Top 1200 Stage Play Quotes & Sayings - Page 19

President Obama is determined that our foreign and national security policies not play into al-Qa'ida's strategy or its warped ideology. Al-Qa'ida seeks to terrorize us into retreating from the world stage. But President Obama has made it a priority to renew American leadership in the world, strengthening our alliances and deepening partnerships.

There's a feeling of elation that comes after getting off stage and then there's a feeling of utter sadness that comes after getting off the stage.

I long to play a judge. I long to play a lesbian woman. I long to play a councilman, someone with some chutzpah.

In Spain, we have a pretty good league - for me, I think it's the second-best league in the world. They play tough there, they play aggressive. The big difference is that we play only one game a week in Spain, maybe two.

A method of child-rearing is not--or should not be--a whim, a fashion or a shibboleth. It should derive from an understanding of the developing child, of his physical and mental equipment at any given stage, and, therefore, his readiness at any given stage to adapt, to learn, to regulate his behavior according to parental expectations.

I think everything about it. Just the experience, but mainly performing live for people. I think if it wasn't for playing in front of audiences, I don't think that anyone would want to play music. That's where you get all your gratification. It's just something else to be up on stage, playing music that you wrote and having people enjoy it - and have it mean something to them also.

I wanted to play a mother again. I thought it would be interesting to play the mother of an older child. And it was also the kind of part I've been looking for my whole career, actually, in film. You know, just to play a femme fatale who's very smart, and wicked.

I play basketball. I play center, and if you haven't watched me play, I'm not a regular big man. I can move my feet. Not saying I can stop anyone out there who's in front of me, but trust me: I can really be a problem on the perimeter guarding somebody.

And it was the idea that you can do a play - like a Shakespeare play, or any well-written play, Arthur Miller, whatever - and say things you could never imagine saying, never imagine thinking in your own life.

When I was really little, we used to play Sega Genesis, and my older brother would play 'Sonic The Hedgehog 2,' and he'd be playing as Sonic, but he'd leave an unplugged controller for me to play with, and the whole time I thought I was playing as Tails.

I am honestly very intimidated when I meet new people and they expect me to be the onscreen Vir. On stage, I say a lot of things I might never say in real life; I am never the life of the party. People are quite surprised to see that I am more of a quiet artiste off stage.

He wanted to play accordion on something of mine and I said you can play accordion, but I want you to play piano and organ on some stuff. He came over a couple times a week for two weeks and gave me therapy as to whether I should do The Thorns or not.

It's a luxury to play. I get to play basketball for a living. I'm a lucky guy and I'm thankful for everything I have and what I get to do. I realize how many people would give their left foot to just play one game in the NBA. This is the NBA!

Classical is a more refined and structured dance form. Folk is made for celebration. That's not a very competitive dance form. Though you can bring classical on stage, folk becomes limited. Like you would love to do bhangra and garba at parties, but when you see it on stage, it is very limited in terms of movements.

I have to bide my time, train well and still play well at club level and whenever my time comes to be more of a regular... but I'm just getting on with it. If I play, I play; if I don't, I don't, but then I will work harder to try get into the team.

I can certainly be surprised by turns a story takes, but usually not once I'm actually in the writing/drawing stage. In the plotting stage, anything can happen. That's why I try to finish that part before I start writing. I may be exaggerating here - I'm sure there are times when I think of something part-way through that changes the story, but the ultimate outcome doesn't change. Or not yet. It could always happen.

Although I was good at my studies, I also thought to myself that I should play cricket as well. And when the cricket team that consisted of the boys from our village used to play, I was able to play with the team that had older players.

I know I play with a lot of passion, but from the outside looking in, people say, 'He's passive. Doesn't play hard.' And others say, 'It just comes easy to him. He's smooth.' That's just how I play. Always been the same person.

I play to see what I can accomplish. I don't play for fun. I play to see how good I can be.

I can play songs that I hear from a movie and just play it a few times on the keyboard. I will hit all the notes on the keyboard until I find the right key, and then I will play the rest of the song.

I get to play behind Al MacInnis and learn from him. I get to play with Brett Hull. There were like six or seven Hall of Famers that I would play with during my time in St. Louis. I mean, Wayne Gretzky was traded there my first year.

