Top 1200 Stage Play Quotes & Sayings - Page 13

I think when an actress marries she should leave the stage. She cannot be happy if she is married and remains on the stage. She must care more for her art or for her husband.

My hold on the past and the future is precarious and my possession of my own time is always postponed until a stage when I may fully understand it, yet this stage can never be reached, since it would be one more moment bounded by the horizon of its future, and requiring in its turn, further developments in order to be understood.

I had a press conference and I fell down on stage! Because I was in a skirt, dude. And there was this genius on stage and someone told me please sit and I went to sit and he pulled the chair off from under me! I did my whole thing, after that, I was really upset.

If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.

You want to be able to play for a championship, play for your city, play when it matters.

'Play the right way' means play unselfishly, respect each other's achievements, play hard, fulfill your role

Stage is all real; it's just as honest except it's bigger. I love stage, I love TV and film, so I think I'll just keep exploring and try to keep a really full picture.

When you first start out in stand-up and, probably, as any performer, you enjoy the attention so much, and even though that hasn't died down on stage, it certainly has satiated whatever was in me that was needing that much attention. When I'm off stage, it's not something that I really need.

Some people will say, "Why read a comic book? It stifles the imagination. If you read a novel you imagine what people are like. If you read a comic, it's showing you." The only answer I can give is, "You can read a Shakespeare play, but does that mean you wouldn't want to see it on the stage?

I think certainly after every show I headline, I will be available to the fans. When I'm headlining a show, I don't walk off stage. I'll walk to the front of the stage and sign hats and shirts and tickets for 15 to 30 minutes, until everyone has everything signed.

Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.

I play bass. I play a bit of guitar. I've never been to a lesson, so my theory of music is non-existent in any instrument, but we always had guitars around. My dad taught me to play drums for 'Love Actually,' and I still play drums now. But I'm not a 'drummer.' I'm not a 'guitarist.' I'm trying to be a bassist.

That straight man character is a short trip between comedy and drama in a project, so I can play the comedic beat on the same page as a dramatic beat. It gives me a lot of freedom as an actor to play scenes in multiple ways because I don't play the clown, nor do I play someone who is particularly maudlin.

People say to me, you have not got stage fright. And if I haven't got stage fright, then I'm going to be comfortable within myself, and then something - I've always been that way and so I'm fighting to get away from that fear.

In football, every play, play after play, there's that physicality. Football players only play once a week, so they must really need to rest. That does kind of tell you how physical the sport is. But in hockey, you have the boards. I just couldn't say which is more physical.

When I put on the U.S. jersey, I play for myself, I play for my family, and I play for the team. That's really all I do.

I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].

People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.

I've had a long association with the theater over the years but I had never produced a play and it was something that I'd always wanted to do.The movies moved away from dramas, and I think that I'm very excited by the opportunity to take smart writing that takes risks and see it on stage. It's exciting to see that engagement between the audience and the playwright.

Shellac was asked to do a recreation of our first album, but we've always been a band that improvised our sets. That's critical to the way that we function on stage. Whatever the mood takes us on stage can vary from night to night with what you feel like playing.

You can have a phenomenal booth artist and he can get in there and be a technician in the booth and it won't translate on the stage. I think that's what makes emcees emcees. Some rapper dudes are great rappers but it don't translate on stage.

I'm in a difficult position in the sense that, preposterous as this might sound, I don't like being the centre of attention. I get up on stage every night and play songs, but I almost feel the songs are the centre of attention. I don't like opening my birthday presents in front of people, either.

My policy is not how fast you play, it's not how much you play but it's what you play and where you play it ... play for the commercial side of the music ... the word I still use today is called "simplicity" .. it is so important that you use simplicity in your playing and in your music.

[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.

Growing up, when I was at live shows, I was always hoping someone would come out on stage and say, 'The guitarist is sick and couldn't make it... does anybody know how to play all the songs?' That was always my little dream. It was a massively inspiring thing to be in a space with live shows.

As an actor, you can't play a flashback; you can't play someone's memory. You just have to play each circumstance as if it was real and understand that person's point of view.

It was a big deal for us to be on Ozzfest, especially as one of the main headliners and being the band that wasn't announced: the mystery band. We'd never played the second stage at Ozzfest, and all of a sudden we're on the main stage.

Every game I play, I play to the best of my ability and play like it's my last.

Whenever I get on stage, I feel safe and in control. Life can be so uncertain, but on stage, I always know how a drama or crisis is going to end. Acting is a great comfort blanket and has gotten me through countless personal crises. I am a firm believer that the show must go on.

There was a stage inside it and a crank on the outside that would rotate something, like a tiny tree carved of cork, onto the stage, and then the thousands of little mirrors would multiply that one tree so that the viewer would see an infinite forest instead.

I don't care where I play, and wherever I do play, I'll play hard and give everything I got.

