Top 1200 Stage Fright Quotes & Sayings - Page 5

I knew I was a good stage actor but I had no idea about movies. And I wasn't a Paul Newman type of guy. That's why I thought the stage is just right for me.

I survived on sandwiches, and I was on stage every night for six years of my life. I was working 16 hours a day between class, rehearsal, being on stage.

One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.

Though in many of its aspects this visible world seems formed in love, the invisible spheres were formed in fright.

Stand-up is the place where you can do things that you could never do in public. Once you step on stage you're licensed to do that. It's an understood relationship. You walk on stage - it's your job.

I didn't always mean to be an actor. I was carried onto the stage when I was two days old, but I never acted as a child. My parents were stage people.

In the East men know panic, but they do not know what fright is.

My first mentor and inspiration was my Irish Dancing teacher Patricia Mulholland. She created her own form of dance known as Irish ballet and created stage productions of old Irish myths and legends. They were my first experiences on stage. She told my mum I was destined for the stage, and I took that as my cue.

The original lineup, we got on stage, we had a great chemistry, it was awesome, and then when we left the stage, we never talked to each other. There's a lot of bands that way. Who cares? What's wrong with it?

I was very fortunate to have gone to drama school in London for three years, and that was classical training in the sense that a lot of it was dominated by stage work, so I would love to go back to stage.

When I do eventually drop, I pray to God that it'll happen in one of three ways. Firstly, on stage or leaving the stage, then secondly in my sleep. And the third way? You'll have to figure that out for yourself!

And the visible world seems formed in love, the invisible spheres were formed in fright.

I started in community theater at 7 years old. I loved being on stage and performing. At the time, I didn't correlate that the stuff I was doing on stage was the same thing that I was watching in my favorite films.

And as to being in a fright, Allow me to remark That Ghosts have just as good a right In every way, to fear the light, As Men to fear the dark.

I turned my thoughts to a still more novel mode... to compose pictures on canvas similar to representations on the stage... my picture is my stage, and men and women my players exhibited in a 'dumb' show.

I've never worked as much as I would've wanted to, and that's why I end up doing a lot of stage as well, because stage is a full course meal.

With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.

I also, since we have digital cameras, the blue screen composites are so good that I would rather shoot on a stage than there, especially the complicated sequences. The sun never sets in a studio stage.

At a certain stage in the path of devotion, the devotee finds satisfaction in God with form, and at another stage, in God without it.

For 'Fright Night,' we really want to convey the fun attitude of the movie and show the intensity of Colin Farrell as a predator. He's not a brooding vampire - he's dark and dangerous.

I don't walk on stage unless I'm playing with a orchestra. But when I play a recital, I'm sort of on a scooter, and I just scoot very quickly on stage, and they're saying, wow, look at this. He's so fast.

I think what people respond to, and what they're responding to so strongly, is I'm very myself on stage. What you see in person is very much who I am on stage.

I used to do a lot of pratfalls on stage. And I tell you, when a guy with cerebral palsy falls down on stage on purpose - nobody ever knows if it was real or not.

I've been on stage plenty of times, and one of the things about being a stage actress is you have a 3-month run to revisit the story nightly and play it again.

I'm designing a seductive frame to attract an audience to a subject they would otherwise ignore. And that's what I do in all of my photography - give a stage to things that wouldn't normally receive that stage.

From the core, I'm a shy person, but when I'm on stage, I know how to put it aside. Of course, I'm not perfect, but I've definitely grown as far as being comfortable on stage.

It is so scary to break in new shoes on stage. It makes me wonder, how does Beyonce do it, dance in high heels on stage? I am like 'Whoa!'

Go on stage and stomp my foot on stage and play my guitar and sing my guts out because I love to entertain people. That's what makes me happy.

I've never worked as much as I would've wanted to, and that's why I end up doing a lot of stage as well, because stage is a full course meal

I think we've seen every type of drag come across the stage of 'RuPaul's Drag Race,' and there is no end in sight of what can be on the stage.

I'm on stage 13. I'm at that can't-be-replaced stage. The transformation I've been through personally with my wife is amazing, but having two girls and a boy, man, that's the painful stuff.

Doing an album is like having a business card; to show people what you do. The most important thing to me is the stage. I do albums because I love the stage.

Sailing heart-ships through broken harbors out on the waves of the night, still the searcher must ride the dark horse racing alone in his fright.

