Top 1200 Stage Quotes & Sayings - Page 6

Explore popular Stage quotes.
Last updated on April 22, 2025.
Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.
Whenever I get on stage, I feel safe and in control. Life can be so uncertain, but on stage, I always know how a drama or crisis is going to end. Acting is a great comfort blanket and has gotten me through countless personal crises. I am a firm believer that the show must go on.
I take a subject, then I go on stage, and whatever is in there comes out. You can edit as you go and continue to work it out on stage until it's something you like, but I never think about it. I just go up and flow.
Stage is all real; it's just as honest except it's bigger. I love stage, I love TV and film, so I think I'll just keep exploring and try to keep a really full picture.
Shellac was asked to do a recreation of our first album, but we've always been a band that improvised our sets. That's critical to the way that we function on stage. Whatever the mood takes us on stage can vary from night to night with what you feel like playing.
I think my one of my strengths in standup is my ability to adlib. I do all my best writing on stage. I can sit down and write jokes, but I'd rather go on stage with a premise or an idea and let the jokes come that way. My creative juices are never flowing any better than when I'm onstage.
It was a big deal for us to be on Ozzfest, especially as one of the main headliners and being the band that wasn't announced: the mystery band. We'd never played the second stage at Ozzfest, and all of a sudden we're on the main stage.
I used to really want to go on the stage and then the last couple of years I've done some presenting at some award shows. I was so nervous I thought I was going to be sick, so I don't think me on stage for any length of time would work too well.
As an ex-stand up, I can tell you that a comedy club isn't a place you go looking to get the abuse you just can't seem to find in daily life. The stage is a performer's domain. You protect that domain. You are not on stage to take what's given just 'cause you're getting paid. If you are attacked, you retaliate.
On stage, I'm really, really tall. I'm five-foot-9, but on stage, I'm, like, six-foot-5.
People do complain about the way I act on stage... They think on stage I act too arrogant, too self-obsessed, solecistic, self-contained, synonyms.
It's important for me not to peak before I hit the stage. In other words, I save all of my creative and physical energy for when I walk on stage. If I can get 45 minutes of just easy going, playing rhythm, songs, stuff like that, then that's what I do to make sure that I'm all stretched out and ready.
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
Once, and only once, I walked on stage and my mind went utterly blank! I had no idea why I was there! My fellow actors had to rescue me. I was very young and new to the business, so I'm glad it didn't give me stage fright for the rest of my life!
A strategic plan based on the over-all situation of both belligerents is ... more stable, but it too is applicable only in a given strategic stage and has to be changed when the war moves towards a new stage. ... [Conversely, tactical plans may] ... have to be changed several times a day.
When you first start out in stand-up and, probably, as any performer, you enjoy the attention so much, and even though that hasn't died down on stage, it certainly has satiated whatever was in me that was needing that much attention. When I'm off stage, it's not something that I really need.
People say to me, you have not got stage fright. And if I haven't got stage fright, then I'm going to be comfortable within myself, and then something - I've always been that way and so I'm fighting to get away from that fear.
There was a stage inside it and a crank on the outside that would rotate something, like a tiny tree carved of cork, onto the stage, and then the thousands of little mirrors would multiply that one tree so that the viewer would see an infinite forest instead.
This stage in the life of the buzz is truly fabulous. It’s not even a buzz anymore. It’s a roar. The world opens up and everything’s yours right here, right now. You’ve probably heard the expression—All good things must come to an end. Well, this stage in the life of the buzz never heard anything close to that. This stage says, 'I will never end. I am indestructible. I will last fabulously forever.' And, of course, you believe it. To hell with tomorrow. To hell with all problems and barriers. Nothing matters but the Spectacular Now.
What do I need a movie for? The stage is on a higher level in every way, and a more satisfying medium. Movies, by comparison, are like calendar art next to great paintings. You can't really do very much in movies or in television, but the stage is such an anarchistic medium.
I don't know about other comedians, but I know that I never have felt anything like stage fright. I've felt nervous before big shows, but I think that's different than stage fright.
