Top 1200 Stage Play Quotes & Sayings - Page 9

I am the conductor for life of the Staatskapelle in Berlin, which fills me with tremendous joy because I feel absolutely at one with them. When we play, I have a feeling that together we manage to create one collective lung for the whole orchestra so that everybody in the stage breathes the music in the same way.

The cool thing about being in drag, just like getting to play a role in a play, is that you get to play a fantasy and you get to play someone else that you're not used to.

My ideal setting is I walk from the streets, backstage, and straight onto the stage. Two minutes, and I am on the stage. That way, in my head I have gone from my world and then into a social setting with my friends.

I still find it difficult to believe that in just six months, Bidaai' has reached such a stage. Everyone in the production house has a major role to play in the success of this show, not just the actors. It's unbelievable how everyone is so dedicated here.

We play the music we want to play and we play the places we want to play. I'd hate to be on the usual record company where you get an album out and you do a tour, and you do all the Odeon's and all the this that and the others. I couldn't just do that at all.

Listen to the stage manager and get on stage when they tell you to. No one has time for the rock star bullshit. None of the techs backstage care if you're David Bowie or the milkman. When you act like a jerk, they are completely unimpressed with the infantile display that you might think comes with your dubious status. They were there hours before you building the stage, and they will be there hours after you leave tearing it down. They should get your salary, and you should get theirs.

I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.

It's always weird when you see a movie, and there's no reason for someone to, like, jump on stage and be a singer, and then they just do that... But if it came organically, I would grab that mike and jump on stage for sure.

People have an idea that the preacher is an actor on a stage and they are the critics, blaming or praising him. What they don't know is that they are the actors on the stage; he (the preacher) is merely the prompter standing in the wings, reminding them of their lost lines.

I know some people who are like, 'I love fitness,' and I feel like if you have to say that, you're still in the romance stage. I'm in the stage where I've been married to it for 60 years, and I don't think I'll ever get a divorce.

I have an occasionally recurring stutter, but not when in character on stage in a play. Odd. James Earl Jones has the same pattern; he stutters in everyday life but not when acting. Preparation requires an actor's concentration to make the words belong to another person, which is its own sort of trance.

The less people that are on the stage, there's more drama. You start living the music with each individual. When you see a band with ten people on stage, just a huge ensemble, you don't know who's doing what.

Whether you are a writer or an actor or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.

When you've travelled for 34 years as a musician, you do all the culture stuff when you're young and full of energy. In the middle stage, you indulge too much and are scared of daylight. Then, in the final stage, you've seen it all, so you tend to take things a lot easier.

The predominance of mind is no more than a stage in the evolution of consciousness. We need to go on to the next stage now as a matter of urgency; otherwise, we will be destroyed by the mind, which has grown into a monster.

The United Nations represents not a final stage in the development of world order, but only a primitive stage. Therefore its primary task is to create the conditions which will make possible a more highly developed organization.

My sense of style is influenced by how I feel. I want to express myself because they see you before they hear you. You want to come on stage, and what you look like should represent the song you are playing or the set you are about to play or the message in your music.

I'm not looking at any stage stuff at all. I'm going to give that a break for a while, if not forever, because I've done a huge amount of stage stuff and if the possibility of working in pictures comes along, I'd be silly if I didn't grab it.

Back in the days, we had to work with a shoestring budget. We had a movie screen, and we'd show movie trailers on them, and then we'd rip through it and started playing. Now we have a little money to play with to do a cool stage set.

I got to do the movie, and people who enjoyed 'The Birdcage' came out to see me on stage when I did 'Forum.' It introduced me to a whole new audience that wasn't familiar with my stage work.

I just go out there and play basketball. I play basketball the way I'd play if I was at the park. There's no motives with me. I'm all for the team, and that's how I play.

The world is my stage. I try to be good at it, whatever part I'm playing - even in my daily life or when the spotlight hits me on the stage to perform - I gotta be alive every second in this world. With or without the applause!

There are so many huge roles in the theatre: if you've got the option to play Hedda Gabler on stage, why wouldn't you choose that over a three-line part in a Hollywood film as somebody's maid or somebody's wife or somebody's best friend?

I don't understand how a musician can play 90 minutes on stage and then not dedicate a little bit of time to hang out at their merch table. It's not like digging a ditch or something; you're standing there thanking people for coming out to see you.

I didn't know I wanted to go into entertainment, but I knew I wanted to be on stage when I was about seven. I saw a play, like most kids do, at a children's theater in Cleveland, and I just saw them up there, and I thought, 'that's where I want to be.'

Stage presence is not something I spend a whole lot of time thinking about. On the one hand, I do, because I have, like, favorite front-people and I know what's excited me to see in a band. But I can't be David Yow [Jesus Lizard frontman] and still play guitar.

Then I got together with my brother and a friend and we decided to play dates. The more we played, the more we wanted to do it. And it got to a stage where we wanted to do it all the time.

I use Jimmy Galanos gowns for real special occasions and things - television, special occasions where I know I'm being filmed. But I never really wear his gowns on stage. My stage gowns are more costumey. There's different levels of things that I wear.I would never wear my stage gowns to a party.

