Top 1200 Stand For Something Quotes & Sayings - Page 18

I don't know how long it has been since my ear has been free from the roll of a drum. It is the music I sleep by, and I love it.... I shall remain here while anyone remains, and do whatever comes to my hand. I may be compelled to face danger, but never fear it, and while our soldiers can stand and fight, I can stand and feed and nurse them.

You have only 30 seconds in a TV commercial. If you grab attention in the first frame with a visual surprise, you stand a better chance of holding the viewer. People screen out a lot of commercials because they open with something dull. When you advertise fire-extinguishers, open with the fire.

I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.

I missed the whole thing [X-files series]. And I know it went for nine seasons, and I think I saw bits and pieces of it in maybe season seven or eight or something, and then was very busy doing whatever else, stand-up comedy and stuff throughout the world. Now I'm watching the show right from the beginning.

To me, my favorite joke on a stand-up special is when someone says something and you go, 'Oh my God, I've been thinking that my whole life, I've just never said it to anyone else.' Those little kinda quiet, personal observations you make that nobody else has talked about yet.

A United Nations that will not stand up for human rights is a United Nations that cannot stand up for itself.

Stand-up can take you in so many different places, man. So many doors can be opened up from stand-up comedy, and the first one that was opened up for me was acting.

I like that I stand for something like American Idol which helps musicians and artists get out there. It's important to have shows like Idol because it's so hard to get into the music industry nowadays - nearly impossible.

When I first started doing my stand-up act, I played the banjo, did comedy, magic tricks, juggled, read poetry. I stuck it all in. I didn't know you were supposed to just stand up and tell jokes. Essentially, that's what my act became: those five elements - except I dropped the poetry.

Sometimes people ask me, 'You do stand-up?' I try explaining what I do, and I don't think they really get it. So: 'Yeah, I do stand-up.' I wish there was one word to express what I do - that way, I don't sound arrogant. Whenever I say I'm a performer, people think I'm a performance artist: 'She paints herself white and pretends to be a flower.'

As an actor if you're working you're usually in three places, you're either prepping something, you're shooting something, or you're post on something or promoting something.

It is true that you can say that death is natural, but it is also natural to fight death. But if you stand up and say this is a big problem, we should do something about this, that makes people very uncomfortable, because they've made their peace with death.

Man, you learn so much just like with anything else. If you do something long enough, you learn. You make mistakes. You run into roadblocks and barriers. You overcome obstacles. You fall down. I mean you have to fall down to learn to stand up.

Thank god there's no 48-hour race anywhere in the world, because chances are nobody could beat Porsche in a 48 hour race. They're probably the only cars in the world that would stand up for something like that.

It is a pleasure to stand upon the shore, and to see ships tost upon the sea: a pleasure to stand in the window of a castle, and to see a battle and the adventures thereof below: but no pleasure is comparable to standing upon the vantage ground of truth . . . and to see the errors, and wanderings, and mists, and tempests, in the vale below.

When you first start out in stand-up and, probably, as any performer, you enjoy the attention so much, and even though that hasn't died down on stage, it certainly has satiated whatever was in me that was needing that much attention. When I'm off stage, it's not something that I really need.

What is extraordinary about the character of Edna - and I speak as though I am completely outside this character and I am talking to you - I'm, as it were, in the wings, and she's on stage, and every now and then she says something extremely funny, and I stand there and think: 'I wish I'd thought of that.'

If you stand over on the edge of the west coast of Ireland and look west, you are looking at something you can't see, only imagine. You know America is there, and you can imagine it being there. But you're also looking into infinity, because you can see nothing.

It is almost inevitable that our faith will be challenged. We may at times find ourselves surrounded by others and yet standing in the minority or even standing alone concerning what is acceptable and what is not. Do we have the moral courage to stand firm for our beliefs, even if by so doing we must stand alone?

I liked horror and comedy, basically, from a young age, but I just ended up getting into comedy because there was - I could do stand-up comedy, and that was my way into this business, and then there was no stand-up horror, and I didn't know how to get into that world.

When I'm not filming anything or on the road doing stand-up, I'm usually doing stand-up shows every night - usually a few shows a night at different clubs in the city.

Stand with me. Stand and fight. I am one, and we would be two. Two more might join and we would be four. When four more join we will be eight. We will be eight people fighting whom others will join. And then more people. And more. Stand and fight.

I think I have got a lot better as an interviewer. I let people talk now which is something you need to do. At the beginning I thought jokes, jokes, jokes, I am a stand up comedian but I think I have mellowed out now.

Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.

We need to write books that publicists and marketers and booksellers and book club leaders and librarians and readers can get excited about. That have something about them that makes them stand out. That makes them shine.

If you only stand up for speech you approve of, you're a hack. If you only stand up for speech that everyone approves of, you're a coward.

I don't like standing near the edge of a platform when an express train is passing through. I like to stand right back and if possible get a pillar between me and the train. I don't like to stand by the side of a ship and look down into the water. A second's action would end everything. A few drops of desperation.

We don't have any power of creation - we have only the power of assembly. So you just stand there and watch things connect to each other, in some amazement actually. You start by doing something right, and you watch it get more right than you thought possible.

I've gotten to go to the Opry a couple of times and stand backstage and watch. But I made it a point not to take a tour or stand in the circle until music took me there. I told myself that was one place I'd never go unless music took me there.

