Top 1200 Started Quotes & Sayings - Page 19

Moammar Gadhafi and the revolt against Gadhafi was not started by the United States. It was started by the Libyan people. And the reason why I argued we needed to get involved is because he was going to go one way or the other. And my argument then was proven true, and that is, the longer that civil war took, the more militias would be formed and the more unstable the country would be after the fact.

I'm a diehard animal lover - I've always loved animals - but it was just one of those trips that I felt like I was going back to the beginning of where earth started. At the time, where a lot of stuff was brewing anyway, to be in such a beautiful and barren land, and just looking at how life began with all these creatures, I just started to really think about animals and time and just all of it.

Our third partner [with Neal Dodson] was this other guy called Corey [Moosa], and he came in with good ideas and also some access to money, and so we joined forces and drew up a business plan and got financing for the beginnings of the company. We had no idea what we were doing really. We just started looking through material and started producing our own stuff.

It seemed so wimpy at first when I started to play [guitar]. So I started playing loud with lots of effects just to try to mimic the dynamic [of the drums]. Drums seemed a lot more expressive. [I was] Trying to emulate the feeling of playing the drums on the guitar - I guess that's why I played it so loud.

I started rapping because my mom died when I was about 11 years old, and I was a very rebellious kid. I've been kicked out of every school I've ever been in since 6th grade on, expelled and dropped out in the 11th grade. Music was the only thing that I could really use to express myself, so I started rapping.

Yeah. When I was 14, my Dad had a radio show with really cool people from Ghent, our hometown, in it. The people who started the R&S techno label, they did a show, and a very well known Techno DJ called Frank de Wulf who was from around there, he did a show, and everybody could do what they wanted. They all started up there.

When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.

I started taking classes and doing things that I had always wanted to do but couldn't because I was working. I signed up for a bunch of workout classes, and to my surprise, I realized I was enjoying it. Because I was working out so much, I started looking for more workout clothes and found a lot of redundancy - predictability that was uninspired. That's when I decided to start my own line.

One day the factory sports coach, who was very strict, pointed at four boys, including me, and ordered us to run in a race. I protested that I was weak and not fit to run, but the coach sent me for a physical examination and the doctor said that I was perfectly well. So I had to run, and when I got started I felt I wanted to win. But I only came in second. That was the way it started.

The James Webb Space Telescope was specifically designed to see the first stars and galaxies that were formed in the universe. So we're gonna see the snapshot of when stars started. When galaxies started. The very first moments of the universe. And my bet? There's gonna be some big surprises.

I went through some stuff. And I got very depressed at times. It was like a marriage breaking up suddenly, violently, quickly. And I was just trying to figure out what happened. When we started putting this tour together, I started to feel better almost immediately. And then this there is this, there is almost no better antidote to what I"ve just been through than to do this every night.

As a young woman, I experienced high school and heartbreak, and the music I started to write was a little bit more poetic, and more inspired by spoken word. The real raw emotional things that sit in the back of our minds, that you were afraid to say? That's how I started to write my music. And that's how 'H.E.R. Volume One' came about.

It was probably 10 at night when I started to read Donnie Darko. I get in bed and read the first page, and I go, "Hmmm. That's interesting." Second page, "Wow." By the fourth page, my heart started to beat, and I knew. It makes me cry, because I knew I had found a classic film. You just know when you get certain material.

I remember the moment in which we were taken hostage in Libya, and we were asked to lie face down on the ground, and they started putting our arms behind our backs and started tying us up. And we were each begging for our lives because they were deciding whether to execute us, and they had guns to our heads.

It was my idea that if you started any kind of business, you should begin somewhere near where you hoped to end. In other words, if I wanted to make really good clothes to order, I would start out making good, and therefore expensive, clothes to order. If I started making inexpensive clothes, I thought probably I'd die making them.

I started with the chorus of that song, kind of like a fun bouncy thing to play, and then one of the lines popped up: 'I got things to do today, people to see, things to say.' I wrote about a dozen verses for it, but no song needs to be that long unless you're Bob Dylan. So when we recorded it I started to tear it down to some of the lines I thought were the funniest.

I was on Facebook. I was on MySpace. And somebody said to me, You should check out this thing called Twitter. I knew five people that were on it, so I started following those people and seeing what they were doing, and then I applied my own sensibility to it. The more that I shared, the more people started following me.

Yes, I started piano and classical singing, I wanted to study jazz, but I tried to go to the Polish University of Jazz, but they didn't want me. In Krakow, I wanted to conduct, they didn't want me. And I start to think, 'I have to do something.' In Krakow there was drama and music. I started to study.

I grew up in the church, and I always kind of knew Bible stories and knew the Sunday school answers, but when I was a freshman in high school I joined youth group, and that's when I started to see radical love; that's when I started to see what Christian community is supposed to look like and what fellowship is supposed to look like.