You know, I only claim to play three instruments. My dad is a banker, but a drummer at heart; and my mom used to teach piano lessons when she was younger. So I can play some piano, play a little drums, and fake the bass - but banjo, mandolin, and guitar are my thing.

I have seen Tommy Emanuel play; my wife and I went to see him and he just melted my face off. How do you play guitar like that? There are so many people that play at a ridiculous level and I sit there watching them and I'm like, 'Wow, wish I could do that.'

I say, play your own way. Don't play what the public want - you play what you want and let the public pick up on what you doing - even if it does take them fifteen, twenty years.

Do you know what it took for Balanchine to put me, a black man, on stage with a white woman? This was 1957, before civil rights. He showed me how to take her [holding her delicately by the wrist]. He said, ‘put your hand on top.’ The skin colors were part of the choreography. He saw what was going to happen in the world and put it on stage.

If I hadn't gone on the road with Patti LaBelle, then I wouldn't have brought Jay-Z on the road with me. When I saw her leave the stage to change clothes and allow the background singers to keep the show going, I said, 'That's something I wanna do.' So in the middle of my show, I would leave the stage and Jay-Z would come out and rhyme.

It's not a natural translation, transition, to take something from stage to screen. Onstage your action is communicated through the spoken word primarily, and on screen it's communicated through pictures. So it's always been kind of unnatural to take something that lives on the stage and turn it into moving pictures.

I found Ricky Ponting the hardest to bowl to and it was a great pleasure to play against him as he was genuinely one of the best that's ever played and a really tough competitor as well. He hated you when you were on the field but he always shook your hand and was the epitome of 'play hard but play fair.'

Play is often talked about as if it were a relief from serious learning. But for children play is serious learning. Play is really the work of childhood.

Another thing that you really do when you play, that you're supposed to do, is colors. You know, you cannot play with one color. If you play with one color, again, it's like watching a beautiful painting, a drawing, but it's all in blue or it's all in red. May be very nice, but not very interesting.

If a man, before he passed from one stage to another, could know his future life in full detail, he would have nothing to live for. It is the same with the life of humanity. If it had a programme of the life which awaited it before entering a new stage, it would be the surest sign that it was not living, nor advancing, but simply rotating in the same place.

My label is to play bad guys of Latin origin in American movies. I'm happy with that label. I prefer to play that than to play a city boy. The bad guy is always something very tempting for the audience.

Well, hardcore is so much about the body, in that you have to play as fast as possible. I'm not sure it can be ironized. You can't play faster, though I suppose that with the help of electronics you could play faster. Yeah, if you sped it up, that could ironize it.

My philosophy is, honestly, never collected anything that I don't play. I know a lot of people that collect guitars, but for me, I want instruments that I play. And if I don't play them, I don't' want to have them sitting in a closet collecting dust.

I think every kid grows up wanting to play for Manchester United. I never thought I'd be able to play against them, never mind play for them, so it's surreal, and I'm really looking forward to it.

Never play for the win, never play for the draw, just play chess!

I support the boycott because I do not think at this stage there is any other way to make our authorities see and understand because they keep ignoring the rights of their citizens ... and at this stage there is no other way to affect change, because the authorities have taken hostage of the media, so perhaps this boycott can be a symbol of criticism being voiced.

I love to sing, but I'm just terrible. I play guitar, and I play enough where I can play most country stuff, and I'll sing when it's just me.

The talented actor needs craft. When you do a stage play, you do it once each night in chronological order. In a film you're going to wind up doing a scene 15-20 times, just by the nature of the process. If I tell you a joke once, it's funny. The more times I tell, the less funny it is. How do you get to the point where you can laugh again? You also may have to cry again and again.

I just play, man. Try to play good every week, but if it doesn't happen, I just move on. But if I do play good, I do the same thing.

Sleep paralysis is something that is actually very common. Many people have it, I've had it myself. And what happens is, when you're in that REM stage of sleep, your brain is very active. You're dreaming your most during that stage, you're mind, your eyes are moving, there's a lot going on. It's like fireworks going on in your brain.

It was really interesting to be editing the film [Trust] in New York and directing the play in Chicago, and one definitely informed the other. The play probably benefitted more because I realized what scenes could be cut, and I cut those scenes from the play.