The "stage" on which you perform in film and TV is much smaller. Moving your eyes across the frame is equivalent to crossing from stage right to stage left in a big Broadway house. Coming from a theatrical background and temperament, this is something I am still learning. However, I think ultimately your responsibilities to the character and the overall story are the same in both mediums, so my approach felt very similar.

I care. I care a lot. I think of Cosmopolitan all day, and I run scared. So it's a combination of fright, caring and anxiety.

For stage wear and gowns, Julien McDonald, who is a friend of mine. I love that he can be totally over the top for stage wear!

It was tough doing 'Underneath the Lintel' in New Jersey in the wintertime, but rewarding. Those audiences were lively and interactive. On-stage was great, but off-stage was difficult.

Those among them that have not received our religion do not fright any from it, and use none ill that goes over to it, so that all the while I was there one man was only punished on this occasion.

I've reached the stage of my life where learning is so important to me. I go through the past enough when I play my old songs on stage. And I don't mind doing that. But I want to think about the future.

Being charged by a furious matriarch elephant certainly had hearts in mouths, as did the snarling spitting Bengal tiger that gave us a fright in India.

Wealthy the spirit that knows its own flight. Stealthy the hunter who slays his own fright. Blessed the traveler who journeys the length of the light

What is portrayed on stage and in my music videos is different from my everyday lifestyle. But I want to people to see me as CL on stage and in my music.

I don't have a publisher yet, so I'm not in the process of that next stage and I don't know what that's going to look like. So I feel like I finished stage one [with my book].

I was never that good on stage with live improv. I was much better on film or writing something and then thinking about it. I was too in my head when I was on stage.

On stage, you have nothing to hide behind. It allows the work to live in a more organic place. It's almost like a meditation. You have to go on that stage and be as present as possible.

I can't think of a better bonding experience than to be able to sit on stage and to watch your fellow performers perform on stage every night.

I can feel how an audience is reacting when I'm on a stage, but when you are on stage, your perception is distorted. That's something you just have to know. It's like pilots that fly at high Gs and they lose, sometimes, consciousness and hand/eye coordination and they just have to know that that's going to happen. They have to be trained to not try to do too much while they are doing that. So when you are on stage, you have to be aware that you are wrong about how it feels a lot of times.

You'd think we'd be exhausted by that rhetoric but you're still able to move people with fear and fright and lies that somebody's going to take your place, that in order for someone to rise, you have to fall.

My grandmother took me to a play, and... there was a little girl on stage. And as soon as I saw her on stage, I thought, 'This is my job'... I was probably, like, 7 or 8. I was very young... It was 'Joseph and the Amazing Technicolor Dreamcoat'.

When I was doing 'Britain's Got Talent,' I really enjoyed it, but I found it very difficult to be in the audience. I like to be on stage; I feel safer on stage because I'm in control.

The stage is my first love. It gives me immense self-satisfaction, a sort of power because a stage actor carries the audience along; it's a live performance; spontaneity is its soul.

When I do eventually drop, I pray to God that it will happen in one of three ways. Firstly, on stage or leaving the stage, then secondly in my sleep. And the third way? You'll have to figure that out for yourself!

Fright never injures anyone. What injures the spirit is having someone always on your back, beating you, telling you what to do and what not to do

Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?

We went on stage with the Jefferson Airplane, Jim started singing with Grace Slick and hugging her. Then he danced off the stage, went back into the dressing room and passed out cold.

When I was about five my dad built a stage for me in our basement. A full stage, with a curtain, a backdrop and a dressing room. There were three colored spotlights - a red one, a white one, and a blue one. Blue was for nighttime scenes, and red was for when we were in hell. If the neighborhood kids wanted to use the stage, they had to incorporate me into the play.

Is it...dead?" asked Tom, his voice all quivery with fright. "A town just ran over him," said Hester. "I shouldn't think he's very well.

Anyway, I collapsed in France in the middle of a tour. I hadn't been eating properly, I was getting very phobic about audiences, and I collapsed in pure fright.

You get all of your neuroses worked out on stage. I haven't actually played very many nice characters, certainly not on stage. It's not a quality that attracts me.

Coming to terms with Donald Trump as the Republican nominee is like being told you have Stage 1 or Stage 2 cancer. You know you'll probably survive, but one way or the other, there's going to be a lot of throwing up.