Top 1200 Started Quotes & Sayings - Page 13

I was a horrible student! It just sort of evolved as I started playing. I guess I became a master of it when I declared myself a wordsmith or a... word-play guy. As soon as I declared it and started that affirmation, I just became it.

I got started acting by going to auditions that my mom found in the entertainment section of our local news paper. Then, I got a manager and started going out on more auditions.

My friends started making music, and then I started making covers because I was like, 'I don't have anything to write, but I like music.' So I would just cover Frank Ocean songs.

I knew Stokely [Carmichael] and them, but when you got to that, you saw that Nina Simone started to take up their burden. She started to preach for them. She was taking on the burden of "I want to tell the people."

When the Georgian army started this assault against the sleeping city of Tskhinvali, the Georgian peacekeepers, serving in one contingent with their Russian friends, joined the army and started killing the Russian comrades in arms.

When I first started out in music, I was so negative. I was knee-deep in the streets. Then my friends started going to jail. They said, 'Boy, you better start taking this seriously; you got a chance to do something with your life.' That's when I realised I had to focus. The music led to the acting.

I'm so happy in the projects that I'm able to make, to be involved in projects like this. This isn't always where it was at for me, I started working when I was a kid. I'm just a different person now, I'm 30. I started working when I was 11 and it's a different ballgame.

I started out in stand-up when I was 18, which is really masochistic, and I did it really till I started going in movies. I did it for about three years out in LA.

I guess telling stories is an art. I never looked at it that way. I just started talking, and everyone started laughing. So I kept talking, and they kept laughing.

I'm glad that I didn't have the Internet when I started writing. I started writing when I was 20 and didn't show a word of it to anyone until I was 28. I had the sense to keep it to myself. Now the temptation with blogs and such, they're just getting it out there; maybe it would have been best to keep it to themselves.

I grew up in Westlake Villiage, a suburb of L.A. There was a guy there who was a fighter and was like, 'I'll teach you to box.' I started a little bit of boxing, then it crossed over into jiu-jitsu. I was into it for a little while, but then I started doing basketball, baseball, team sports.

I was on the outside of the industry. So I started a podcast early in the podcast boom and that caught on a little. I made an album that went to No. 1 on the iTunes charts. I made my own special. I started my own storytelling show.

I actually started an adult book, worked on it for about two years, and then decided it just wasn't coming together for me, and thought I'll go back to children's books, and almost immediately I started 'Holes,' and it just seemed to take off on me.

People don't understand this, but I started very young, and I became very, very successful at a very young age. By the time I was 26 years old, I was a multimillionaire. And I started with nothing. And I was on the road 10, 11 months a year.

I started doing a paper round when I was about 10. I started earning $10 a week and then I was obsessed with earning money until I was about 15.

I started listening to and playing other music in the '90s. It was after hearing other bands, like Bad Religion, cover Ramones songs that I started to like our songs again.

The first time I started choreographing was in the dark, in my living room, with the lights completely out, to some popular music on the radio. I put the radio on full blast and I started moving. I didn't know what it looked like. I didn't want to see it... I had to start in the dark.

My moms is strictly Christian but once I got knowledge of self and started reading she used to love when I would sit there and tell her some of the things that I learned. It gave her an open mind to where she started believing in the most high.

It sounded weird to hear you talk so much; normally you only said a few words at a time. I'd never imagined that you'd have a story, too. Until that moment, you were just the kidnapper. You didn't have reasons for anything. You were stupid and evil and mentally ill. That was all. When you started talking, you started changing.

This man who was my father's age hit me hard on my head when I was 17. I started bleeding. I took out my sandal and hit his head hard, and he started to bleed, too.

When we first started and started hitting new places for the first time, you kinda didn't know, because we were new. Sometimes we played tiny little clubs and sometimes we'd play a larger place.

Very early on, when I started doing these plays and live shows, I would travel from city to city, and there were a million shows out there... so I wanted to step out among it, and I started putting my name above the title.

God plants dreams in people's hearts. But many people do not continue all the way to the end in order to follow Him to the fulfillment of that dream. Many get started and quit get started and quit get started and quit. They do not continue because their broken heart overwhelms their hope. They do not have any inner strength to carry them through to the end. Jesus will bind up your wounds and heal your bruises. His Word is the medicine for your soul.

When I was 16 or 17, I started listening to Death Cab, and I started writing my own songs. I was writing alternative rock, and I had a seven-piece band. The shift was just iterations of experimentation and finding what sounded right. When I stumbled on the sound and vibe that I currently have, it was kind of by chance.

In Paris in the late '40s, I started making my first reliefs. They are separate panels. I wanted to do something coming out of the wall, almost like a collage. I did a lot of white reliefs when I started because I liked antique reliefs, really old stuff.

We didn't have a backyard, so as I child, I would turn the coffee table into a stage and put on shows. But it was just a fun thing to do; I never thought about it as a profession. That started as a fluke; my mother had a friend who was an artist with a theater company, and I started going there after school because my mom knew I'd be safe.

I was trying to do my own version of 'Cha-Cha Slide.' I was hoping someone, just someone, please dance to this song. It started to happen at my shows; the front row fans started doing the dance.

At some point, I started listening to music a little differently. Rather than being like, 'Yo, this is dope - who made this?' it started being like, 'I wish I made this.'

I started off with violin, then I started learning guitar, then I went to piano. But I self-taught piano just because I enjoyed it. I've always really enjoyed music.