When you watch one person on stage trying to surmount their fate only in that very action to embody it, it's called a tragedy. When you see a lot of people doing it on stage, it's called 'Fawlty Towers.'

I like to talk to the crowd on stage. I don't like going to a concert and feeling like the people on stage don't care whether or not I'm there.

That was the reasoning behind learning to play bass, and then after that it was more like it was neat to play songs together - for me to play bass and for him to play guitar.

I will play power forward and small forward. Rebound, lead the break, play on the wing, post, play fast and play slow.

Whether you are a writer, or an actor, or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.

The Chinese want to have their cake and eat it too. They want to have 'developing nation' status and are out there as one of the biggest borrowers on the planet from the World Bank while simultaneously trying to play the part of a grown up on the world stage.

The perfect state, the summum bonum, is Play. In play, life expresses itself in its fullness. God's life is play. Adam fell when his play became serious business .

I always, always meant to be on stage. I only ended up even auditioning for television and movies because I was understudying a Turgenev play on Broadway and was so broke that, when I got a mini-series, I had to take it and was so ashamed because I was such a snob.

The Middle East is a very difficult stage to play upon. Without doubt, it is a good drama. And on occasion, there are situations so unimaginable, if not ludicrous, as to make them almost comic. But the cast is constantly changing, the audience is often disengaged, and it seems at times that no one is actually running the show.

Having my son on drums has made a huge difference. I can't stress this strongly enough, in terms of the groove space and style that Joachim gave me to instinctively play what I felt in a more free way, rather than feeling constricted. That's true on record and on stage.

Guys in this league, it depends on the stage you're at in your career, where you've played, situations you've been in - that kind of molds your idea of how you want to play, and where you want to be in this league.

Calvin: They say the world is a stage. But obviously the play is unrehearsed and everybody is ad-libbing his lines. Hobbes: Maybe that’s why it’s hard to tell if we’re living in a tragedy or a farce. Calvin: We need more special effects and dance numbers.

When I'm on stage, it's a little world I've created where I'm sort of the thing, so I have total control over everything that happens. When we're improvising, I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.

National parks, zoos, protected areas, polluted seas - using the whole world as a readymade, I thought about it as a stage set. To activate a stage set you need a drama, an actor to offset it.

Fish play in the water birds play in the sky ordinary beings play on the earth sublime beings play in display.

I'm involved in a lot of different things, like producing, starting a label and writing songs. But still my biggest release, and the easiest and most fun thing for me to do in my life, is to be in New Found Glory, go on stage and play these songs.

Now I'm fortunate to have a good band in CA, and play many solo gigs as well. My point is that I stopped playing in bands and played solo for four years, to get back into the groove and pulse of writing and singing and who I am on stage.

I did not think that a good movie was the equivalent of a good stage play, any more than I thought an automobile ride was as exhilarating as a drive behind a spirited horse, nor a trip by steam as soul-satisfying as a voyage by sail.

I don't miss television. It's too much hurry up and sit around, wait till they do this and do that, and get the lighting just right. I'd much rather go out on a stage anywhere and just play and sing for an hour.

I fell through a stage once. I was doing a truly African dance, and all of a sudden, I hit the ground with my foot and went straight through the stage. I guess they didn't have much money, so the floor was kind of rotting.

As a player, remember that the bench is not a prison, but an extension of the first group. Concentrate on the quality of your play when you do get into the game. If you play 20 minutes, play the best 20 you can possibly play.

I won the speech competition in class, and I always say this was my first 'spoken word performance.' It was the first time I got on stage and recited something. I fell in love with the stage at the age of 12.

Somebody like Bowie was so interesting because when you got him off stage, he was like a businessman. But on stage, he was just dazzling. It was like watching butterflies grow.

When you're doing comedy on stage, it's great because you have the audience there and they're like another actor in the scene. You feed off of them, laugh. But in film when everyone's quiet, it's all about timing. But the key to that is to be authentic. Be in the moment, and if you play the moment truthfully, the humor will be there.

It's a controlling thing on stage - you're directing the action, getting people to play their role. In real life, I take being kind and nice seriously, so the last thing I'd ever want to be is that weird, controlling, manipulative character.

At one stage, I just wanted to play one Test for India. People used to say I was just a T20 bowler, a limited-overs bowler. All these tag lines were doing the rounds but I did want to make a difference.

The worst thing that ever happened to me on stage is someone ran forward to tell me they loved me and projectile vomited all over the stage. It was horrible.

I would rather do a play because it's instantaneous. You go on the stage, and you know whether it's happening or not. Somebody asked me 'What is acting?' And I said, 'Acting is listening.' And if you ain't listening, nobody's listening.

Touring and performing is the best part of my job. I love it. I guess I like pop and rock. Really getting into a powerful stage performane, running around like crazy on the stage.

Being able to write jokes is great, but you still have to get used to performing them and being on stage - and enjoying being on stage, not just like tolerating it.

That was the reasoning behind learning to play bass, and then after that it was more like it was neat to play songs together - for me to play bass and for him to play guitar

Doing a good play on the stage is like eating a good meal at home - assuming your wife is a great cook or that she's hired a great cook.