The idea of doing theatre always terrified me because I get terrible stage fright. In the early 1970s I was offered a panto but the thought of going on stage was just too mortifying.
I think what people respond to, and what they're responding to so strongly, is I'm very myself on stage. What you see in person is very much who I am on stage.
We went on stage with the Jefferson Airplane, Jim started singing with Grace Slick and hugging her. Then he danced off the stage, went back into the dressing room and passed out cold.
Actresses are such very dull people off the stage. We are only delightful and brilliant when we are doing what we are told to do. Off stage we are awful chumps.
I think we've seen every type of drag come across the stage of 'RuPaul's Drag Race,' and there is no end in sight of what can be on the stage.
With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
Women are taking the main stage. They are center stage, and they're setting all these records and making history, and I want I be a part of that. I've worked so hard to be a part of that.
I was very fortunate to have gone to drama school in London for three years, and that was classical training in the sense that a lot of it was dominated by stage work, so I would love to go back to stage.
I love Back Stage. I have lots of theater friends and actors who depend on Back Stage.
It's a performer's worst nightmare: to hurt yourself on stage and not be able to remove yourself from the stage.
Sometimes when you start improvising on stage, which I do a fair bit of, obviously you haven't planned it. But to be honest, it's not like I'm one of these blokes who is sitting at home pouring it all out and then does a different thing on stage.
I also, since we have digital cameras, the blue screen composites are so good that I would rather shoot on a stage than there, especially the complicated sequences. The sun never sets in a studio stage.
I’ve noticed that one thing about parents is that no matter what stage your child is in, the parents who have older children always tell you the next stage is worse.
I've learned how to be a better performer on stage and interact with the fans, make it feel like a collective experience more than just me singing songs on a stage and feeling really detached.
I wear tinted moisturized since, on the stage, we tend to wear such heavy stage makeup.
When I'm on stage, I generally wear what I would wear every other day, but I think my hair is probably bigger on stage - it seems to be my accessory!
Diversity really means becoming complete as human beings - all of us. We learn from each other. If you're missing on that stage, we learn less. We all need to be on that stage.
The stage is not for me to practice. I'm not that artist. You practice at home and when you get on stage, it's time for a conversation.
Insofar as each of us has been through the moral stages and has held the viewpoint of each stage, we should be able to put ourselves in the internal framework of a given stage.
Coming to terms with Donald Trump as the Republican nominee is like being told you have Stage 1 or Stage 2 cancer. You know you'll probably survive, but one way or the other, there's going to be a lot of throwing up.
It's not most important to communicate myself on stage as it is to be as funny or interesting as I possibly can on stage. I feel more like I'm doing a play whose main character just happens to share my name.
I'm certainly not your typical front-man material. Some people love being on stage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking on stage.
I've reached the stage of my life where learning is so important to me. I go through the past enough when I play my old songs on stage. And I don't mind doing that. But I want to think about the future.
I turned my thoughts to a still more novel mode... to compose pictures on canvas similar to representations on the stage... my picture is my stage, and men and women my players exhibited in a 'dumb' show.
My grandmother took me to a play, and... there was a little girl on stage. And as soon as I saw her on stage, I thought, 'This is my job'... I was probably, like, 7 or 8. I was very young... It was 'Joseph and the Amazing Technicolor Dreamcoat'.
I don't walk on stage unless I'm playing with a orchestra. But when I play a recital, I'm sort of on a scooter, and I just scoot very quickly on stage, and they're saying, wow, look at this. He's so fast.
I'm the same on stage as I am off stage. A lot of people who I admire - Bruce Springsteen, Jackson Browne - are not that different either. You hope that if you met them that they'd be as nice and well-rounded as they appear.
I don't have a publisher yet, so I'm not in the process of that next stage and I don't know what that's going to look like. So I feel like I finished stage one [with my book].
For stage wear and gowns, Julien McDonald, who is a friend of mine. I love that he can be totally over the top for stage wear!
I am so used to being up on stage and talking to my fans that it's strange to be on stage and be someone else. I can't look at the audience during 'In the Heights' or I will start talking to them.