Writing for the stage is different from writing for a book. You want to write in a way that an actor has material to work with, writing in the first person not the third person, and pulling out the dramatic elements in a bigger way for a stage presentation.
I never envisioned being a rock star. I envisioned the stage. I would draw and draw and draw the stage, or the tour bus. It was much simpler. — © Bret Michaels
I never envisioned being a rock star. I envisioned the stage. I would draw and draw and draw the stage, or the tour bus. It was much simpler.
I came from stage in high school, and on stage you kind of overdo with putting on a character a little bit. Sometimes you become a character and sometimes the character becomes you.
It took me years to actually get comfortable on the stage. I prefer the intimacy of screen; it comes easier to me. In theater, you have to be louder and bigger - that was harder for many years in my teens. But now I've conquered that. I eat up the stage. I love it.
A movie and a stage show are two entirely different things. A picture, you can do anything you want. Change it, cut out a scene, put in a scene, take a scene out. They don't do that on stage
I think when an actress marries she should leave the stage. She cannot be happy if she is married and remains on the stage. She must care more for her art or for her husband.
Hamilton' has changed my life in so many ways. I really do have a family from that show. The people that I shared that stage with every night- they mean so much to me and they're so special and so talented. I'm just a fan of every single one of them and it was an honor to share that stage with them.
I wear a hat on stage so that people won't be blinded by the reflection from my head. Also, if I don't wear a hat, there's no way that the hat can be at that level by itself on the stage.
I love festivals in that people seem to let their hair down more. I love that people run from stage to stage. I love going as a performer because you get to see band that you wouldn't necessarily go see.
I had a press conference and I fell down on stage! Because I was in a skirt, dude. And there was this genius on stage and someone told me please sit and I went to sit and he pulled the chair off from under me! I did my whole thing, after that, I was really upset.
There's the beauty of the stage. I don't like filmed theater or opera because you're kind of playing soccer in a hockey game. Either or, they don't do justice to the media and you end up with a hybrid that is purely sensationalistic. Opera is a very theatrical medium that should be seen on a stage with the musicians in the pit in the audience.
Stage is the ultimate test; I like watching established screen actors on stage to see if they can really do it. But it's great to have a healthy mixture of the two. Film is so technical: there's something very particular about the relationship between you and the camera. It took a long time for me to get good on film.
My hold on the past and the future is precarious and my possession of my own time is always postponed until a stage when I may fully understand it, yet this stage can never be reached, since it would be one more moment bounded by the horizon of its future, and requiring in its turn, further developments in order to be understood.
A Marxist begins with his prime truth that all evils are caused by the exploitation of the proletariat by the capitalists. From this he logically proceeds to the revolution to end capitalism, then into the third stage of reorganization into a new social order of the dictatorship of the proletariat, and finally the last stage -- the political paradise of communism.
I think actual death will be a lot easier than dying on stage. Cause - you know - if you do [actual death] right, you can go looking good. Maybe with a little quip [like]: 'I loved everybody.' But dying on stage...Oh, God!
I tell people that anything that could ever happen to you on stage has happened to me. My clothes have fallen off. I've fallen off the stage. I've gotten sick - anything. — © Melissa Etheridge
I tell people that anything that could ever happen to you on stage has happened to me. My clothes have fallen off. I've fallen off the stage. I've gotten sick - anything.
On stage, I feel like I'm invincible, like nothing bad can happen. I can be myself. I feel like I shrink when I'm off stage.
I have always felt that the great lottery of life is unfair. The fact is that I was thrown up on the stage of life called Australia. You don't choose where you are thrown on to this stage. So universal health, universal education, of course plenty of food and clean water.
I guess there's this mind shift that happens once you're on stage. I don't know, chemicals, something happens and you just... I just become completely in control of where I am. And it's all about trusting the people that you're on the stage with, listening... and it just falls into place really easily.
For many playwrights, they write the plays anyway because they've got to be, the work has been started, it's got to be finished, but we all long, I think, to see the plays fleshed out on stage and I'm exactly like that. Yes, I'm not satisfied until I actually see it on stage.