Now, I want to explain something to you guys. I don't have an ending joke, because I don't tell jokes. I tell real-life stories and make them funny. So, I'm not like the average comedian. They have an ending joke; they always holler Peace! I'm out of here, and walk off stage. So, basically, when I get through performing on stage, I just walk off.

I don't come from any type of entertainment. I come from a basketball family. My dad still says, 'Trevor, are you sure don't want to play basketball? You can play in college and go to the NBA!' But I did play.

God has blessed me with an ability to go out there and play the game that I love to play. And I don't want to regret that. So, I feel I need to go out every day and play like it's my last.

I have always said we are going to play well and we going to play badly. And I have not got issues when people criticise as long as we don't play well. That's part and parcel of the game. I love it and that's how it should be.

My philosophy is, honestly never collected anything that I don't play. I know a lot of people that collect guitars, but for me, I want instruments that I play. And if I don't play them, I don't' want to have them sitting in a closet collecting dust.

I always found it a great challenge playing against Michael Jordan, to play against Magic Johnson, to play against Larry Bird, to play against all those good players because it's something that you can take away from it.

You get to know a character that you play on-stage in a pretty profound way over a length of time. I don't want to sound highfalutin and say you become the character, you just start bringing more and more of yourself to the part until the character and actor, it's hard to tell them apart. It's some weird amalgam. In film, because of the period of time, I don't know that you ever get that deep into it.

If you're going to play hockey now, you have to be able to play. If you have the ability to fight and play, you're an unbelievable commodity. But if you can only fight, there might be six of those guys left in the league, and I can guarantee they're going fast.

A weakness of many of the self-oriented play theories is that they often sound too much like vain consumerism instead of being about the more passionate and willful character of human play, which involves a willingness, even if a fantasy, to believe in the play venture itself.

I am not a difficult man by any stretch, and I'm saying that with a full and honest inventory going on. I'm not. And I'm not angry on stage. There is a heightening. There is an intensification of the feelings on stage in order to let them carry the room. There is a theatricality about it. The whole thing is oratory, so there's persuasion involved. There's the art of rhetoric involved. And so, with hyperbole and with the desire to really punch the thing home, some of it reads a little more angry.

I guess I prefer to play live, but I don't want to have only live CDs. I like playing live because there are alot of things that can happen. I can interact with the audience and say some things to get me in trouble. On the other hand, the studio is nice because you can really take your time and make something that you know is the best thing that you can ever do. But nothing beats being up on stage in front of all that energy.

I've always said I never want to wear another uniform. I've always said that I owe it to the fans to retire as a Packer. I feel like I can still play, but if I can't play for my organization, then I can't play for anyone else.

I play trumpet. And I took all the music courses in college, so I can also play the string instruments, keyboard, the brass and woodwinds - but only well enough to teach them. If you put a violin in front of me, you wouldn't say, 'My God, that guy can play.' It'd probably sound more like Jack Benny.

All of us play different roles in our chosen career. I play the role of an actor. But I realised I am also an actor apart from various roles I play in my personal life.

I saw so many amazing musicians struggling to build something good. They would play and play... and play some more, but it seemed like there was something missing. I wanted to go someplace higher myself, and go there with the people who come to hear me play. So I began to envision events with their own gravity, that would pull a community of people together for a meaningful experience.

I have been feeling the love of South Africans since I got crowned Miss South Africa, even before going to Miss Universe. Because of that, while I was walking on the Miss Universe stage, I knew that I was there as one body, but as I stood on that stage, I stood as millions of South Africans.

I was applying to the art school, but there was a checklist that said I had to do either production design or stage management or acting. I thought, "I don't want to be an actor, but I know production and stage management take acting classes" - this is literally my internal monologue. I was like, "Designers don't have to take acting classes. Cool. I'll check that box".

It has been our experience that if a young man decides to go on a mission, he can not only play well when he returns, he will often play better. If an athlete could play well before he went on a mission, he will definitely play well when he returns; and, if an athlete could not play well before his mission, he probably won't play well when he returns. However, his chances of playing well are perhaps better if he goes because he will return with . . . better work habits, and a better knowledge of what it takes to be successful.