The key to writing for Richard (Pryor) was to just push his buttons and then know when to push the buttons on your cassette recorder. You'd get him started, then surreptitiously start recording when he got inspired and started walking around the room and improvising in character. Then you'd get it all transcribed and take credit for it.

I never looked at magazines before I started modeling. I was 13 or 14 and none of my friends were into magazines. We were into the fashion of the day, though. Designer jeans were really popular - Sasson, Gloria Vanderbilt, Calvin Klein, Jordache. Once I started modeling, I began to learn about these things, and magazines helped me to understand who was who.

After I quit being a lawyer in '95, I was having a lot of trouble writing. Then I read somewhere that Willa Cather read a chapter of the Bible every day before she started work. I thought, 'Okay, I'll try it.' Before each writing session, I started to read the Bible like a writer, thinking about language, character, and themes.

[Jack Johnson] became a superstar and started his own record label, and then he made and produced my first record, he co-wrote the songs on there, and then he let me open up for him for two years all around the world. And that was like the best start I could've had, the best way I could've started in the music scene.

The name of the game is to talk to people. If you don't talk to people, you can't get started...You knock on twenty doors or so, and twenty guys tell you to go to hell, or that they haven't got time. But maybe at the fortieth or sixtieth house you find the one guy who is all you need. You're not going to organize everything; you're just going to get it started.

I started writing songs for youth theater and stuff, and so it's really writing music for the stage that started me out, but then I eventually went to music college and did a two-year course in contemporary music and then just played in endless bands, cover bands, jazz bands.

I started on 'Saturday Night Live' the same time Conan started on Late Night. We just had a relationship because I would be upstairs in the studio and whenever he couldn't get a guest - which was often back then since he was just starting out - he would just call me down to be a guest.

I lay in bed the night before the fishing trip and thought it over, about my being deaf, about the years of not letting on I heard what was said, and I wonder if I can ever act any other way again. But I remembered one thing: it wasn't me that started acting deaf; it was people that first started acting like I was too dumb to hear or see or say anything at all.

I think most fiction writers naturally start by writing short stories, but some of us don't. When I first started writing, I just started writing a novel. It's a hard way to learn to write. I don't recommend it to my students, but it just happens that way for some of us.

Had more confidence than I probably should have in high school. But I do remember feeling like I wish I could physically mature a little faster, fill out. In college it started to happen a little bit more, and my confidence started to grow - then I got out to L.A., and that got squashed immediately.

My mom beat us until she started breaking clothes hangers. Wooden clothes hangers! Once we started laughing back at her, then your spankings were through. That's the way I was raised. So, I got to be about 13 years of age when finally she quit spanking on me. But I think that it was great way to be raised.

After Bottle Rocket, I started getting acting work. People started offering me roles in movies. It wasn't something that I thought about as a kid growing up in Texas. Actually, maybe I would have thought of it as a possibility, but it seemed so crazily far-fetched to think that you could work in movies that I really didn't ever quite imagine it. It was just lucky.

When I was cutting hair, I felt like that was my trap. I started selling haircuts. I started selling beats; that's me trapping. So trap music is like hustling music to me.

Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.

I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.

I don't play anymore because I can't play anymore and I retired when I was playing for Chelsea because the doctor had to cut my leg in two parts so this is why I retired. I started going to the gym recently and my knee started to hurt again, so you can imagine what it would be like if I tried to play! I play football on the beach with my daughters and my friends but that's it.

When I started out, maybe because I did Thelma & Louise early on - but people were always asking, "Are things better for women now?" I would say, "Yeah, I think so. It seems like it." Then a few years in, I started saying, "I think so. I'm getting a lot of good parts, but I don't know." Then eventually, I was like, "Google it. I don't know, but it doesn't seem great."

I think I started to come into my own when I started doing more original material, and that, I think, culminated in 1998's Modern Cool. I insisted on going my own way. I think until you're more prolific, people don't trust that. So at first I think it was harder. They didn't know what to think, but as I continued along that path, they generally came my way.

When I first started writing cookbooks, I remember thinking to myself, what makes me think I can write a cookbook? There are these great chefs who are really trained. And, as I started, I realized, actually, what is my lack is actually exactly right, because I can connect with - cooking's hard for me. I never worked on... And that's why my recipes are really simple, because I want to be able to do them.

I like to tell kids that I started thinking about stories when I first started reading stuff like Dr. Seuss and 'Go, Dog. Go!,' thinking, 'Oh yeah, that's funny. I'd like to do that.' And then writing throughout school, but at the same time I was studying pre-med stuff, because my mom told me I should be a doctor.

When I first started producing, all I had was this little crappy sampler called a S20, which had, like, a minute sample time. I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job. I was a schoolteacher for a while, and it was the worst job.

I grew up, like - since I had a lot of brothers, I grew up listening to Hot Boys, Goodie Mob, OutKast, basically all the southern albums, like Silkk the Shocker, Master P, Soulja Slim, and then it just elevated on when I started getting into music and I started listening to Nas and Jay Z and stuff like that and Lupe Fiasco and whatnot.