As far as my street cred goes, I'll always have that, because I always hang with the kids. I'll jump right off the stage and buy them a beer. I'll be a star on stage, but I'll always hang with the kids.
My first summer in college, I interned for Arena Stage in D.C. and taught a disastrous class on standup comedy to middle schoolers at the Arena Stage camp. I had never taught anything before, and needless to say, I quickly lost control of the class.
I've never told anyone this. But I suffer from terrible stage fright. True. You can't tell though, can you? Unbelievable, the panic. I nearly die of fear before I go on stage. Something wicked. I can't eat a thing the day before a gig. It'd make me vomit.
When I do my solo concerts, I'm used to being on the stage for two hours solid, singing 16 songs. And when I did 'Funny Thing,' I was on the stage the whole time. This is much more difficult. It's the difference between racing and sprinting. This is sprinting. And I have to learn to pace myself.
I take that stage, and I'm the same guy backstage as I am on the stage. And you know what that guy is. That guy is a star. That guy is a champion. That guy is the guy that put '205 Live' on the map.
I don't do anything specific for the stage. I'm just myself. I can't stand still for five seconds. I'm normally quite active, so that just comes out on stage. If I see people react to me and my music, I just have to give back and express myself.
When you're starting out as an actor, you keep raising the stakes. First, you just want to be a character who comes on stage and gets a laugh or two and exits. Just five minutes on a stage, not even Broadway. But every time you say your little prayer at night, you place more demands.
There was some scene in The Blues Brothers movie, when they had the chicken wire across the front of the stage, and it was almost like that. They had a big guard rail around the stage, which kept the college kids from getting on... we had some good times.
It took me years to actually get comfortable on the stage. I prefer the intimacy of screen; it comes easier to me. In theater, you have to be louder and bigger - that was harder for many years in my teens. But now Ive conquered that. I eat up the stage. I love it.
All sectors of the national economy should make scrupulous arrangements for economic planning and guidance to boost production by tapping every possible reserve and potentiality, and work out in a scientific way the immediate plans and long-term strategies for stage-by-stage development and push ahead with them in a persistent manner.
I think certainly after every show I headline, I will be available to the fans. When I'm headlining a show, I don't walk off stage. I'll walk to the front of the stage and sign hats and shirts and tickets for 15 to 30 minutes, until everyone has everything signed.
You can have a phenomenal booth artist and he can get in there and be a technician in the booth and it won't translate on the stage. I think that's what makes emcees emcees. Some rapper dudes are great rappers but it don't translate on stage.
I'm now wearing suits on stage, so I've kinda stepped up my game as far as image. Which I have to admit is kind of a pain the butt, but it's fun. It gives you a certain amount of confidence to walk on stage and look nice, but I can't say that I'm totally buying into the whole image factor.
I learned more about who I am and how to be a great worker - and a great artistic worker - from doing student theater. I was a stage manager. I was an assistant stage manager. I was on the running crew. I did probably 25 shows at Northwestern - all musicals, of course.
A movie and a stage show are two entirely different things. A picture, you can do anything you want. Change it, cut out a scene, put in a scene, take a scene out. They don't do that on stage.
As a matter of fact," the other voice went on, "if you do tie her up from time to time, or whip her just a little, and she begins to like it, that's no good either. You have to get past the pleasure stage, until you reach the stage of tears.
I was so aware of the stage clothes versus the everyday-life clothes, and the extremeness of the stage clothes that my parents had designed. Even coming across my dad's old Beatles suits from Savile Row and the history attached to them - the masculinity and simplicity compared to the '70s glitz and glamour of Wings.
Prince is the ultimate performer. Prince is that dude that's going to get on stage by himself, if he need to, but hold you in the palm of his hand. Like, you can't take your eyes off the man when he's on stage, and he could just be sitting there playing his guitar.
There's nothing less sexy than a girl falling over on stage. I have fallen once, but it had nothing to do with my shoes. I'm legally blind, so I fell over a monitor because the stage was black, and I had no depth perception. Mortifying.
This site uses cookies to ensure you get the best experience. More info...
Got it!