I did an event in Washington, and it was like we lifted a sea.Immediately after [9/11], there was a stunned shock - kind of this feeling of "What do we do now?" I started performing, and there was a catharsis in the laughing. People started to be able to laugh again. Laughter can be many things - sometimes a medicine, sometimes a weapon, depending on.

I think somewhere in the '90s, it started to shift, and you started to see a lot of film and television actors doing theater, and producers using the notoriety of the film and television actors to sell tickets.

The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'.

The things that we've done as a couple all started by accident. We got married and then we seemed to have loads of interest from people who were asking us to do bits and pieces and then we started presenting together, which really, was another accident but we enjoyed it so we carried on doing it.

As far as the writing goes, I started telling stories as soon as I could talk, and started writing them down as soon as I could string words together.

When I started 'City of Bones,' I knew exactly what was going to happen in 'City of Glass.' When I first started the six-book series, I thought of it as a three-book series.

I think the good thing about 'Take Me Out', which is kind of a compliment to us really, is that when it started doing well round about the second series and people started getting into it, all of a sudden every time you turned over a channel there's a new dating show on.

For a number of years, I wasn't consuming any dairy and suffered some injuries. At the time, I wasn't taking advantage of a wholesome diet with dairy and cheese and milk. Once I started implementing the dairy, including chocolate milk, I started to feel the difference.

I wasn't popular in school, I was Mexican, I was all these inappropriate things. I started playing the ukulele and taking it to school, and I realized people liked listening to it. I would play it to comfort myself at home, and I'd play rhythm and blues songs that had four chords. That's how it started.

Ive been taking martial arts for a long time. I started with tae kwon do, and then I started taking karate and mixed martial arts.

When I started to write music that was completely divorced from any sort of idea of commercial success, the real me started to come out. Normally, a musician in a session for a pop record would have to discard a lot of ideas because they won't fit, because they're not commercial.

Drue [Langlois] and I started making music together before we started the Art Lodge, so I guess musical collaboration came first. The music we made, and our performances, always had a visual component. I could never play an instrument, so these other elements compensated for that a little.

I was talking to so many teenagers for so long that I started to feel like, 'I have my own story I want to tell, and I need to do it soon.' So I started to store away pieces that eventually became 'Speech & Debate.' I felt this burning need to write it while I still had not only all of the ideas but the passion to do it.

My goal is to get a real film industry started in Washington. An actual one, not where features come to town and shoot second unit for a few days. I would love to get something started here. Hire local crews. People could work year-round and raise their families here.

You pick up loads of baggage with your first record with reaction to it from fans and critics. So I went to Ireland by myself for a couple of weeks with my guitar. I read lots of poetry, I read Patti Smith's autobiography and started words and phrases and then songs started to take shape.

I started acting when I was 9. I did smaller parts here and there as a kid, and then as I grew older I started resisting it, because I didn't like the idea of being, at the time, number four of the Skarsgård actors. So in high school I majored in science and was like, "Maybe I'll do something rebellious and become a doctor."

I always tried to move up the food chain. I started with cement and then moved into textiles and banking. When I was trading sugar, I added salt and flour so that then we could do pasta. And then I thought, why not make the bag for it, too? So, we started making packaging.

I started doing a paper round when I was about 10. I started earning 10 pounds a week and then I was obsessed with earning money until I was about 15.

When I first started talking about running for office, a lot of people said to me, 'Don't let the consultants change you,' and I'd always assured them that I wouldn't allow it to happen. But like it or not, I had to change. Not because of a consultant, but because I started to understand the cost of a stupid mistake.

When I first started writing, I used to listen to music all the time because it would make time pass more quickly. And then I started to wonder if the music wasn't affecting my writing in ways that I didn't necessarily intend.

I started 'Will & Grace' when I was 39, and Nick started 'Parks and Rec' when he was 39. And he's really on the same trajectory; it's all happening with the same timing. It's so funny to see it all happening again.

Once I started selling scripts for a great deal of money - action scripts, no less, which people tend to pooh-pooh anyway - then I started to get some backlash. Which I didn't mind.

When I was sixteen I started acting, and I also started to embrace my tradition and culture. I had a young medicine man interpret for me what it is to be an Indian. He really caught me at a good time because I was really vulnerable after the loss of my parents with all of the feelings of abandonment.

If you can't create physical life, you find a life force. If that's in music, that's in music. I started to find this deep, primitive rhythm, and I started to move to it. And I held hands with sorrow, and I danced with her, and we giggled a bit.

If I started at 13, by the time I was 14 I was already good enough to play in front of people. I started off playing drums when I was 5, so playing in front of people didn't matter - not a problem.

Music is the reason I started talking to people. When I started singing in bars and trains, I began to learn the behaviour of people. Music was the bait that helped me get something from them and give myself to them.

I don't know that you can set out to be a brand. For us, it happened very organically, and we never rushed it or leaned on it too hard. I felt a true culture had started to emerge several years into the Machine, so we started trying some things, starting with simple stuff like cool merch.

And that's what happened to that show. It started ordinary, it started really rather bad. As I said, there was a review that said, really, we think the commercials are better than the show. And then it gradually developed.

I started out as an assistant to a director on two movies, Miguel Arteta. The movies I worked on were 'Chuck and Buck' and 'The Good Girl.' I didn't even know I wanted to be a director until I started working with Miguel.

I never wanted to be a model. I never wanted to be a serious actress. I started off doing comedy. I did a stand-up comedy camp at the Laugh Factory, and I started out on Nickelodeon.

I started writing when I started acting professionally because, with acting, there's so much time when you're not working, and there's so much rejection and so little you have control of. Writing is something that you can do, and no one can tell you not to.