It's not like you take the right turning and you get everlasting happiness and you take the wrong one and your life's a disaster. In real life it's often impossible to tell which decision is the one you should make because what you stand to gain and what you stand to lose are sometimes-often-neck and neck.

There have always existed three ways of keeping the people loving and loyal. One is to leave them alone, to trust them and not to interfere. This plan, however, has very seldom been practised, because the politicians regard the public as a cow to be milked, and something must be done to make it stand quiet.

In New York there are between four and six big designers, and the shows last one week. There is something wrong here. It's our fault. We can't stand up for it. They take our ads, don't they? Why don't they want to stay longer in Milan? Why do we have to comply? We have the most beautiful brands, they are Italians.

The point is that profound but contradictory ideas may exist side by side, if they are constructed from different materials and methods. and have different purposes. Each tells us something important about where we stand in the universe, and it is foolish to insist that they must despise each other.

Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.

The Men at Work thing is always there, it's always going to be there. It's not something I consciously think that much about anymore. The thing that stays with you is the songs, which is a good thing for me, because the songs are the things that stand the test of time.

What are you?" I whispered. He shrugged again. "Something," he said. "Something like you, something like a beast, something like a bird, something like an angel." He laughed. "Something like that.

I think to simply make fun of something isn't particularly interesting. I try to not just do a parody of something or belittle something or disparage something.

Build something, make something, test something, sell something. Learn for yourself if your idea is a good one.

What's amazing is that I'm recognized all over the world through 'Red Dwarf.' British fans are exceptional, but the American fans are something else. Some of them fly 500 miles to stand in line for three hours, just to meet me, then when they do they collapse. It makes you feel like a rock star!

Work is an opportunity to bring something forth-to create something, complete something, invent something authentic and original.

There are women (some men, too, but mostly women) who are going to the occupied Palestinian territories to stand with the victims of Israeli occupation. These are very courageous Israeli women and some British and American women. That's something quite new.

Sometimes you want to skate along or just get by or fly under the radar, but sometimes you have to stand up and let your voice be heard and give it your best and give it your all. As a mother of young children, that's something I've tried to emphasize and highlight for them.

The more I make stuff, the more I become aware of when I feel like I'm making bullshit or feel like I'm making something I can stand behind.

People would ask me how I could stand the long campaigning, how I could stand being charged with the responsibilities of a great nation, one of the most powerful and difficult jobs in the world. It wasn't any more difficult than picking cotton all day or shaking peanuts.

I just miss you, in a quite simple desperate human way. Oh my dear, I can’t be clever and stand-offish with you: I love you too much for that. Too truly.You have no idea how stand-offish I can be with people I don’t love. I have brought it to a fine art. But you have broken down my defences. And I don’t really resent it.

I've always loved American stand-up. Richard Pryor is one of the main reasons I got into stand-up. After Pryor, I made my way through the other great American comics, then finally got into the British ones over here.

I remember seeing Letterman do stand-up on 'The Tonight Show.' Or, it's probably more accurate to say, I remember hearing him do stand-up, because the Carson show existed mainly as sound leaking under my bedroom door at night. I'd hear Johnny telling jokes and my dad laughing at them.

Photography has always been important to me for that, being able to make sense of something or understand something or remember something or laugh at something.

Nothing is so foolish, they say, as for a man to stand for office and woo the crowd to win its vote, buy its support with presents, court the applause of all those fools and feel self-satisfied when they cry their approval, and then in his hour of triumph to be carried round like an effigy for the public to stare at, and end up cast in bronze to stand in the market place.

If I tell a joke on stage and the crowd laughs for a minute, I stand there for a minute and enjoy them laughing before I go on to the next joke. On TV, if I stand there for a minute while they laugh, I look like an idiot who can't remember the next joke.

Any sizeable Portuguese town looks like a superstitious bride's finery - something old, something new, something borrowed, and something blue.

I stand firm behind the belief that, for me, songwriting isn't something that I do or command, it happens to me. I can either choose to stop and acknowledge it, or put it off and hope that it won't fade away. 'That Wasn't Me' is no exception - it came together more quickly than any other song I have ever constructed on my own.

It's simple, you just take something and do something to it, and then do something else to it. Keep doing this, and pretty soon you've got something.

As a stand-up, as a storyteller, as an improviser, I've done thousands of shows. They allow me to work out new material that might turn into something later. They let me keep my muscles sharp for when the rent-paying gigs do come along. They keep me sane.

Don't you just want to make something that lives forever? Something that's phenomenal, something that's great, something that's undeniable? That touches the core of every person that hears it?

To move is to stir, and to be valiant is to stand; therefore, if tou art mov'd, thou runst away. (To be angry is to move, to be brave is to stand still. Therefore, if you're angry, you'll run away.)

It's not nuclear physics. You always remember that. But if you write about sports long enough, you're constantly coming back to the point that something buoys people; something makes you feel better for having been there. Something of value is at work there...Something is hallowed here. I think that something is excellence.

Stand up comedy is this thing you get to do, so you have to treat it with respect. You can't just be like, 'Alright, I got my hour down, people are coming to see me now. Now, I'm going to lean on the mike stand.' No, you gotta work even harder now. You got to top what you already did. Because they'll find someone else.

Something can be symbolic without being a mere stand-in or vessel, which just brings us away from the true mystery and dread, into some boring version of what we already know. So what you say is true, in that the bear is a kind of parallel to the speaker, or imagined as such, but also very different. So if it's a symbol it is - ahem - a polysemous one.

You must have something new in a landscape as well as something old, something that's dying and something that's being born.