don't mind doing that. But I want to think about the future.
I don't have a role model, but I certainly have always enjoyed Neil Young. I had the great pleasure and opportunity to watch him from the side of the stage on a couple of occasions, and his on-stage sound is incredible.
I think what people respond to, and what they're responding to so strongly, is I'm very myself on stage. What you see in person is very much who I am on stage.
I think that's one thing about the entertainment industry: Athletes want to be actors, and musicians want to be actors, so it all kind of mixes nice together.
There are professional negotiators working for the writers and the actors, but basically you've got the writers and actors negotiating against businessmen. That's why you get rhetoric.
Sometimes when you start improvising on stage, which I do a fair bit of, obviously you haven't planned it. But to be honest, it's not like I'm one of these blokes who is sitting at home pouring it all out and then does a different thing on stage.
Things danced on the screen do not look the way they do on the stage. On the stage, dancing is three-dimensional, but a motion picture is two-dimensional.
I’ve noticed that one thing about parents is that no matter what stage your child is in, the parents who have older children always tell you the next stage is worse. — © Dave Barry
I’ve noticed that one thing about parents is that no matter what stage your child is in, the parents who have older children always tell you the next stage is worse.
It's notoriously difficult to get actors to go on record speaking about other actors. Such requests are usually met with terse replies from publicists explaining that their clients are on set and too busy to reply.
When you work in film, you have to be pretty fluent in explaining your vision, especially when speaking to actors, and I found speaking to actors to be so challenging and intimidating on set.
IMDb publishes the actual dates of birth of thousands of actors without their consent, most of them not celebrities but rank-and-file actors whose names are unknown to the general public.
I had this sort of idolatry for certain actors who preceded me, people who inspired me, so I'm honored to be that way for young actors.
The real meaning of persona is a mask, such as actors were accustomed to wear on the ancient stage; and it is quite true that no one shows himself as he is, but wears his mask and plays his part. Indeed, the whole of our social arrangements may be likened to a perpetual comedy; and this is why a man who is worth anything finds society so insipid, while a blockhead is quite at home in it.
The thing I was up against in documentary films - was trying to get non-actors to convincingly play themselves in a way I'd come to know before the camera started rolling. And many non-actors can't do that convincingly, even if they just have to play themselves - they can't be naturalistic. And I would always want to recreate something I'd witnessed them do or say, and it just would be incredibly difficult because of the fact they weren't actors.
When I'm on stage, I generally wear what I would wear every other day, but I think my hair is probably bigger on stage - it seems to be my accessory!
The average session takes about one to two hours. It's totally amazing because when a person breathes, they go through one stage of relaxation after another, and every stage releases tension.
Actors know how to talk to other actors in a way that sometimes other directors just don't.
The great thing about stage is that you have more control. The stage is yours. The time is yours. Film is really the editor's medium.
At a certain stage in the path of devotion, the devotee finds satisfaction in God with form, and at another stage, in God without it.
For stage wear and gowns, Julien McDonald, who is a friend of mine. I love that he can be totally over the top for stage wear!
My grandmother took me to a play, and... there was a little girl on stage. And as soon as I saw her on stage, I thought, 'This is my job'... I was probably, like, 7 or 8. I was very young... It was 'Joseph and the Amazing Technicolor Dreamcoat'.
The idea of doing theatre always terrified me because I get terrible stage fright. In the early 1970s I was offered a panto but the thought of going on stage was just too mortifying.
All actors do that. Should do that and do that. For the most part. I say all actors. I'm exaggerating, but you know who does and who doesn't. Vince is a wonderful young actor who knows his work and did a beautiful job on this film.
I think Miley is so real and every stage you see her in is truly the stage of her life that she's in.
Sure, I have a lot of friends that are actors. Just because I guess I run into a lot of actors in my work.
My family weren't actors, and we didn't know any actors. It wasn't even something I was aware you could do as a job. I thought you had to be a Redgrave or a Barrymore before you were allowed to go to drama school.