Things danced on the screen do not look the way they do on the stage. On the stage, dancing is three-dimensional, but a motion picture is two-dimensional.
What is portrayed on stage and in my music videos is different from my everyday lifestyle. But I want to people to see me as CL on stage and in my music.
I wanted to do gigs where you've just got mirrors on the stage, and then you light the crowd so they look at the stage and all they can see is themselves. It's just like, "There you go, it's you, you cunts."
I always treat shows as though they could belong on either platform. I always design it for the bigger stage, but I love it on the smaller stage.
If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.
We tell people to go to college, but when they cross the stage, they cross the stage with a degree in one hand and debt in the other that stifles their ability to be able to live that good life.
As for the stage fright, it never goes away. When I'm waiting in the wings to go on, it's agony every single time but I stay focused and I know that once I'm on stage it'll be fine; I'll be in my happy little bubble.
I don't have a role model, but I certainly have always enjoyed Neil Young. I had the great pleasure and opportunity to watch him from the side of the stage on a couple of occasions, and his on-stage sound is incredible.
In my first stand-up acts there wasn't material even. You know, I'd go on stage and cry and read a Dear John letter or gut fish on stage. I could be odd - and it's what interested me as a comedian.
The average session takes about one to two hours. It's totally amazing because when a person breathes, they go through one stage of relaxation after another, and every stage releases tension.
I think if you're an actor, then you can work on stage - but if you've never done it before, you're going to have picked up a few things that you're going to need to change when you're working on stage.
I can't tell you how important it is for people on the public stage to utilize that stage in a constructive, positive way. When you're in the public eye, you have a decision to make - whether you are going to be an influence or not.
Having come to realize in the first stage of meditation that we are not our bodies, in the second stage we make an even more astounding discovery; we are not our minds either.
When I do eventually drop, I pray to God that it will happen in one of three ways. Firstly, on stage or leaving the stage, then secondly in my sleep. And the third way? You'll have to figure that out for yourself!
I started in community theater at 7 years old. I loved being on stage and performing. At the time, I didn't correlate that the stuff I was doing on stage was the same thing that I was watching in my favorite films.
The original lineup, we got on stage, we had a great chemistry, it was awesome, and then when we left the stage, we never talked to each other. There's a lot of bands that way. Who cares? What's wrong with it?
Never bring the problem solving stage into the decision making stage. Otherwise, you surrender yourself to the problem rather than the solution.
A stage play is beautiful only when it is seen as a stage play, just like you cannot get the same effect of a live Bharatanatyam performance in a recording.
I took dance from a very early age, although my first recital, I remember refusing to go onstage. I think I was three. It's funny because that stage was also my high school theater stage.
At a certain stage in the path of devotion, the devotee finds satisfaction in God with form, and at another stage, in God without it.
I admire anyone who does stage all their life. It's so tough, and it also made me really appreciate how lucky I am with film. You have to do your own makeup with stage, and you have to do so many un-glamorous things.
My on-stage uniform is basically my life uniform, also. But sometimes I go a lil' flashier on stage.
I got on stage for the first time when I was seven. From seven until I was about nine it was probably more to do with just being on stage and having the attention.
I think Miley is so real and every stage you see her in is truly the stage of her life that she's in.
In general, I'm pretty shy and nervous about a lot of things. For me to get on stage for the first time took so many times at an open mic before I finally got on stage and did it.
When I do eventually drop, I pray to God that it'll happen in one of three ways. Firstly, on stage or leaving the stage, then secondly in my sleep. And the third way? You'll have to figure that out for yourself!
The stage is my first love. It gives me immense self-satisfaction, a sort of power because a stage actor carries the audience along; it's a live performance; spontaneity is its soul.
A lot of the younger kids now can rap, but they're scared of the crowd. Mastery of that stage is an MC. I don't know if you've seen any great MCs on stage but when you do it's like wow, this is more than the words to rhymes.
The great thing about stage is that you have more control. The stage is yours. The time is yours. Film is really the editor's medium.
I love being on stage. There's nothing better than that feeling; ever since the first time I was on stage, I was like, 'Oh, this is what it means to be fully alive and satisfied.' I don't think anything's as satisfying as a play.
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