A Marxist begins with his prime truth that all evils are caused by the exploitation of the proletariat by the capitalists. From this he logically proceeds to the revolution to end capitalism, then into the third stage of reorganization into a new social order of the dictatorship of the proletariat, and finally the last stage -- the political paradise of communism.

In using the terms play and playfulness, I do not intend to suggest any lack of seriousness; quite the contrary. Anyone who has watched children, or adults, at play will recognize that there is no contradiction between play and seriousness, and that some forms of play induce a measure of grave concentration not so readily called forth by work.

We would play songs live on stage, and then we'd watch their reaction we were receiving immediately, if people were dancing and singing along. If they weren't, then we'd go into the dressing rooms of the different NBA teams that we were playing in their arenas, and we'd change the songs right there.

I'm now wearing suits on stage, so I've kinda stepped up my game as far as image. Which I have to admit is kind of a pain the butt, but it's fun. It gives you a certain amount of confidence to walk on stage and look nice, but I can't say that I'm totally buying into the whole image factor.

To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.

I don't know about other comedians, but I know that I never have felt anything like stage fright. I've felt nervous before big shows, but I think that's different than stage fright.

People do complain about the way I act on stage... They think on stage I act too arrogant, too self-obsessed, solecistic, self-contained, synonyms.

Work hard...have fun...be nice...play fair...dream big. We only get one chance at this life. If you're going to play this game, play it to win.

I tell people that anything that could ever happen to you on stage has happened to me. My clothes have fallen off. I've fallen off the stage. I've gotten sick - anything.

Stage is the ultimate test; I like watching established screen actors on stage to see if they can really do it. But it's great to have a healthy mixture of the two. Film is so technical: there's something very particular about the relationship between you and the camera. It took a long time for me to get good on film.

On stage, I'm really, really tall. I'm five-foot-9, but on stage, I'm, like, six-foot-5.

When you're starting out as an actor, you keep raising the stakes. First, you just want to be a character who comes on stage and gets a laugh or two and exits. Just five minutes on a stage, not even Broadway. But every time you say your little prayer at night, you place more demands.

It's important to play the pieces that you feel you can play well. It was always my dream to play Bach - my first love and fascination - Chopin, and Szymanowski.

Anytime a person can play the blues, he has a soul and he has a 'lift' to play anything else he wants to play. It's sort of like the foundation to a building.

A lot of writers don't know what it feels like to get on stage. They don't understand the weight that songs can carry. I got a chance to play all these shows. I got a chance to define myself through music, so when it comes to helping other people figure out what they should say, I've been through it.

I would want to create an amphitheater outside of California where I would play everyday, and then people would have to come to me. I would create all this crazy stage decor and film it. Or I would just stay inside my home and do films. I would be like the modern Maya Deren.

I guess there's this mind shift that happens once you're on stage. I don't know, chemicals, something happens and you just... I just become completely in control of where I am. And it's all about trusting the people that you're on the stage with, listening... and it just falls into place really easily.

I don't have to go through life being mean or having a stern face just to play basketball. I enjoy the game and play it how I like to play it.

Hamilton' has changed my life in so many ways. I really do have a family from that show. The people that I shared that stage with every night- they mean so much to me and they're so special and so talented. I'm just a fan of every single one of them and it was an honor to share that stage with them.

We also play a Father/Son at home and I play with Steve, too. I try to mix it up. We play two or three times a year, but that's about it.

On stage, I feel like I'm invincible, like nothing bad can happen. I can be myself. I feel like I shrink when I'm off stage.

I don't do anything specific for the stage. I'm just myself. I can't stand still for five seconds. I'm normally quite active, so that just comes out on stage. If I see people react to me and my music, I just have to give back and express myself.

The first time I saw 'Macbeth' was not the entire play. It was at acting school, and this student was working on Lady Macbeth's soliloquy. I felt something very special, and I knew then that I would one day experience Lady Macbeth, but I always thought it would be on stage and in French.

Boy's natural play is rough and tumble play, it's the universal play of little boys. And it's very different from aggression. And we are a society that's failing to understand the distinction.

You play, you win, you play, you lose. You play. It’s the playing that’s irresistible. Dicing from one year to the next with the things you love, what you risk reveals what you value.

Prince is the ultimate performer. Prince is that dude that's going to get on stage by himself, if he need to, but hold you in the palm of his hand. Like, you can't take your eyes off the man when he's on stage, and he could just be sitting there playing his guitar.

It is okay to play tough and try to hit guys hard in the course of the play - that's fine - but I don't like unnecessary roughness or things that happen after the play.

There's the beauty of the stage. I don't like filmed theater or opera because you're kind of playing soccer in a hockey game. Either or, they don't do justice to the media and you end up with a hybrid that is purely sensationalistic. Opera is a very theatrical medium that should be seen on a stage with the musicians in the pit in the audience.

I play a lot chamber music.As for something that's hard for me to play, before I leave this Earth I'm hoping to play Brahms' Second Piano Concerto.