People very often say to actors that they admire their careers, and I rather think that what's implied by that is that we have a choice in the matter. When really, most actors, me included, do whatever comes along next.
I think many young actors want to be daring. They want to surprise their fellow actors as well as their audiences.
Actresses are such very dull people off the stage. We are only delightful and brilliant when we are doing what we are told to do. Off stage we are awful chumps.
I got on stage for the first time when I was seven. From seven until I was about nine it was probably more to do with just being on stage and having the attention.
I found American actors quite scary because they're brilliant actors and brilliantly funny, and they never stopped once you wound them up... off they went and they just deliver fantastic stuff.
As for the stage fright, it never goes away. When I'm waiting in the wings to go on, it's agony every single time but I stay focused and I know that once I'm on stage it'll be fine; I'll be in my happy little bubble.
My on-stage uniform is basically my life uniform, also. But sometimes I go a lil' flashier on stage. — © Tucker Halpern
My on-stage uniform is basically my life uniform, also. But sometimes I go a lil' flashier on stage.
I don't really write with actors in mind; I write with characters and then hope desperately that we can get good actors to play those parts.
I've been blessed. Starting with Steppenwolf Theater and onward, learning from wonderful actors and getting to play with wonderful actors.
'Mercury' is one of the most challenging projects I have worked on. From the nuances of the actors' expressions to the minute technicals of the movie, everything needed to be monitored and looked into. The actors were required to emote purely with their face.
Are there differences between black actors' opportunities and white actors' opportunities? Yes, there are. It's been said.
I always try to approach things from the point of authenticity. I've done that for my short films, working with non-actors from the real environments where you go exploring and placing them into the cast alongside professional actors.
The original lineup, we got on stage, we had a great chemistry, it was awesome, and then when we left the stage, we never talked to each other. There's a lot of bands that way. Who cares? What's wrong with it?
It is true that as he film market in China has grown, actors' and actresses' compensation has grown quite a bit. Different actors have different kind of deals. Some take percentages, some sign contracts with a company, some take a simple cash payment. But the growth also means there are many more actors out there. Competition has gotten much stiffer, too.
I don't have a publisher yet, so I'm not in the process of that next stage and I don't know what that's going to look like. So I feel like I finished stage one [with my book].
Women are taking the main stage. They are center stage, and they're setting all these records and making history, and I want I be a part of that. I've worked so hard to be a part of that.
There are some actors who can only play themselves, but good actors must really be separated from the people they play. — © Stephen Humphrey Bogart
There are some actors who can only play themselves, but good actors must really be separated from the people they play.
For me, actors have to have a character, an aura, body language. They're not models. They used to call actors models. But I want them to participate in the film.
If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.
I like to spend time with senior actors before going on set to break the ice. On set, I just look at them as co-actors.
There are lots of actors who are posh and stick with that, and there are lots of actors who are cockney, and that's what they do. That's fine, but I don't think that could be said about me.
It's not most important to communicate myself on stage as it is to be as funny or interesting as I possibly can on stage. I feel more like I'm doing a play whose main character just happens to share my name.
I always treat shows as though they could belong on either platform. I always design it for the bigger stage, but I love it on the smaller stage.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children, you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be, and you let them go.
The stage is my first love. It gives me immense self-satisfaction, a sort of power because a stage actor carries the audience along; it's a live performance; spontaneity is its soul.
What is portrayed on stage and in my music videos is different from my everyday lifestyle. But I want to people to see me as CL on stage and in my music.
I went to an acting class for 3 years. But then I figured out that, since there were already 26,000 actors in SAG (Screen Actors Guild), I could make a better living as a stunt man.
The most exciting thing I've seen is directors not only being open to actors coming in the room with different abilities but actively looking at ways that the story can be enlarged with disabled actors.
I would like to see fewer actors modeling, or if they're going to model to the extent that they are modeling, then I think that models should be actors.
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