I traveled and worked with amazing actors, like Andy Garcia, Alec Baldwin, Brendan Fraser, Forest Whitaker, Lee Pace. It was this great learning experience. And then, I started watching a lot of television. I was always in these foreign countries and I would get TV shows on DVD, and I started to realize that all of the amazing roles for women were on television. I was spoiled by Buffy because I thought that was the way it was everywhere, and it's not.

For early plays of mine, I started with character. But I think that's because I hadn't been in theaters; I hadn't worked that much. I'm very interested in character, obviously, but once I started having my plays produced, I became so fascinated by the theatrical experiment and the weirdness of theatrical space, so now all my plays start with space and stage picture and setting - or container is maybe the better way to put it.

I always wanted to play music, and always loved it. I saw a band come to school, when I was in elementary school, and wanted to play drums. I started playing drums at 11, and that's where it all started.

I was bullied from fifth grade on. They started making fun of me because my mom was in a wheelchair, then they started making fun of me because I was poor and then it evolved to my size.

When I started playing the bass, I became kind of fascinated by it and started investigating various styles of bass playing, and I was really struck with funk music, mainly American funk music - Stanley Clarke, Funkadelic and that kind of stuff. That comes out in a couple of songs like 'Barbarism Begins at Home.'

A thousand times today I've started to open my mouth, started to squeak out, "Can you tell me...? But then I'd look into the front seat, at my mother's silent shaking, my father's grim profile, the mournful bags under his eyes, and all the questions I might ask seemed abusive. Assault and battery, a question mark used like a club. My parents are old and fragile. I'd have to heartless to want to hurt them.

I graduated college in 1992 and didn't reach a sizable audience with my column for nine solid years. If I had started ten years later, or ten years sooner, everything could have happened sooner, obviously. But if I had started fifteen years later? I don't know.

I don't really know where the rumors started. They just started. Because I saw a number of people rumored for the role and there was never any discussion, never any conversations. I think Chadwick Boseman is a great actor. I saw Get on Up and he killed that role. So, I think he's going to do a great job.

Sometimes you have to wonder if there isn't an ejector seat built into having a popular-music career. We were lucky when we started. We were already old when we started - you could have described our first album as "aging Brooklyn guys." We were in our late 20s. We weren't octogenarians, but a lot of bands were already younger than us. Fortunately, we've held on to our manly good looks.

Music saved my life. I mean, music is life. It is everything to me. It's why I can meet people - I was so shy as a kid, and when I started to write songs and perform them with my sister in front of the public, people started to talk to me, and that made me feel really good. Everything about it has always been positive.

We discovered this halfway through the process. When we started making the film there were some lines of dialogue in Portuguese, but we then changed our minds. The film started from very specific issues in the world, in particular Latin America, but halfway through the journey we felt the necessity to have more universal ideas that were not so specific.

I come from gender-balanced workplaces. I started off working in medicine, and when I went through med school, it's 50/50 men and women. And when I started working as a doctor, it's 50/50 men and women. So I've always been very accustomed to women occupying pivotal roles in the professional environment.

I THINK ITS COOL THAT OTHER CROWDS LIKE WHAT I DO. HOWEVER IVE ALWAYS HAD A GOOD MIX OF PEOPLE AT MY SHOWS. I STARTED DOING THINGS ON RADIO ON ROCK MARKETS AND ALTERNATIVE MARKETS. IVE ALWAYS BEEN A COUNTRY TYPE ACT HOWEVER I STARTED WITH THE ROCK MARKET. IM VERY INTERCHANGEABLE.

'All Def' is unlike any other comedy show or set because 'All Def' goes back to the essence of how urban comedy started. We give it a 'stoop appeal.' A stoop appeal is important for us because it's where pretty much all black comics started doing their standup: cracking jokes on the stoop, in the hood.

I started on 'Saturday Night Live' the same time Conan started on 'Late Night.' We just had a relationship because I would be upstairs in the studio and whenever he couldn't get a guest - which was often back then since he was just starting out - he would just call me down to be a guest.

I'm an old guy, so I started out playing 'Pong' with my brothers, and 'Mario Bros.' and whatnot. But we really got involved and got intense when 'Tecmo Super Bowl' came out. That's when we really started playing video games, and it got intense.

I hold conferences, and the result of that was that the secular community also started picking up my stuff, and pretty soon they wanted more. So I realized I could not only minister to the Christian community, but I could also minister to the corporate community. So my books started crossing over, and then I began to intentionally have them cross over.

For me, skateboarding started in 1965, so by the time the Dogtown era came around I'd already been skatin' for 10 years. When I started it was clay wheels and mostly home made decks. We were just trying to copy surfing. Everything about skateboarding had to do with surfing. It was all about fun and a way to surf when the waves were shitty.

Ever since I was a little kid, I got bored, so I learned to sing, and I started singing lessons. And then anytime I was bored, I would start writing and start messing around on my computer, making beats. Then I got bored and started making YouTube videos; that changed my life in a big way.